Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Shadows: Bezal-El

Julian Ungar-Sargon June 19, 2012

Only in the moonlight are the shadows revealed

ghostly forms without color

banished in the sunlight of daytime.

Now in the twilight

they appear from nowhere

an intimation of another world

that only makes itself felt

in that in-between time

that is Bein Hashmashos.

These are weird and miraculous items

created at the end of creation [1]

just prior to the the Sabbath

when the Divine was readying for the Holy Shabbat

an after thought

created as an after impulse

before the stage was finally set for physics and nature

to hold reign.

These ten mishnaic occurrences

allow for the miraculous in nature

having been pre-ordained prior to nature

a primordial seed implanted into the very stuff of things

allowing for nature and non nature to coexist

in a paradox, yet allow for rabbinic logic.

A paradoxical time

this twilight

in these spaces between light and dark

shadows are conjured

so fleeting they donʼt even appear as real

yet they haunt me

as I strain to make their visual outline make sense.

No wonder that when Moses is dumbfounded

as to the divine intent

how this or that sacred item should be constructed

what it might look like,

he turned to Bezalel

at the divine insistence

he who lives in the “divine shadow” Bezeil El

he who was filled with wisdom[2] and all manner of craftsmanship

alone conjures the shapes and sounds of the divine furniture.

For there are things that only manifest in shadows

in the twilight

in the murkiness and muddiness

where light kisses darkness

touch each other

for those few minutes each day

as the sun surrenders her watch

allowing for the appearance of such figures

and ghosts.

In our shadow moments

what gets conjured?

what forms appear on the horizon of perception?

what is present that otherwise would have been suppressed

in the sun-filled light of day?

As the day wanes the shadows cast behind us grows

until we can almost see an alternate self in the late afternoon

this darker borderline personality

that we would never parade

in the light of parents,, teachers, role models and spiritual mentors.

Yet we must invite them into the conversation

for they too make demands on us

from the grey twilight unconscious plane

impacting our desires from below.

And maybe this was the genius of Bezal-El

to have courageously invited

these divine shadows of the subterranean places

of the soul

seeing the divine even here

refusing to split off the divine as sun-God

but insisting that here too

in these darker spaces of the mind

the divine was fully present.

Where did this intuition come from?

to work in the space of twilight

Miriam his great grandmother? [3]

The one who chided her father, the high court justice

shaming him to retake his wife!

to reclaim his responsibility

even if this meant

lovemaking in the shadows.[4]

Our task is similarly shadow work

archeological, muddy and smelly

where even Moses is clueless.

Bezal-El teaches us how to conjure fleeting forms and wisps

lost dreams and failed promises

broken hearts and betrayals

where others have long given up

he works his magic by inviting this darker twilight image

to the conversation.

Bezal-El taught us how to accept the Torah

in the darkness and in the shadows (baʼchoshech ubeʼarafel)

only after which Moses was able to enter the cloud

the arafel where God was present.

even though the “people remained from afar”

So surprised to see such ghosts from the past

show up at the party

insisting on their voices be heard

so surprised to see their figures projected onto the silk screen

so vividly

so articulate

figures we had banished

figures we thought had faded

we never thought we really owned

until now.

In this precious time of Bein Hashmashot, between the suns

a holographic image of the alternate soul is fully present.

Despite the Halachaʼs discomfort with such grey times

that defy neat legal forms and demarcations

the black and white of Kafkaʼs The Law

it is precisely in this blurriness

the Divine wishes to be present to.

[1] Mishan Avot 10 items were created in twilight.

[2] The rabbinical tradition relates that when God determined to appoint Bezalel architect of the desert Tabernacle, He asked Moses whether the choice were agreeable to him, and received the reply: "Lord, if he is acceptable to Thee, surely he must be so to me!" At God's command, however, the choice was referred to the people for approval and was endorsed by them. Moses thereupon commanded Bezalel to set about making the Tabernacle, the holy Ark, and the sacred utensils. Bezalel possessed such great wisdom that he could combine those letters of the alphabet with which heaven and earth were created; this being the meaning of the statement (Exodus 31:3): "I have filled him . . .with wisdom and knowledge," which were the implements by means of which God created the world, as stated in Proverbs 3:19, 20 (Berakhot 55a). By virtue of his profound wisdom, Bezalel succeeded in erecting a sanctuary which seemed a fit abiding-place for God, who is so exalted in time and space (Exodus R. 34:1; Numbers R. 12:3; Midrash Teh. 91). The candlestick of the sanctuary was of so complicated a nature that Moses could not comprehend it, although God twice showed him a heavenly model; but when he described it to Bezalel, the latter understood immediately, and made it at once; whereupon Moses expressed his admiration for the quick wisdom of Bezalel, saying again that he must have been "in the shadow of God" (Hebrew, "beẓel El") when the heavenly models were shown him (Numbers R. 15:10; compare Exodus R. 1. 2; Berakhot l.c.). Bezalel is said to have been only thirteen years of age when he accomplished his great work (Sanhedrin 69b); he owed his wisdom to the merits of pious parents; his grandfather being Hur and his grandmother Miriam, he was thus a grandnephew of Moses (Exodus R. 48:3, 4). wikipedia.

[3] Unlike Moshe and Ahron, the Torah never mentions Miriamʼs husband or children. Rather, it is the Midrash that tells us that Miriam married Kalev.“ Kalev, son of Chetzron, fathered children by Azuva, his wife, and Yeriot and these are her children: Yeshe, Shovav, and Ardon. When Azuva died, Kalev married Efrat, who bore him Chor. Chor begot Uri and Uri begot Bezalel.” (Chron. I, 2:18-20) The Midrash establishes a connection between Kalev and Miriam through a long and complicated proof. Moreover, the Midrash ascertains that Miriam and Kalev are the great grandparents of Bezalel, the great artist of the mishkan. Of Bezalel it is written that “Hashem filled him with wisdom and discernment (binah) in everything he did” (Ex: 35:31). Bezalel was able to be creative within the boundaries that G-d gave him. With only simple instructions Bezalel was able to create the mishkan and its pieces exactly the way Hashem intended. By connecting Bezalel to Miriam, the Midrash implies that Miriam is a source of Bezalelʼs intuition. (Ex. R. Parashah Aleph “Vayehi Ki”)

[4] T. B. Sotah 12a

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The Place of Grief

Julian Ungar-Sargon June 19, 2012

There is a place I visit

it turns out, now, almost weekly,

by Mussaf on Shabbes.

The kabbalists go to town about the קדושה

our “sanctus” if you like,

where the word kesser כתר implies a crowning of sorts

the King of Kings and we the Schechina embodied,

the matronisa, are united

albeit momentarily...

and the men of Bet El yeshivah do their yichudim

this sacred hierosgamos, the high point

of our liturgy.

A time for grace and exceeding קדושה

There is a place I visit

it turns out, now, almost weekly,

by Mussaf on Shabbes.

But for me

it is a time for grief-

I donʼt know when this began

I just note that each week

it is about this time my heart melts

then breaks open to reveal this deep well of grief.

Watching this repeatedly

I am intrigued by the triggers and the repetitive timing,

its precision and how uniform the evocation remains.

What surfaces?

in this indescribable pain?

It is as if raw grief itself needs no further expression

no other trigger

no cause nor reason

as if I have stumbled upon this subterranean cavern filled with sorrow.

I know this is not about me

I know that from decades of analysis those

fears resentments and hurts

are all well documented in the dairies and monthly billing statements!

No, this is different!

it is not about my life, my pain, my defects of character

my betrayals, those I have caused pain

those whose hearts I broke,

those lies deceits and betrayals.

This Place of Grief

No, in this place

I feel the pain of others

of Klal Yisroel,

of humanity and history.

A shrieking cry from the beyond

the sum of all the tears shed by all those suffering

rising up like a river to overflow its banks

and the very tragedy that is the hallmark of this creation.

Finally I feel the pain of of the divine

who for millennia has patiently watched His human experiment fail

in the hope that the laboratory specimens will one day

awaken to self-awareness

and stop the violence to our spouses children and others

the genocide the torture the inhumanity.

This pain surfaces in this unique place of grief.

And then something strange happens

for a few brief moments

I am relieved of the burden of existence

of Self, of my being in this world,

of that heaviness we carry

knowing despite our attempts to banish from consciousness

we cannot erase nor anesthetize those CNN images of

Mai Lai, Czhirvenitza, Rwanda,

relieved, and

this heaviness gets lighter

and the ever-present inner KRITIK

is silenced for a few precious moments

as I identify with the Divine בכי

This cosmic grief holds me

in its grip

as the holy words of sanctus sanctus sanctus

קדש קדש קדש

ring out in the screaming silence.

In these moments I am able to access the deepest parts of myself

and in this grief paradoxically everything makes sense

I feel an non ego empowerment

seeing the world from His perspective

as I participate in this subterranean stream of awareness.

This Place of Grief

Ironic that it is not joy or other powerful emotional triggers

that allow me access to higher states of consciousness of ,מחין

no, it is this deep well of grief that transcends and soaks all existence

that moves me.

And in a flash

I remember the overwhelming feeling some 35 years ago

when, as a man in love,

the same grief surfaced at the high point of making love

surprised by the fact

that at the very epicenter of the ecstasy

this familiar grief, not joy

made itself first present in my life.

and triggered my tears.

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Imitation Piety

Julian Ungar-Sargon May 29, 2012

A sea of blackness

I see only hats

Giuseppe Borsalino is smiling from his grave

over 200 bucks each!

and the imitation piety

as the boys and men

shokl and sway in their self-righteousness

muttering the talmudic arguments and its Babylonian rhetoric

in demonstration of erudition but also

dancing on the head of a pin.

But soon revulsion gives way to jealousy,

as I acknowledge their serenity

of having arrived at the “truth”

with no apparent struggle

no disconnect between faith and piety.

I had always felt I could not afford

the “luxury” of such religious demonstration and academic fervor,

following my father, for example,

I never put the tallis over the head

(although lately I do catch him doing it for Mussaf!)

remember him telling me that in Vienna

“only the truly pious and learned” would

have the chutzpa to imitate the Rov in this angelic posture.

For in my spiritual landscape

all is not well.

Faith is constantly being tested

as I continue to surrender to the flesh

as it were (Diabetes notwithstanding!)

so my guilt and remorse conspire

with my old friend apikorsus

to make me feel even more worthless in this city

of black piety,

this “Fakewood”.

This uniquely American provinciality

home grown piety, feelig so comfortable in the new Malchus shel Chessed

with its surface glaze of Torah tidbits

intellectual lightweight scholarship

fear of innovation or chidushim

settling for imitation piety.

Dressed, of course, in designer frumkeit-

Borsalino hattery, now

an industry all of its own!

Even the bookstore here is polished

nothing under $18!

the book covers with their imitation leather

and the Artscroll-approved or

Feldheim-published

Rabbinically supervised thoughtsnothing

naughty gets in here.

apikorsus rein!

An inflation of halachic minutiae

a new Wall Street bubble this town

waiting to burst when parents and in-laws can no longer to afford

supporting scholars-in-residence with many children.

Why did the Litvishe world ignore the Gaonʼs nistar

his brilliant analysis of the hidden world behind the Torah?

why are we subject to the imitation of Torah?

the surface monocular monochromatic visual landscape.

At the same time and once again simultaneously overawed

by the sheer mastery of texts

a nephew having reviewed the Talmud 18 times

venerated for his encyclopedic knowledge

or maybe his sheer memory.

Toddlers fluent in Bible

8 year olds knowing Mishnah by heart

wow, what was the emotional cost?

what happened to imagination?

So my life as outsider this shabbat

comes back into focus

as usual when “on the road”

Dadʼs Vienna comes to mind...

his fatherʼs choice to live outside the Ghetto of the 2nd district

(die tzveite Bezirke)

his choice to live in Finchley, NOT Golders Green!

my choice to live in “modern Orthodox” neighborhoods

of Philadelphia, Boston and Jerusalem.

Raising children in the complexity of that schizofrumkeit!

Now watching my daughter raise her kids differently

as they attend cheder and learn in Yiddish,

I too yearn for authenticity even at the expense

of a life lived in existential tension

of thinking truth as primal;

putting away theology and philosophy

for connection with those living in naivete of faith

and free of inner conflict and turmoil

in dialogue with the divine

bathing in the divine

certain of the divinity of texts

(despite their mangled history)

with no doubts to plague them

no sense of impending damnation

no dread

no hint of the insanity of the social network

that is right wing frumkeit today,

just relief and refuge in communal joy and warmth hymns

to the drowning.

If only I could overcome this resistance

having seen the darker side of even Hassidus

where to go?

the struggle gives me no respite

and so I return once more to my city of sojourn

to the battlefield that is everyday my hallmark

starting out the morning freshness and dawning sky

with the unique combination of the Holy waters

of the baptismal mikvah

with the grind of the Daf Yomi

and then leaving my ghetto

(for yes now I live within)

plunging into the secular world that is

both free of the blackness

yet also lightened by the lack of transcendence.

To fight my demons

my powerlessness over emotions and rage

carbohydrates and the flesh.

This daily struggle to live up to ancient inherited ideals

the sheer weight of the rabbinic tradition

the page after page of black ink

and super commentaries on commentaries

the fathers and grandfathers who arose

in the frosty European winter mornings

to pray- look down on me like patriarchs framed

in old New England portraits

adjuring me live up to the failed resolutions of my own past.

The cyclical shape that my voyage takes

documented over decades

that peculiar sine wave of the spiritual highs and lows

the crests and troughs

of the oceans that toss and turn my soul at will

as I look on powerless.

I have returned to the familiar

my resentments and failures are old friends

as I face this sea of black perfection

standing before indicting prosecutors.

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Holy Melody

Julian Ungar-Sargon December 9, 2011

“It is sweet to dance to violins

When love and life are fair:

To dance to flutes, to dance to lutes

Is delicate and rare:

But it is not sweet with nimble feet

To dance upon the air!”

― Oscar Wilde

Rebbe Nachman says: “If you sing the right melody.. One

melody can bring peace to the whole world...”

Reb Shlomo Carlebach

In music there is connection,

in music there is hope,

in music there is refuge.

Let me in please!

into your secrets,

those harmonics that expose the divine,

let me taste the fruits of the keys

and the honey of the clefs.

In those dark notes are buried

secrets of the universe,

those strings of reverberation

upon which the planets move

and the same strings in which the heart

vibrates to, in sympathy.

Let me be moved

by your genius,

by those devotees and composers

who sacrificed all at the altar of your muse

worshipping at the feet of your cellos

in harmony and counterpoint.

Don’t let me surrender to my mother’s curse

who cannot listen for the pain of it.

She, who suffered to master the Beethoven and

Mendelssohn concertos

cannot hear the music for the trauma.

Open my broken heart to its healing waves.

Your craft reflects both the exalted shores of all

as well as the depths of despair,

for your instruments vibrate

a counterpoint of secret potions

where the world can be felt,

in a crucible of alchemical mixtures;

good and bad,

agony and ecstasy,

empathy and sorrow.

It is truly sweet to dance to violins

even when “life is unfair”!

for the only respite for me

in this bloody pain

is your holy melody.

Never will I forget the Verracini Largo

or the Halverson Passacaglia

as I lay in bedded agony

the moments I could drown out

the noisy pain

by the heavenly sound of the violin and cello

playing as if making love.

They kept my spirits floating

despite the monster in the depths below.

So homage will I pay

to the muse herself

and hand on this holy craft to those little fingers

in this 5 year old angel

who masters the do-re-me

and feels each session

as a triumph.

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Sacred Texts

Julian Ungar-Sargon November 6, 2011

How uncanny, these sacred texts

black ink on sallow aging parchment

between the scrolls the heavy long atzei chayim

this Torah,

parallel lines on which the Soferʼs quill hangs his letters

etched into the calf skin

on these lines the black letters suspended

like laundry lines in the gardens of suburban estates,

forming words that speak of the mythic journey

and biography of the human/divine failure.

Put aside the doubts!

those lingering academic questions

hovering as they still do in your head,

from a previous centuryʼs scholarship,

as to the archeology of these texts

their provenance

their literary conventions-whether exilic, post exilic,

the strands and strata of authorship,

criss crossing the page

violently dissecting the body of even a verse

with no respect for the integrity of the final redaction.

Let go of the literal finally!

give up the addiction to the plain meaning as is...

surrender the belief system that accompanied the text,

forgive all prior readings,

let not the “anxiety of influence” paralyze you further

despite the weighted authority of La Nom du Pere

the overbearing presence of the black suited Father-in-Law!

Accept your own prejudice and now sustained inner baggage

your sense of the prosidy of the text,

its lyricism, its poetry, its tone,

as you begin to read once more.

Become conscious!

bring awareness of the enormity of the weight of tradition

on your shoulders,

of the combined millennia of rabbinic and church commentary

of the super-commentaries surrounding the text, like chatting housewives,

of the writings of those stern faced bearded men

peering down at you from glass enclosed frames

in the dark corridor of your father in lawʼs New York apartment.

Begin to feel the lightness of your own fresh reading!

as it confronts you with the recycled problems of plot and justice

each time the weekly portion greets you.

Feel the comfort in the Midrashic musings

as you see through their hermeneutic tricks

and literal triggers and semantic puns that opened their

one time fresh discourse.

Be excited by the cosmic implications and daring risks

the Zohar takes in its imaginative

misreadings as it opens up hidden worlds of desire and connections.

Follow the Hassidic masters as they read their own struggles

into the narrative of biblical personalities.

For your task maybe the most important most critical ever!

For the sake of the very survival of that same text.

Yes, your reading and your baggage, your prejudice and hauntings

may determine its future.

For having been born to that last generation of survivors,

in earshot of the screams,

only once removed from their cries and shrieks

and the deafening silence the mornings after

the theological absence the decades after

the divine remaining “in absentia”,

you now have the impossible task of bringing

meaning to this text once again.

Impossible you say!

to bring meaning to their lives and deaths

to their memory, their trace, here!

gazing at the columns of black letters?

Like the columns of smoke that arose from the crematoria,

etched in the space between the Holy letters

of the fractured covenant

the broke promises

the absent Messiah.

And, as you pass your white tallis over the black letters

donʼt forget this space in between...

the silent presence, before you make the blessing over the Torah,

in this silence, in this absence of meaning

your presence

your reading

your blessing despite,

your keriah

your interpretation is, once again called for.

Yes, you maybe asked to do violence to this sacred text

for the sake of its very survival

like no generation before you.

For the sake of the sacred text itself.

For Her sake.

Donʼt worry She can handle it

She, who needs rescuing, is in that sacred space,

in between the blackness.

(Was it not Glen Gould who taught us how to read and play Bach anew?

by paying close attention to the pauses and spaces between the notes

unlike his contemporaries who remained in the classical tradition

of technique. His new midrashic version of the Goldberg Variations

brought new life to the ossified traditions of the Baroque).

Pay attention to these spaces!

Play the music of Torah, with them in mind!

Attend to what was not written

what was not said

what could never be said

between the divine lover and Her sacred people.

Be that surgeon!

Sharpen the steel!

Here in this sea of blackness, the sharper the knife

you bring to the dissecting table

the keener the scalpel you apply in your

hermeneutic operating room technique,

the deeper the secrets She will reveal!

for she is ever open to new readings, however violent,

and our post-Holocaust generation has solace only in Her.

In the presence of the divine absence,

we must find refuge in Her sacred spaces,

we must find new keys to read our selves

our fractured lives

our broken souls

In Her alone

in Her sacred Torah text.

For the black letters on white parchment is Her love poem to us

despite the suffering

in spite of the torture

a love letter all the more.

We will be held accountable

by our children

were we to settle for those old readings

abdicate our truths for comfortable and familiar exegesis

for the sake of imitation piety.

Do not give up on the text!

She feels uncannily sacred despite scholarship

despite history

despite dissection!

despite Mengele

for She too is a survivor!

A rush of excitement flows over me

as the Baal Koreh chants the text,

those familiar black notes

bending to his received cantillation tradition

line after line,

the holiness is found between the etched lines

and She demands we continue to fill the gaps and lacunae

and once again bring fresh answers to the age old questions

posed to the text

the issues and plot lines

the structures and conflicts

the redundancies and questions of justice.

All this in light of the age of technological genocide we inhabit.

All this in the presence of our lack of faith

yet our being present to this very absence of the divine.

Only by such violent reading of our sacred texts

(a Post-Holocaust Midrash of sorts),

will we be able to maintain the integrity of this sacred space

and Torah herself,

for only by emptying ourselves into the space between its black letters

can we too infuse Her with our lived albeit broken lives

for this She needs too.

This is our response to Her loving.

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Dad's Shofar

Julian Ungar-Sargon October 24, 2011

The service being over we prepare to leave the little house of worship

a converted basement

its founder a Mr. Weil from Germany

who had transplanted his “Yekkish” customs and centuries of memory

to the fashionable Rechavia neighborhood of Jerusalem in the 30ʼs.

Being across the street from my parents

it has become home for them

now that they prefer to walk less.

and my father in his 90ʼs,

attends regularly and punctually,

especially on this High Holy Day

of Rosh Hashana 2011

where the blowing of 100 blasts (Tekiyos) is the key element of the

morning service.

People gather to leave climbing the steps to the street level

but Dad saunters over to the Bima-the lectern where the young man

still holds the shofar,

and asks permission “to give a few blows”.

My sister and mother had already climbed the steps

when they heard more shofar blasts

and, wondering what the commotion was,

ran back down.

My father was blowing again

after all these years

floods of memories poured in...

to the days of Finchley Central Synagogue

in the 60ʼ and 70ʼs...

the annual pilgrimage to the long services

of the High Holidays...

but for our family, more than others,

the anxiety of Dadʼs Shofar.

His was not an easy one,

we never realized until many years later

how the short ones are so easy to blow.

No, his Shofar was shiny and long

with a narrow “mouthpiece”

that puckered his lips

then swelled them.

We watched him blow

year after year,

his face reddening for the needed pressure

and his facial discomfort increased as he fatigued.

Sometimes he would falter

usually towards the end of the hundred tekiyos

those last few...

we would sweat bullets

and we children, looking at each other

from the Ladies Gallery down and back up

sweated alongside.

I would sweat in sympathy

and out of embarrassment

as he tried and sometimes failed to emit a tone.

Those last few...

“come Dad, you can do it”

meeting the resistance of that Shofar

as if it alone determined the very social standing of our father

for the next year,

and the comments of the congregants as they would emerge

from the services.

Now fast forwarded to 2011

in his 91st year

he challenges the Shofar

once again,

but now

I worry about his blood pressure

and his anticoagulation

and bleeding from such exertion.

My sister arrives to watch him blow successfully

and we sigh as we see his face shine

in accomplishment.

Yes he was always a “Baal Tekeya” a master of the blowing

and probably felt more pleasure from that than his Gaboʼos

his being warden then president

then Life President for so many years.

No it was these moments of challenge

when the entire community was silent

and upstanding

as he performed

alone

on the sacred stage the Bima.

These few moments in the year at its religious high point

that marked his lifeʼs journey

his character

his challenges

and his standing in the community.

As for me?

I swore never to subject myself to such public challenges

the sweat of those moments

etched into my consciousness forever

even though I tried at home to master that recalcitrant shofar!

It seems she was special

and reserved herself

and submitted only to those she chose

like my father

who remained willing to the risk

of her petulance

annually.

That ability to risk

in public,

the humiliation as well as the glory

he carries to this day

I believe it is called character.

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My Pot Belly

Julian Ungar-Sargon September 26, 2011

You know how it is!

this body in decay...

months without the needed stretching, exercising, “the workout”

merely a walk here and there

lip service to the obvious need for exercise

but now a chance

here in this gym

I book a trainer.

Yet here, in this gym

I report

be-sneekered and T-shirted up

looking a bit floppy

with my pot belly

eager for her advice.

All this makes the French trainer smile in condescension.

Around are the enthusiastic toned, buffed

gym designer-wearing treadmillers and bikers

weight lifters and ugh! crunchers.

All busy and looking so earnest

as they work so hard to burn burn burn calories

and tone tone tone muscles.

I come to her for advice and more for inspiration

as to how to overcome my absolute inertia

my abhorrence of this physical business

this boring mind-killing workout

hoping she might just work with me just this once

and that should do it for ever.

Maybe she holds the magic key to my insulin resistance

maybe she can manufacture daily time for a workout

for stretches weights and cardiac exercise

without any effort!

Or help me mourn the loss of this most precious morning time

reserved for reading and study

before the first patient.

I know I know...

it is necessary...

lord knows I preach it...

I preach to to my diabetics and heart patients

my obese and neuropathic patients.

But isnʼt that so much easier than practicing

the very lessons and results of statistics I state by rote

as to the benefits.

It is necessary, I admit, for it pushes off my fatigue

that sets in earlier and earlier in the day

as I age,

and it eases the nocturnal cramps and joint freezes

that awaken me at 2 am

both combining to indict me for my laziness

to which I readily admit.

I even admit to it lowering the daily morning sugars

to which my glucometer is the best prosecuting attorney.

Yet here I am at the gym

among the men with those swollen muscles and abs

pumping their iron and sweating beads of effort

And me, and my pot belly!

Mother used to gauge a man by his pot belly.

It seemed to tell her everything about his character

his addictions to fat,

his “lack of control” over his “baser desires”

for food -therefore for everything else as well!

inspiring in us children an automatic contempt for

other portly folk that crossed our path

with a Pavlovian instinctual response that lasts until even now.

In the mirror- I have become that man!

for comfort foods do indeed push away the need for a moral tune up

or the feeling of depression and anxiety,

they push away the need for the necessary blood work

that will inevitably reveal the moral decay of my metabolism.

So using this rare opportunity for an objective opinion

I stand before her as upright as I

can and pull in my pot belly in shame.

A slightly ridiculous posture which can only last a few minutes

as she outlines our program

and I lose my breath in disbelief.

She canʼt be serious!

Then off we go... machine after machine

(which sadist invented these torture devices)

each designed to test and tone a particular muscle

isolated, with no friends to help out

each joint localized and lonely

as I pant and attempt to reach her goal of 10 or 15 curls etc.

This French trainer, thick in accent

telegraphic speech, continuous commentary

like a medieval Rabbi writing on the bible,

clipboard in hand,

watching, watching,

what is she thinking!

Pushing pushing me to do another one or two

as my muscle burns with lactic acid.

As we proceed the greek god, this adonis ahead of me

has notched up each machine

to weights I cannot even imagine!

and each time French instructor pulls out the key

and plunges it into the notch in some low low weight

that she thinks I can manage,

(they do not make lower weights than that!)

I laugh at myself inside following this weight lifter ahead

on the next machine, then cry.

As the hour progresses I begin to hear my body responding

with noises I have not heard before,

crackles of joints and cracks in other places,

each complaining in its own way,

a muscle burning here,

a cramp there,

muscles I thought I had forgotten existed

from my human anatomy days!

All this slowly adds up to an aching body as the French torturer

(now I realize why she was French) pushes me in her horrid accent

and I get dizzier.

This body, this frame,

the muscles and fat,

the pendulent abdomen

the lack of upper body muscle

all betray

a life of sedentary work

the lack of tone

a life on the run

on coffee

running on nerves

too harried

too hurried

to give the body the sacred respect it deserves.

Yet today,

it has responded to me in ways I never thought possible.

It is telling me “there is still time”

“I have the wisdom you seek”

“if only you could invest time in me!”

But can I reorient my priorities to give it this precious time?

The pot belly looks smaller after her working me out this morning-

I look again in the mirror and see the possibilityit

indicts me nonetheless,

Could it represent once more my motherʼs ideal- flat bellied-

“self-controlled” man?

a man in control of his passions and his life?

and then I let out this hysterical laugh,

a guffaw, that gets me dirty looks for the other

serious men showering and pruning themselves before the same mirror

these greek gods do not take kindly to my laughter,

but I just cannot control myself

in this locker room of the gods

I just cannot take myself so seriously!

This body, in pain and in pleasure,

neglected mostly for the pursuits of the mind

pursuits of career

and plain need to work remains

my vehicle,

even in decline,

with its pot belly,

like a beloved old 1950 Austin Healey

that I just cannot ditch, despite the insane Lucas wiring.

And it alone carries the genetic secrets of my lineage and culture,

ethnicity and race.

So.... I will attempt in this season of resolutions,

to make a little more time,

suffer the boring passage of time,

time for the body without mind,

and look a little kinder ,

on my pot belly.

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It's a Gray Day

Julian Ungar-Sargon September 26, 2011

Driving down Lakeshore Drive

a gray day beckons us downtown

we do this trek on our necessary commute

from our ghettoized middle class seclusion

to the bridge that re-connects us to work in the land beyond the bridge.

It is a gray day

and Lake Michigan reflects the dark clouds

lying low over the city and the lake.

It seems they are so low they kiss

in an unholy alliance

of heaven and earth

in the very grayness of color.

The radio drones on and on about this or that news trivia

as they must

and we listen addicted to the endless chatter

No news in the face of news

and pushy BBC anchors in their Holier-than Thou tones

merely add self-righteous British grayness to the mix.

The looming skyscrapers lose themselves

and their sense of importance

as the clouds envelop their upper floors

cut down to visual size now

they too are swallowed in grayness.

Is this to be my day?

grayness?

neither black nor white

nothing certain,

nothing absolute,

am I too resigned to a graying out of clarity?

in that in-between space that I seem to occupy

so much.

Do I find solace in the murky visual acuity

darting in between the fogginess

of things that appear to be

yet are not,

is there a comfort in this? a safety?

I am reminded of those pea soupers in London in the 50ʼs

where mother would make me walk in front of the car down Hendon Avenue

as visibility was down to almost zero.

Less a human shield, more a poor little scout

Itʼs a Gray Day"

she would drive behind my little legs

as if I could see anything more!

“There is no room for this” a voice wake me from my reverie

“these are the High Holidays approaching!”

“you are to be judged once again”

and, of course, found wanting!

the inner Kritik does overtime this season

as the same little boy stands before the black robed judge once more

for the infractions of the past.

Powerless over the same character defects

the same roster of sins are read out

by the same prosecutor.

I think of really old people

what are they asking for this Rosh Hashana?

forgiveness? atonement?

At age 90 what is my father thinking

as he looks back

like I do.

Does he feel

he can repent

at his age? Does he remember his sins?

This grayness invades my bones

it drags me down like wet wool

like swimming with clothes on

I feel I will not make it to the other side

for all this baggage.

For my mother and father weigh heavily on me

what was done

what was not done

now in their old age

in their second childhood.

Yet the raging clouds are alive

with vitality,

it cannot be a blue-sky every day

on the glorious lakefront,

with white whisped clouds gently moving to the

music of the wind.

The lake is still beautiful

even today

I decide

even touching the gray sky.

Itʼs a Gray Day"

We must suffer this graying

of the weather

of our lives

of our dreams.

Itʼs a Gray Day"

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The Space Between the Twin Towers

Julian Ungar-Sargon September 15, 2011

The space between the Twin Towers

is that gaping chasm

where meaning melts into chaos.

Where men fall to their deaths knowingly, intentionally,

and the sound of the bodies hitting ground zero

deafens the soul forever, for it allowed this travesty and

remained silent leaving this space complicit

in permitting their free fall.

She did not change the rules of nature and become dense

to soften their landing she failed to ask gravity to suspend

its laws for those poor souls hurtling to their deaths

she stood silently by.

The space between the Twin Towers

allows for the absence of human and nature’ compassion

the pressure holding those twin towers of human greed

and capitalism apart, yet binding them in a partnership

becomes too unbearable for her

and, while signing on to a suicide pact with the devil in two

jets, she betrays the towers by staying, and surviving

while they crumble and melt.

She has signed a death pact with nature, the devil and

gravity unbeknownst to all of us.

The space between the Twin Towers

is the space that allows us to breathe

an airlock of concrete-free reality

in the tip of concrete lower Manhattan

a lebensraum, but destined to be filled with the Pompeii-

Like ash as they melted downwards to the earth.

The space between the Twin Towers

has remained after the towers have fallen

these ten years, bearing witness to what was once there

as if it has been released from its confinement forever.

And annually the blue lights that fill the footprints of the

towers leaving two eerie ghost-like columns in the sky

that space is exposed once again in its guilt.

The space between the Twin Towers

will be forgotten unlike the towers themselves,

yet it eerily presses on my consciousness

making itself felt in uncanny times.

When at a loss for words theologically, an inability to make

sense of a divine order where human life has become so

cheap my mind wanders to this space;

when the unfathomable horror of human cruelty

of man’s inhumanity to man

makes itself felt in the heart

I am drawn to this space;

and when my own heart of darkness reveals its

inexplicable presence

in my relationships, my little betrayals of self and others,

I find a paradoxical solace in this space.

For me it has become the metaphor

for the absence of meaning

for cruelty and torture

for the appropriation of 9/11 as an icon to make profit

and punditry and for all the trade center represented but

hid so well, the darker side, the underbelly of capitalism

and Wall street.

It also reflects my own failure to confront and act

to just sit on the sidelines of history and watch

(oh how I remember in my idealism of youth

questioning those in Germany and Europe

in the 30’s for their inaction and passiveness.)

Now guilty of the same I feel the presence of this space

bearing down on me.

These last 10 years,

the insane rebuilding to “show them”

the lockdown of our freedoms,

the lack of fundamental change in our society,

the inability to “learn from the tragedy”,

the absence of new vision,

the upsurge in world violence,

the ongoing internecine hatred...

all points to the presence of the absence

the ongoing effect of this space

the presence of its effects

continuing despite the loss of the twins it held together

in tension despite the release of their hubris

it is present the space between the Twin Towers.

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Pine Forest

Julian Ungar-Sargon September 6, 2011

We walk hand in hand

The boy and I

On the soft sandy horse trail

The early morning mist

Now having moved slowly to reveal the tall pine trees

Greeting us in the distance with their perfume

A congregation of upright silent worshippers

The looming density of wooded trunks

Reflecting the hundred year old age of this forest.

Question after question pours out without interruption

From the little boy

Such an inquisitive mind

And I patiently answer as I remember my fatherʼs impatience

With my own questions as a child

The little boyʼs hand grasps mine

Unconscious as to how precious these moments are for me.

I see my childhood and his as a seamless continuum

And time contracts and makes me sad.

In the clearing

Surrounded by these huge pines

Like the Burgherʼs of Calais

So self-righteous

Yet so dignified

On their pondering silence.

In this clearing we sit in silence on tree stumps

And I ask him to be silent and listen to the forest

And tell me what he hears.

I want so badly to teach him to listen to the silence

This almost five year old boy

To hear the secrets of the pine forest

But I hear only his ongoing questions.

As we look for the pine cones, the sapling trees close by

He runs to measure his lanky height against theirs.

We see the older thicker ones and compare them

to his father then to his grandfathersʼ

In age and thickness.

The wind blows gently through the pines

The blue sky punctuated by the soft white puffs of clouds-

a perfect Shabbat morning.

I tell him that one day he will hold his own grandson in his hand

and walk with him to a similar forest of trees to teach him

the secret of the trees, their being born, growing up,

ageing and breaking off to lie in the ground.

He listens urgently. He is an intense spirit probing the world

to make sense of it as I had done as a youngster.

I look around at the silence of the forest and just this moment

I feel the joy of being so alive and being with this child.

I cannot describe how much comfort this little boy

has brought to my life as well as hope.

More than anyone he has brought me to a kind of acceptance

of my own mortality and a serenity in just knowing he will live on

after me and I will forever be his Dada and be in

his heart like my own Dada. And that is good enough!

After all those years of struggle in fear and dread,

in the dark nights of anticipation, as if my life accelerated to its

conclusion quicker than others, in that horror

I have emerged to this delightful being

who comforts me by his mere existence in my life.

Like this forest he has taught me serenity is the very silence-

the silence of acceptance of my mortal body as part of nature,

in its rhythm of life growth decay and death.

כִּי הָאָדָם עֵץ הַשָּׂדֶה

“for man is like the tree of the forest”

Has new meaning for me today

As with all life and with trees

We are powerless to step outside the facts and

the knowledge of what must come

What must happen

Powerless to step much beyond our genetic predilections

for health disease and decline.

Despite the sacred texts that speak of eternal life

The cemeteries known and the “land of the living”

Today I feel only the divine immanence of nature

Of nature as immortal and eternal

compared with our creatureliness and ever so brief

sojourn in this world.

My Dada used to hug me in his green cardigan

at the entrance to his Wembley home

welcoming me with a spoonful of castor oil!

But what lies buried in my heart was his

love. My memories of him, his smell, his love,

his presence are embedded in my heartand

today I try to be as present as I can to this little boy-who,

one day, will hold his

grandson closed to him while remembering me.

We walk back along the sandy horse trail and I am unsure

whether he will even remember this day-Pine Forest-

but I tell him, it was, for me, the best part of my

weekend.

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Crumbling Buildings

Julian Ungar-Sargon August 15, 2011

I marvel at the marble stairwell in this 17 story hotel

as I descend in the hope of losing a few calories each

counts these days where

one wakes to the magic number on the glucometer

to review the sins of the previous dinner.

What it must have taken to hew and quarry all this marble

and the granite being placed all around the main downtown post office

as I walk to the lake this cloudy morning before Chicago awakens:

Was this TARP money being put to use?

I walk by a quarry near my hospital at times

and marvel at the depth to which man has gorged out of the earth

for his building projects, chosen for the granite and stone hardness

it is prime building material and mechanically crushed

to the size demanded by the

contractor who sends in lorry after lorry, winding their way down

the spiral dirt path to

the depths of the excoriated gray landscape

as if Mother Earth

gives of Her own body, now willingly

so that we can build huge skyscrapers to our egos.

Then I think of the hole in the earth across from my shul

where the Rabbi is building his new edifice

a gaping disgorgement of Chicago clay, soft and brown

a violation once more but just a few feet deep, enough for the foundation

where we will all stand above one day

in the artistʼs rendition sent out to fundraise

manicured pews of cherry wood

ladies gallery and all

just like a Lutheran chapel.

Which brings be to the collapsing building of my soul

as chunks of debris slowly come crashing down to earth

the attempt was made to build

but failed

the material was grade B

the engineer was incompetent

and the workers drunk.

Yet there is something right about this

a sort of hubris

that is appropriate

something that feels justified in a weird way

when something is dreamed of, executed and yet collapses.

when the earth will eventually claim all for itself

either naturally or through it cataclysmic paroxysms

in quakes and other “disasters”.

When she is unwilling to stand for all this human arrogance anymore.

I too was built on a foundation not of my own choosing

but then began the laborious work

of building structure upon structure

in my effort to reach out to the divine

heavenwards,

to this angry punishing sky God

who rages at us with a wagging index finger

in sacred scriptures.

Then having discovered Midrash

and its poetic beauty

its irony and hidden protest

its textuality and deconstruction of

the heavy revealed word

its playfulness with the Logos

then next story was built

towards Him.

Finally after crisis in life

when one dis-covers the darker side

of oneʼs soul

Hassidut and Kabbalah provided a narrative

that framed these impulses and feelings

about me and the divine

in a holographic image that provided comfort and validation

of the very struggle.

It turns out that He too has His issues

and this world was born out of His desire to expel His dark side.

Mother earth represents that dark desire in the cataclysmic chaos

that followed His birthing.

But now all is crumbling

the edifice is losing height

falling, falling

back down to the cthonic depths

in a free fall

and on the way down all is being stripped away

except the idea behind the words.

except the feeling and the once fresh desire.

The structure is broken

like the way my grandson impulsively tears down

his lego construction

suddenly without warning, on impulse.

Back on the ground

Mother Earth caresses all this with a knowing nod

Her daily rituals and cycles

light and dark,

sleep and wakefulness,

hunger and satiety,

the warm shower and the deep cool mikvah waters

the air breezing on my face in the green cornfields

the awakening of desire in the loins,

now and then

and the persistent seeking of beauty despite age.

These always-present

but newly dis-covered silent presences

give me comfort

and the realization

of the vitality of Her apparent passiveness.

She is the silent witness to all this

She bears the blood of our hubris

She accepts us after all is done and we lie without further breath.

Where the shul becomes erect in its move to become

a place of worship

I become bent over, like an old shaman

with the weight of my past, and others,

of my failure,

and yet my new found sense

of earthiness.

Contrary to what I was taught about “gashmius”-physicality

and the evil of desire,

I now wait for it and welcome the very feelings

of hunger and thirst, the aching limbs that need their daily

limbering up,

the morning misty moist air,

a beautiful girl passing by,

as if this is the very blessing of life and Mother Earth

“They” call it Malchut and Schechina in other texts

but for me

having crumbled

itʼs just what I have right now

and that is fine.

For 2000 years we in the synagogue and church have imaged the divine

in His masculinity.

Recently Meister Eckhardt, Baal Shem Tov and their disciples

think otherwise

but we get stuck in the wire diagrams

of this or that theosophical system

ignoring the explosive implication of this.

So I need to continue to just hold this paradox

hold the divine images

negotiate His/Her modus vivendi

inside me.

Allow Her to be present to the kiritik inside

to be present at Her desire

in the temporal seasons that characterizes Her cycles

be present to Her feminine rage

as different from His

and wait.

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Eulogy for Reb Yudel

Julian Ungar-Sargon August 2, 2011

He carried so much suffering

he was so tormented

and with this weight

with this past

he lived

despite

he was such a presence

his drawn cachectic eyes

and his face reminded me of Chagall's Rabbiner

etched in those very eyes were all of European misery

and it never left his consciousness

yet at times there was space for playfullness and mirth

"ehr lacht!" he would say of me

and his questions always challenged me,

so tied in with pshat and medieval trivia...

as a midrashic man he drove me crazy!

it was so hard for him to accommodate to Amerika

to the softness and the food

to the time for leisure

he was so stuck in Europe.

his deference for scholars and rebbes

was transmitted to his children

and his love, typically european

in his inability to express verbally or physically.

so now we remember him, his life, his his-story

as he embodies everything in transition for there to here

from the trauma to the silence of the present

from that tradition steeped in shtetl piety

to the openness of New York.

he was an essentially tragic man

which attracted me so much to him

and I felt my purpose to humor him and make him laugh

a little

just a little

and in my home

he could possibly let go a little

from the bonds of the lived life of pain

the body of suffering that inhabited his consciousness

without even him being able see it.

In Memoriam

to Reb Yudel

whom I shall miss as he walked into my home with his

characteristic gait and folded arms

into my arms for a wonderful bear hug.

I will miss that hug, most of all.

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Prayer for Jim Burstyn

Julian Ungar-Sargon July 4, 2011

“Who is at my door?

He said, 'Who is at my door?'

I said, 'Your humble servant.'

He said, 'What business do you have?'

I said, 'To greet you, Oh Lord.'

He said, 'How long will you journey on?'

I said, 'Until you stop me.'

He said, 'How long will you boil in the fire?'

I said, 'Until I am pure.

'This is my oath of love.

For the sake of love

I gave up wealth and position.'

He said, 'You have pleaded your case

but you have no witness.'

I said, 'My tears are my witness;

the pallor of my face is my proof.'

He said, 'Your witness has no credibility;

your eyes are too wet to see.'

I said, 'By the splendor of your justice

my eyes are clear and faultless.'

He said, 'What do you seek?'

I said, 'To have you as my constant friend.'

He said, 'What do you want from me?'

I said, 'Your abundant grace.'

He said, 'Who was your companion on the journey?

I said, 'The thought of you, 0 King.'

He said, 'What called you here?'

I said, 'The fragrance of your wine.'

He said, 'What brings you the most fulfillment?'

I said, 'The company of the Emperor.'

He said, 'What do you find there?'

I said, 'A hundred miracles.'

He said, 'Why is the palace deserted?'

I said, 'They all fear the thief.'

He said, 'Who is the thief?'

I said, 'The one who keeps me from -you.

He said, 'Where is there safety?'

I said, 'In service and renunciation.'

Prayer : for Jim Burstyn June 2011

He said, 'Who is the thief?'

I said, 'The one who keeps me from -you.

He said, 'Where is there safety?'

I said, 'In service and renunciation.'

He said, 'What is there to renounce?'

I said, 'The hope of salvation.'

He said, 'Where is there calamity?'

I said, 'In the presence of your love.'

He said, 'How do you benefit from this life?'

I said, 'By keeping true to myself

Now it is time for silence.

If I told you about His true essence

You would fly from your self and be gone,

and neither door nor roof could hold you back!”

Mewlana Jalaluddin Rumi

My constitutional walk amid the the green green fields of Indiana

the late rains have made the green so lush a magical morning this

air cool, a bit moist, a mist rises as

the early morning sun warms the sacred ground

the sky as blue as Techeles and the Throne of Glory

the breeze gently envelops me caressing my face.

Exhilarated by this perfection I think of the time to Daven to pray

this desire to reach out and beyond a perfect morning

beyond accepting it for what it is just this

my brain forces me to reify and situate and mythologize

to pray to a timeless eternity

as these aching limbs walk off the stiffness in the hips and shoulders

creeping age makes itself felt at the two ends of the day.

For now I revel in the immanence of Mother Earth/Schechinah of Being

ממלא כל עלמין

feeling spirit incarnate in my very bones,

in earth, in nature as I age towards earthiness

facing a return to earth.

But my religious-cultural heritage begins to weigh in

heavily on my shoulders and the faith of the father,

La Nom du Pere, the bearded portraits framed on the study

walls looking down sternly, the textual canon I inhabit and inhabits me,

its aphorisms, its quotations, those wisdoms that spring up in consciousness,

force my gaze upwards towards the sky the infinite blueness

and the Almighty One.

Until He invaded reality in Genesis 1:1 in our mythic memory,

our canonical sacred text,

all was quiet and serene just like this morning in Indiana

where only birds chirp away

and all are going about their natural business of survival,

until, that is, He crossed over that infinite chasm we call the tzimtzum

between the infinite and the finite, to experience

for Himself the glory that is this world of nature and Mother Earth.

Until then of course, there were no questions.

The day He breathed the נשמת חיים

into this anthropoid, there was no self, no consciousness of Other,

our canon insists, our myth tells us, there were no questions,

no obligations, no directives, no rules to disobey.

But with the Miltonian assertion of self through the agency of some

serpentine wisdom, the self refused to obey, the self-conscious self

became self as other, fulfilled in the very

act of disobedience by eating the fruit of what Mother Earth had produced,

a luscious delight to the eyes. Forbidden by the foreign Sky Deity for no

reason, but instilling an eternal guilt in mankind

genetically transmitted forever.

And this Transcendent Deity now imposes His will

down here of unconscious Mother Earthʼs children

who will be scarred forever and no more so than His chosen people

Israel. But this covenant is complicated as the vassal repeatedly fails and

incurs the wrath of the king. Betrayal and rage follow the history of this

complexity as the people struggle to relate to a divine Being. How to

understand the rage of a Being who allows Mengele to assume divine

proportions deciding on life and death with a flick of his arm?

The covenant has transformed into something sinister as

the Deity wishes to experience

such monstrosity at the hands of the human.

It occurs to me as I walk along the crunchy path of pebbles

between the cornfields of Indiana, to dissolve the contract

(as has been suggested before me by others such as

Rubinstein) to return to a pagan earth bound spirit

who does not allow genocide for its own sake.

Dissolve the Brit, no longer place our trust in this Transcendent Deity, and

relinquish His promise to protect, for what good did it do on the ramp?

Let each party go its own way, an amicable divorce of sorts.

Surely our people might then once more dissolve into non-chosenness,

merge back into humanity, not be singled out firther by

Church, Nazi or Jihad!

Of course the Holy One would have another rage attack,

set upon us the German Shepherds loose once more like on the poor

innocent whose only sin was to embrace modernity.

Left alone what would become of us? to whom would we pray to?

We have done it for so many millennia it is second nature! We believe in a

Higher Power who we daven to and beg for mercy to and ask for healing from,

could we even handle the orphan status? Yet this morning despite 6 months

of darkness, I feel like praying. And as I place the black straps on my arm

once more I buy into the blackness of Rabbinic tradition. The black notes on

white parchment, the black ink on the page of talmud, the black stripes on

the Tallis, the black yarmulke the black wide-brimmed hats.

And the words flow freely from the lips denuded of attention to meaning

just the texture of the sentence, its very materiality, its prosidy, its verbal

articulation. No meaning, no intent, no kavannah,

but that is sufficient today

like an actor on stage

playing the part, the role, this feels right

this black ritual from earthy materials, reaching from the spirit below to the male

transcendent Deity beyond.

I tap into this feeling-this religious snetiment

and after these 6 months of dehydration-it feels goodit

is sufficient this התעררות דלתתא

in this מוחין דקטנות

and Mother earth/Schechinah gently breezes past my cheek in assent

for She too weeps

over Her disconnection with Him

and it occurs at that moment

that this is what the kabbalists meant by the term יחודים

those unifications they incant prior to performing Mitzvot.

In this new approach, this new myth, the radical theological move

was that is was now up to man himself

to re-connect the divine with the divine

the Schechina/Malchut/earth spirit below weeping and wailing for Her

suffering children with the Deity beyond and transcendent.

That what I was feeling was exactly what I was meant to be feeling this

moment by just bringing attention to the infinite gap that separated spirit,

mythic, eternal world reality here and now on this glorious summer day

amidst the green cornfields of Indiana from

the Historical Deity of our Canon of history and texts

across the צמצום

So I hope and pray -not using the head-

with nothing but attention to my earthly time

bound aging presence here on the green carpet of Indiana

and that is sufficient.

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Ezras Israel Dinner Honoring Holocaust Survivors

Julian Ungar-Sargon June 23, 2011

70 years after the Temple had been destroyed and the Shekhinah had gone into exile, all the angels went into mourning for Her, and they composed dirges and lamentations for her. So too did all the upper and lower realms weep for Her and go into mourning. Then God came down from heaven and looked upon His house that had been burned. He looked for His people, who had gone into exile. And He inquired about His bride,who had left Him. And just as she had suffered a change, so too did Her husband-His light no longer shone, and He was changed from what He had been. Indeed, by some accounts God was bound in chains.[1]

Psalm: Paul Celan

“No one moulds us again out of earth and clay, no one conjures our dust. No one. Praised be your name, no one. For your sake we shall flower. Towards you. A nothing we were, are, shall remain, flowering: the nothing-, the no one's rose. With our pistil soul-bright, with our stamen heaven-ravaged, our corolla red with the crimson word which we sang over, O over the thorn.[2]

She longs for Him,

she, through our collective self, keeps longing for the absent lover

in the dark night of this apparent exile

despite the yellow glowing lights on the Jerusalem walls,

the yellow badges haunt our dreams

despite the Profit Sharing Plans for retirement in Florida,

all contemporary luxury feels guilty,

all remains not well.

In our absent gazes,

She too is not present, in us

She too has gone, disgusted by the self-bloating

Holier-than-Thou’ness of current religious pretensions to piety

so we play games as if...

the rituals of daily life and learning had meaning inside

as if...

nothing had happened some 70 years ago

a lover’s spat some would say!

others would make even more outrageous theological claims

(harping to Nietzche)

yet others would put blame on us! on the very victims!!

as if...

Has He ever not been bound in chains? [3]

the king bound in the trestles. מלך אסור ברהטים

did the Song to end all Songs not tell us?

the king bound in his trestles

outside the garden of delight

watching and waiting for his beloved,

yet kabbalistically also bound

in the trauma of this very creation

in the only way the finite could trap the infinite in its grip.

Bound in the chains of the barbed wire trestles

He watches his beloved starved and tortured

played with and humiliated by German/Ukrainian/Polish soldiers

the women defiled in ways that left permanent etchings in the flesh,

a scarring, living corpses who could never again make love...

handsome smart uniforms smoking all the while with leather gloves

so as not to defile themselves.

Bound in the excremental deterioration of the self and humanity

as if...

the divine wished to experience such degradation

a pervert Greek experiment ordered by the Pantheon for the amusement of the gods.

Awakening from this traumatic nightmare

now 70 years later

like those Rabbis of old

looking at the Hurban

the broken Jerusalem walls,

the “fox running across the Temple Mount”[4]-

we have no Rabbi Akiva to laugh.

We languish amid the normalcy of daily life

as if... it never took place.

And we, the children of those who survived

whose parents’ silences

deafen the living rooms of London, NY, Tel Aviv

what are we to believe?

who are we to believe?

You who survived gave us nothing to believe!

despite your comings and goings to shul

and the lips chattering alongside the songs of the chazzan

we saw through that, even as children,

to the dark emptiness inside you all

and realized slowly, slowly

the legacy of Die Niemandsrose[5]

and the Psalm to No-Body.

Please help us

before you depart this world

please show us how to

believe!

show us how to hold on to our lost faith

even as you slowly drowned in your memories and lost ones.

In connecting to you

we at least have a physical representation

of your lives here

of your embodied trauma

of the blue etchings in your forearms

of your survival

we can hug and embrace your frail bodies

like a talisman

to ward off the evil curse that is our people.

But what will you leave us when you have gone?

what blessing will you bestow upon us

as you move away

into the memory of our loss?

Please don’t leave

please do not leave us alone

in this wilderness

in this new modern Hurban

please give us a hint

at some messianic dream you still hold on to

some secret you have withheld until now

some divine word you received over there

in the hell of enlightened Europe.

Hold us close

hold us to your hearts

squeeze us tight please

never let go.

For without you

we fear,

we fear

we will lose all faith

like the Klauzenberger Rebbe claimed

in the first al chet on Kol Nidre 1946

“our only אל חטא was that we own up to is our loss of faith on You Lord!”

without you

present

to hold us close

we fear

being alone in this nightmarish world

where people go about their normal lives

as if...

as if...

it never happened.

[1] Howard Schwartz, The Tree of Souls: The Mythology of Judaism (Oxford: Oxford University Press, 2004) 58 ,Pesikta De Rav Kahana 13:9, 15:3, Zohar I:182a

[2] Translated by Michael Hamburger

[3] Song of Songs 7:6 “Your head upon you is like Carmel, and the hair of your head like purple; a king is caught in its tresses.”

[4] Lamentations 5:18 “For the mountain of Zion, which is desolate, (even) foxes walk upon it.”

[5] Paul Celan: Die Niemandsrose (The Nomansrose / The No-One's-Rose, 1963)

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Transgressions

Julian Ungar-Sargon May 29, 2011

As a child the single greatest blow to my developing spirituality

was the guilt from pegam habrit.

That masturbatory fantasy life that allowed a few minutes of escape

from the intolerable world of a British post war childhood

and its violence has become ingrained. But at what a price!

The days following I could not pray to the Almighty One above.

The guilt was palpable and my self-loathing a persistent sense of self.

The mother that whacked me for not practicing piano sufficiently or diligently

with her bamboo canes waiting for service in the flower pot

ever ready for immediate use,

forcing me to devise ruses for so-called practice

tinkering with the keys that almost sounded like music and scales

yet allowed me to daydream the hour away all the while

fool the authority of the raging mother not always successfully.

Even before my sense of spiritual self was layered

and self-conscious

a recurring and familiar feeling of inner dread overtook me.

This second being, rotten to the core,

was born from these violent encounters,

leaving me with an indescribable sense

of inner desolation already by age 10.

Over the years this sense of the transgressive

and the inability to escape the guilt of existence

has permeated my inner landscape

helped in large measure by the rabbinic tradition

of the divine judge on the annual day of judgement-

Rosh Hashanah where all pass before the heavenly tribunal-

the Grand Inquisitor and where

all oneʼs prior actions of the year are measured.

And the supplicatory prayers (tachanun) that invoked divine mercy for sins

each monday and thursday, then the selichot, and fast daysʼ penitent tefillot.

That Ancient One of the Old Testament had conspired with the

inner kritik to form an overwhelming alliance from without and within

and leaving me devastated continuously found

wanting and feeling the “guilty” verdict even before the crime.

When the outer world conspired as well

in the form of the DEA and the State of Massachusetts

the wound left an indelible mark of Cain in my soul.

No longer could I trust the self within

as a moral compass

no longer could I see myself as “innocent”.

Kafka came alive for me as I seemed to live out his parables

in real life. The second being was now the only voice.

Yet over the years I have found

a developing sense of inner peace

that came with acceptance of the darker soul

and the realization that the “I” that was me

was a composite of drives and ethnic codes

formed in a genetic prison not of my own making.

In this biological system insults and traumas affected neuronal circuits

and laid down indelible pathways of aberrant behaviors,

making the sense of “free-will” philosophically problematic

yet allowing some measure of relief

in the neurological world of cause and effect.

Ironically in the very transgression of this or that

I would sense the outer limits of my self

the borders of my inner territory and the edges

of what otherwise was unknown aspects of my moral code.

I would learn what I would be willing to do

and what I would be unwilling to engage in

which taught me much more about the inner world I inhabited

than any text or teacher.

Often my father would spring to mind in such conflicts

both as a guide and as an example

in re-membering what he had endured in similar circumstances.

Indelibly etched in my soul was the anxiety written on his face

as he returned home after being questioned

by the purchase tax inspectors circa 1960

which must have evoked memories

of black Maria cars in Vienna whisking away

Jews in the night. His mother sent him cycling daily and upon his return

he never knew whether they might be there or not.

For in his choice to escape the horror

on that fateful day in the Viennese banhof

on the platform he also had to betray those closest to him

in leaving them (albeit beyond his control) for safety...

Thus my very physical being is the result of this

conflicted choice of his, to betray in order to live.

Yet it was in my reading of tradition above all,

that differences between us father and son-

would explode onto the Shabbat table passionately

focused on our differing reading of sacred texts

and his insistence on literal readings of midrashic myth,

(ironically at the same time his accepting

a purely allegorical reading of Greek

mythology.)

His critical voice ringing in my ears when I begged to differ

holding me to his pre-war literary conventions,

all the while forcing my inner conviction to pass muster

and honing my rhetoric in treading my own path of reading.

The price for all of this has been steep

for I find no solace in the company of co-religionists,

having been branded an apikorus of sorts

which I have been slow to embrace.

Our post war community was small,

and following the Holocaust there was no room

for dissent. We were in theological “lock down” mode

like those facing the tornado in the Wizard of Oz.

All the shutters to the outside had been closed

all the liberal hatches have been pulled down tight

there being no room for dissent or resistance

to authoritarian traditional readings.

Yet it was precisely the Shoah

and the theological consequences thereof

which have haunted my spiritual life

and held all my textual readings up to its lens.

This indelible fact of history, begging the very covenantal relationship

and the accident of my birth so soon after,

as well as the very incarnation of my fatherʼs impossible choice,

have forced me to re-examine and constantly

refuse myself the luxury of pious readings,

literal Protestant readings

and self-serving orthodoxies.

To be sure the self-sabotaging self

has been well at work, the darker second me, all the while

doing its best to sabotage and leaving its physiological trail

of deep stomach pains and the familiar dread in the chest.

Never to forget that fainting spell

before the Harvard Professor as the junior faculty

instructor I was, being told the DEA had paid him a visit,

after two years of sacrifice for him and academic medical research.

Awaking to the reality of being examined and investigated

an 8 week trial of the very self and character

just like the 11 year old naughty boy

in the primary school,

being repeatedly whipped by my headmaster-

Mr Shapiro for being sent out of class

for not knowing the equations or for being

too dark skinned for a British schoolboy.

And the Maths Master in grammar school

who felt my only use in his class was not for my mathematical prowess

rather my anatomical susceptibility for fondling

with his thundering Germanic accent to prevent any protest.

Only here I had to learn to own my mistakes and flaws

openly paraded in the court room drama.

Aging has removed the sense of victimhood

that haunted me for years now that I have made peace with parents,

teachers and professors, but the ultimate authority

remains transcendent in power and opaque to access.

For Him alone and His Law transgression has become

a raison dʼêtre of a kind,

for only a transgressive reading of the self

and of received texts even of his Halacha,

will do in this post-Holocaust world

where all traditions must fail or else we will fail

those who died for tradition so unwillingly.

In the wilderness that is left after all certainty has perished

in the killing fields

we walk about numb and alone.

In the screaming silence of His absence

we refuse dialogue

despite a deep yearning to be heard by Him.

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SYLVIA KLEIN 2011

Royal Tatoo and Hyperfascism

Julian Ungar-Sargon May 22, 2011

A 50 or so years old man lies on the examining table and removes his shirt for the

impending medical procedure, revealing tattoos across his back and arms. He bears the

usual biker tattoos with aggressive images of faces and signs, crosses and daggers.

Most of my younger patients sport tattoos. Little anklets or barbed wire wrist bands and

flowers in the lumbar lordotic sacro-iliac area, names of girlfriends or children roses,

flowers and mottos. One ex-con had a whole litany in gothic lettering on his back that

looked like an ancient manuscript telling the world what an evil place it was. He told me

he received it in jail over many months. In fact it is so common that the tattoo has

become a fashion statement and most of my patients sport them.

However on this patient’s outer right arm is a swastika-in reverse. When I ask him about

that image he responds:

“Yes, doc, I was much younger then, but have no fear, it is in reverse because I had

many friends who were black and Jewish!”

How kind of him! How manipulative! His biker friends and the gang would not notice the

phase reversal of the swastika all the while his ethnic friends would not be offended

because it was not a real swastika! He had solved the problem of loyalty to his gang

and not offending his friends. So he thinks.

My electro-diagnostic technician Dennis, seeing me stare at the swastika, nods with that

knowing look, having been with me so many years now-he knows of the struggle I have

as a physician. I am responsible for my patient unconditionally, yet the meaning behind

that symbol, that image etched in his flesh, represents a hatred that destroyed my

father’s family and a world. This tattoo threatens the very rapport between doctor and

patient, it is so fraught! I hold back my raging emotions and continue the study. I ignore

the flesh for the nerves buried deep beneath the surface. I prod and electrocute to

determine the integrity of the peripheral nerves exiting the spinal cord.

It is so ironic that those with the fewest teeth have the largest density of tattoos, they

are the same who fear my spinal needle the most! Those who demand sedation on

pondering the flashy steele of the surgeon’s knife “resolving the enigma of the fever

chart”. I who stand with the needle over the prone patient who trusts the doctor to inject

accurately, innocently waiting for the treatment and the relief.

In Synagogue my old friend Farkash, sits behind me, aged around 88, a Holocaust

survivor and a legend in Chicago. He is a pious talmudic scholar as well as a pious but

creative thinker with tomes of novellae unpublished. Honored for his charity as well as

erudition he too sports a tattoo on his left arm. Being an observant Jew he did not

voluntarily agree to this branding (tattoos are prohibited in Jewish Law) but received itA 50 or so years old man lies on the examining table and removes his shirt for the

impending medical procedure, revealing tattoos across his back and arms. He bears the

usual biker tattoos with aggressive images of faces and signs, crosses and daggers.

Most of my younger patients sport tattoos. Little anklets or barbed wire wrist bands and

flowers in the lumbar lordotic sacro-iliac area, names of girlfriends or children roses,

flowers and mottos. One ex-con had a whole litany in gothic lettering on his back that

looked like an ancient manuscript telling the world what an evil place it was. He told me

he received it in jail over many months. In fact it is so common that the tattoo has

become a fashion statement and most of my patients sport them.

However on this patient’s outer right arm is a swastika-in reverse. When I ask him about

that image he responds:

“Yes, doc, I was much younger then, but have no fear, it is in reverse because I had

many friends who were black and Jewish!”

How kind of him! How manipulative! His biker friends and the gang would not notice the

phase reversal of the swastika all the while his ethnic friends would not be offended

because it was not a real swastika! He had solved the problem of loyalty to his gang

and not offending his friends. So he thinks.

My electro-diagnostic technician Dennis, seeing me stare at the swastika, nods with that

knowing look, having been with me so many years now-he knows of the struggle I have

as a physician. I am responsible for my patient unconditionally, yet the meaning behind

that symbol, that image etched in his flesh, represents a hatred that destroyed my

father’s family and a world. This tattoo threatens the very rapport between doctor and

patient, it is so fraught! I hold back my raging emotions and continue the study. I ignore

the flesh for the nerves buried deep beneath the surface. I prod and electrocute to

determine the integrity of the peripheral nerves exiting the spinal cord.

It is so ironic that those with the fewest teeth have the largest density of tattoos, they

are the same who fear my spinal needle the most! Those who demand sedation on

pondering the flashy steele of the surgeon’s knife “resolving the enigma of the fever

chart”. I who stand with the needle over the prone patient who trusts the doctor to inject

accurately, innocently waiting for the treatment and the relief.

In Synagogue my old friend Farkash, sits behind me, aged around 88, a Holocaust

survivor and a legend in Chicago. He is a pious talmudic scholar as well as a pious but

creative thinker with tomes of novellae unpublished. Honored for his charity as well as

erudition he too sports a tattoo on his left arm. Being an observant Jew he did not

voluntarily agree to this branding (tattoos are prohibited in Jewish Law) but received it

free of charge courtesy of the Nazi party circa 1941-2. It needs no further explanation.

When they took away his name and identity they substituted it with a number to as to

easily identify him on roll calls. He was no longer a person. “Vermin” they used to call

Jews. Now after memory fades these numbers etched into his skin some 70 years after the

Nazis were destroyed, remain as a stark indelible sign. They mark him forever as a

survivor, a Holocaust survivor, even after death. So I turned to him and asked “how do

you pray?” pointing to the tattoo in shul one year, during penitential prayers begging

God to save us. He gives me a pious answer that only a saint could respond “we were

trained in cheder as children to be ready to die Al Kiddush Hashem (to be martyrs for

the sake of the Holy Name) so it came naturally.”

What connects me to these two tattoos? My patients’ fashion Nazi adornment and my

friends concentration camp numbers? I ask myself as I stare at the photo montage of

the “hyper fascist” website www.nork.ru. What is the Schechina doing in the SS helmet

and the reverse swastika? Lighting the emblem of the State of Israel like a Greek

Goddess. What is the Lucifer reference below it? and its reference to the Luftwaffe?

I asked my cousin Sylvia Klein, an artist from Ottawa Canada to imagine a world in

which fascism continues to linger in the psyche ready to inflame the heart at a moment’s

notice, once ignited by some trigger, a world where the hyperliteral readings of texts of

terror inflame the religious heart in a wave of fundamentalism that crosses all cultures

and faiths.

Tattoos for life

Tattoos for death

Tattoos for the military

inscriptions on the surface of the body

unlike clothing

adorning the outer limits of the selfthat

defined border between self and non-self.

The body as landscape

like the desert dunes reflecting in the yellow

valley between the breasts (remember the English Patient?)

The body as a canvas for the tattoo artist to reflect the current

whim of the client, usually inebriated, (though my patients tell me

that alcohol is forbidden during the procedure).

The Schechina inhabits all, for God is immanent

in good and evil

she is forced into this exile

by the Father the King

to be incarnated in this world

without regard to perpetrator nor victim.

At one time She both is present to the selectsia

She is Mengele,

then again she lights the Temple Menorah of

Israel’s re-birth

still wearing her Nazi helmet and swastika.

Like Rebbe Nachman’s Lost Princess

she wanders the wasteland that is now earth

crying for Her children who have given up on Her.

She too is etched in our bodies

like in the White Crucifix of Chagall [1]

with the etched out swastika on the Jew’s left arm

to escape the gaze of the Gestapo

prescient of another tattoo to come in numerical form.

Royal Tattoo and hyper Fascism

Tattoos in the flesh as a branding of animals for identification

and a sign of ownership, now used to express an indelible commitment

to an ideal or person, once in the ancient Near East

a form of worship then proscribed by the Bible as idolatry

as a ritual behavior to placate or imitate the gods.

Now in our Nazi times a similar kind of pagan branding

now as a form of dehumanizing of a race and

a tagging of ownership by the state.

Were not black slaves tattooed and branded?

Across the Atlantic the

Royal Tattoo doe den tap toe (old-Dutch for "turn off the tap")

represented a military return to barracks and turning off the beer taps

royal parades that we love to watch

the pomp and circumstance the pageant

the red Guards uniforms

the golden helmets

O how we tear up with the Elgar and Blakeʼs Jerusalem.

And in our flesh we betray on the surface our innermost desires

hidden beneath the clothing or not

permanently and indelibly etched

even in death

the images will accompany us.

Permanent etching in the flesh Farkash’s numbers

and the ex-con whose back looked like an ancient scroll

the typology in Gothic script

and the patient lying before me prone, a swastika in reverse on his arm.

Symbols of the SS and the swastika shock me into a reality

beyond the clinical sanity of the examining room

like the photo montage www.nork.ru

a shocking of the visual association cortex

by the very juxtaposition of Schechina and Nazi symbol.

But then does this not beg the very underpinnings of an Immanent divine

for surely there were those who believed the divine must be present even in

the hell hole of Auschwitz as did Farkash my friend.

So even though the montage is meant to shock

this hyper fascist web siteit

does teach me the need to push forward

with the unresolved ultimate questions facing us

as we awaken from the 70 year old theological slumber

to a nightmarish world apparently without the divine

and our need to reconfigure and reconstruct a world

with a sense of the divine once more.

[1] After Chagall returned to New York in 1943 current events began to take on importance for him, and this was reflected in his art, where he painted subjects including the Crucifixion and scenes of war. In White Crucifix currently at the Art Institute of Chicago. Apparently in order to avoid offending the Gestapo he scratched the swastika on the armband of the soldier burning the synagogue.

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The Walls of the old city of Jerusalem

Jerusalem Stone Wall Heart

Julian Ungar-Sargon May 22, 2011

“My voice proclaims

How exquisitely the individual Mind

(And the progressive powers perhaps no less

Of the whole species) to the external World

Is fitted:--and how exquisitely, too,

Theme this but little heard of among Men,

The external World is fitted to the Mind.”

The Recluse, William Wordsworth

“If I should be, where I no more can hear

Thy voice, nor catch from thy wild eyes these gleams

Of past existence, wilt thou then forget

That on the banks of this delightful stream

We stood together; and that I, so long

A worshipper of Nature, hither came,

Unwearied in that service: rather say

With warmer love, oh! with far deeper zeal

Of holier love. Nor wilt thou then forget,

That after many wanderings, many years

Of absence, these steep woods and lofty cliffs,

And this green pastoral landscape, were to me

More dear, both for themselves, and for thy sake.”

LINES WRITTEN A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS OF THE WYE DURING A TOUR, July 13, 1798.

William Wordsworth

slowly slowly

Intimations of the Other

in the cool Jerusalem air

facing those ancient stone walls

I feel the presence of the Mystery

on this bleak sunday morning

church bells clanking in competition

(clouds do not fit well the landscape)

but here

now

I feel an overwhelming sense

of the passage of time

my fatherʼs decline

my own creeping aching age

yet- being present in this moment

to the ageless Presence

despite everything changing

even the stones.

Maybe this stone heart

can melt a bit?

Is the Thou then possible?

I feel like praying now

but how?

and to Whom?

and what?

In the stillness of the early morning Jerusalem air

as yet fresh before that burning orb rises in the East,

I find comfort

a sense that, for this instant

all is as it should be

despite the raging sea back home

and the anxiety of the foreboding of the ending.

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Mistakes, Mistakes

Julian Ungar-Sargon April 12, 2011

“I'm a new soul

I came to this strange world

Hoping I could learn a bit 'bout how to give and take

But since I came here, felt the joy and the fear

Finding myself making every possible mistake

La, la, la, la (21x)

La, la, la, la (21x)

See I'm a young soul in this very strange world

Hoping I could learn a bit 'bout what is true and fake

But why all this hate? try to communicate

Finding trust and love is not always easy to make

La, la, la, la (21x)

La, la, la, la (21x)

This is a happy end

Cause you don't understand

Everything you have done

Why's everything so wrong

This is a happy end

Come and give me your hand

I'll take you far away

I'm a new soul

I came to this strange world

Hoping I could learn a bit 'bout how to give and take

But since I came here, felt the joy and the fear

Finding myself making every possible mistake

New soul... (la, la, la, la,...)

In this very strange world...

Every possible mistake

Possible mistake

Every possible mistake

Mistakes, mistakes, mistakes...”

Yael Naim

errors...

cutting corners...

getting away with this and that...

poor judgement,

only by the mistakes

only by failing

have I ever learned.

The pain continues

stuck as I am

in relationships

where I so desperately seek understanding

and validation,

but merely meet the brick wall

of indifference, an ice wall

or worse,

blinding criticism.

Where is the light?

where is there respite?

(lying in my disc pain my relief was not vicodinrather)

Perlman’s Pugnani-Kreisler Allegro

and Handel/Halvorsen’s Passacaglia [1]

in which I was momentarily spared

from the burden from this isolation

and bathed in some ephemeral light.

It is as if the music turns off the inner kritik

mirroring the failure out there

and allowing my sacred right hemisphere

a few moments of relief.

As a child I remember listening to the Eroica and the Marche Funebre at the

Munich Olympics after the massacre of the athletes in 1961

over and over again

transported to a real world

where tragedy was centerfold.

I lay on the carpet of the living room

flying high on Beethoven.

And visiting Madame Lunzer, an Italian contessa

as she lay dying on her satin sheets

on Saturday afternoons in 1965

and hearing the Fifth Brandendurg concerto [2] for the first time.

Bach was the perfection in my imperfect world.

Now, in this darkness

I must once again,

try to see the wounded boy

who never got heard

and heal him first

but how?

tell him what?

in the face of his real knowledge and pain

etched into the flesh for so many decades

fueling, deep inside

the resentments and rage

of what was done

to him,

in the name of educare.

In this place

I just hold the pain.

I cannot regenerate into a “new soul”

like this fresh Israeli singer.

I refuse “to let go” of the past

as uncle Eric admonishes me to

for the very sake of the past

and the memory of the past

and the victim inside

to rename or refurbish.

It has taken too long just to get those images to mind

having blocked them for so long.

Effortlessly my pain merges with others

ethnic identity slips into consciousness

Why do I allow this personal pain to dissolve

in theirs? There is no comparison of course!

Cousins aunts and lost grandparents

I sense their absent counsel more and more

for I have been denied half my family

their lacuna screams in silence

their having been left in Europe

as Dad escaped for his life, and mine.

I will not “learn” from their suffering

I will not yield to any mythical archetypal or religious meaning

I cannot,

the smoke is too fresh

the burning fat still stings the eyes

and I was not even there!

Merely born 5 years after the tremendum.

Why then does my soul connect my pain to theirs?

why do I gravitate to no other texts

read theirs into all my own

and harshly refuse

any that do not take them into account

in claims to truth?

Yael Naim flirts with reincarnation

I cannot afford the luxuries of new age kabbalah.

I cannot even afford the theologies of comfort

that so many drink from.

No wonder Steve Jobs chose this song!

Macintosh is the new kabbalah

the greatest access codes to the Da Vinci di-vine internet.

In their memory I must allow nothing

it is too fresh

this wound

and somehow

infiltrates my own petty

vision of the past.

Should I separate the wounds?

the absent memory of their lived lives

my youth embedded in their non-being?

would things have been different with a counterbalancing

an aunt and uncle to protect me?

a grandparent to step

against the rage of the survivor-father

and the wounded-mother?

Mistakes, mistakes

I cannot seem to separate.

I cannot split between

the accident of my birth

and the survival of the father.

The accident of his meeting the mother.

the post war poverty

the desire to determine the outcome

the condition for economic survival

the age old diaspora response

to the moving tribe

country to country

pogrom to pogrom.

all the while sacrificing our souls

in the desire to succeed.

So I am condemned to make the mistakes

mistakes

choices

wrong turns

watching this life turn

slowly

ever closer to the end

of things,

the end

the end.

Turn off the singer

close the Mac

I am a gilgul.

[1] The last movement of George Frideric Handel's Harpsichord Suite in G minor (HWV 432) is a passacaglia which has become well known as a duo for violin and viola, arranged by the Norwegian violinist Johan Halvorsen.

[2] Brandenburg Concerto No. 5 in D major, BWV 1050 J.S.Bach Concerto Traversiere, une Violino principale, une Violino è una Viola in ripieno, Violoncello, Violone è Cembalo .

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Dreaming Dreaming

Julian Ungar-Sargon April 12, 2011

“...All acting begins with an 'as if'...

now take that 'as if' and set it as a plank, a bridge between what you

think you know and what you are really capable of

... It is time to stop being dreamed and start dreaming... time to let

go of the rock of identity that is accompanying our gravity-bound

descent from birth to death, time to abandon

belief and surrender to faith, to fly rather than fall

The shift in consciousness is from fear to faith... an unclenching of

the contraction of self, that myth of identity so insidiously woven,

thread by thread, day by day, the neural networks wiring into patterns

of self-relation, the well-trod path mistaken for the ground upon

which it was furrowed, this must be 'me', these fears, these

inadequacies, these thoughts, these images these stories... these

repetitive intimations of selfhood... the carefully maintained

scaffolding of who... Time to relax the tightened pattern of the

known... It is time to shed the past like a serpent sheds its skin...

No more victimization, no more passivity, no more being written upon,

seize the pen. Feed the fire with the conceits of the known, the delphic

hubris of self-knowledge, unmoor your presence from the anchors of your

habituated self-images,

Any time you find yourself feeling inadequate, guilty, self-pitying,

hopeless, victimized, blaming --become aware, watch how your mind has

become parasitic, feeding off the established negativities, watch from

the utter present (you are larger than your mind, back up into the

full energy of your being in this given moment, relax into your

totality and watch how your mind, your self-regulated self-portrait,

is working to keep you in these patterns). You are responsible for how

you feel. Wake up, start watching, awareness of this 'pain-body', this

limited parasitic version of you, will expose it for what it is...

time to regain the power that is always deferred and distributed

elsewhere. Approval, love, affirmation all come from within.

Truth = subjectivity = truth.

You are only as limited as you have come to believe.

"Reality" is merely tora shebichtav. Your inheritance (genetic,

historical, cultural, habitual) are mere alphabets, hieroglyphs of

energy... Now take the techniques you inspired me with and radicalize

the text you call yourself. This does not occur by remaining in the

head, in the intellect while the fundamental parameters of who and

what remain untouched ... it is a bodily-energetic process of

dilation, to access the power of transformation, to realize the power

of nature/world/spirit/whatever within you, as the totality of you

(rather than 'you') is not distinct from everything else

no more bemoaning the patterns, no more masturbatory "confessions"

of the self, suffering is boring, and easy.

Universal currency, it is the epitome of conformity

Dare to be happy/free/whatever

Dare to take full responsibility for everything that happens... everything

there is nothing that is not you

Your life is a dream, it is time to become lucid.”

Naftali Ungar-Sargon 2011

My grandfather had a recurring dream and told it twice to my cousin Anthony

who said he cried each time he recounted it. He found himself in the Paradeisi

synagogue (Cochin) with his grandfather from Jerusalem dressed in his

golden frock. He asked him who the three men on the front bench (Mizrach)

were. he replied “Abraham Isaac and Jacob”. He then asked what the light on

the bima was (a column of light projecting up and down) and he said “that is

God”. He cried as he told over this dream. Cousin Anthony remembers the

tears of Dada. I too had an experience in that same synagogue in 2008.

Visiting the graves of my ancestors in Cochin. The Sargons of India. On

arriving in the synagogue the beadle told me to remove my shoes because

the famous Chinese 400 year old tiles. They had been manufactured before

the invention of glazing so the tiles had to be protected. Having removed my

shoes and place on my tefillin I realized that this was the first time

in my life I was davening barefoot (usually proscribed because a sign of

mourning).I then had a vision of the roots of some ancient tree arising from

under those tiles engulfing my legs slowly creeping up until my waist line

then stopping. I felt so grounded in this place where my ancestors had prayed

and so rooted to the earth. So present to that moment in time that I actually

felt comfortable just being. For a glorious moment being alive felt appropriate

and without conscience. My father had a dream. Having escaped Hitler in

1949 from Vienna on the kindertransport, my father forgot his

father’s Sabbath zemira “yismach moshe” sung each week at the Sabbath

table. Some 40 years later he dreamed himself at that very table, and the

song came back to him. Now 90 years old he has sung that song each

Sabbath since the dream.

So,

Dreams, dreams

dreaming, dreaming

this wellspring of the soul.

I dream of a blue sky filled with what appears to be the wings of birds

but on closer inspection

turn out to be hands open in a prayerful posture

millions of them filling the sky

a darkish blue with a persistent light of a setting sun

just before dark.

In this in between space the blue turns from royal to dark ink blue

in this firmament I remember as a child going to this place in Finchley near

“the brook” where we lived

and sitting on a park bench with the night sky filled with a myriad stars

feeling my total insignificance at age 14

my life as insignificant

and time collapsing to where I might be at the end of my life

and the terror of that fact

removed for a moment in the face of this awe inspiring vision of the sky.

I resist the search for meaning

just basking in the gift of the very image itself

a sky full of caring hands

the very logo of my medical school comes to mind

an upright stick figure helping one crouching

with the “helping hand”

that logo representing everything I hold sacred

in a post genocide world

where one individual helping another

statistically is meaningless

in the face of mechanized technologically assisted slaughter.

In the in-between space of dreaming

just before we awaken to the terror filled day ahead

the endless traffic

and loneliness

where the reigns of consciousness are loosened somewhat

and the ego not yet awake enough to summon the inner kritik

this image comes to soften the night

to provide a wish that the unloving natural word

might be loving

in the face of reality, history and geography

genocide and natural disaster

In the face of all of this

there might be a caring

out there

a pair of hands

a sky-filled pairs of hands

filling the sky

with caring

in the bleak firmament above.

Was this all about caring? or its absence?

was all this yearning for the lost mother?

all these years seeking the potion to quench the pain?

is the inner child so wounded

he will stop at nothing out there

pay no heed

respect nothing

in pursuit of her?

Can it all be reduced to some psycho-babble

analyzable

DSM III label?

Is there nothing left to be soul?

ensouled?

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The Gene Pool

Julian Ungar-Sargon March 29, 2011

Having avoided London for so long

the un-civility of it,

from the moment you arrive

until the security personnel barking at you when you leave

the change in the neighborhood

Chareidi Golders Green,

unrecognizable Finchley

rude tourists

rude cab drivers

rude weather hiding the glorious sun for weeks on end

rude everything

this was not my old London.

Having avoided even transiting through Heathrow

the long lines in everything

the long walk to get anywhere

the implied racial profiling

transit anywhere in Europe, but avoid London!

yet now

because of family affairs

I have come back twice in 3 months.

And here

where the business of family affairs is conducted

around the ritual affairs,

the birthdays

the weddings

the sheva bʼrachot

and the shul going...

it is sunny for a change

the mild spring air makes me breathless

the puffy clouds as in a picture postcard.

Here, beyond the formal invitations and locations

this is where family business takes place.

After all the pleasantries and catch ups

after you find out which school this child is attending

and what college this one got into,

somehow the past begins to seep in.

Family business then gets conducted and is all about memory

about reconstructing deep unconscious lost images

it is memory reconstruction boot camp

and its purpose for me,

is to find peace of mind at last

to dis-cover

the truth of the past

and why we are condemned to repeat it as we do.

For there is comfort in in such gnosis

hidden knowledge that can only surface

by the slip of the tongue

a comment here or there

and a reference that evokes an image in the mind.

There is healing in uncovering the ghosts

in seeing patterns in other family members

especially of previous generations

come seeping into my DNA

even though when younger I would mock it

calling it my “genetic prison-with no chance for parole”

In London, this must take place

I now realize

for all the places

the buildings,

the streets

the route to Edgeware, Uncle Eric

or the cemetery; to see Nana and Dada

Finchley Road,

the Underground stations

the various lines

the black Northern Line

miserable

ancient and sooty.

In this physical landscape of grayness and blackness

lies memory.

The landscape of NW suburbia is necessary like props for a stage set.

My brother Eugene

who seems stronger than ever before

holds my hand firmly as we dance together

in the black circle of yeshiva guys

not interested in the pecking order of priority

but satisfied to be on the outer ring

unobserved, waiting for Michael

in the center to find him and drag him and I

into the center.

And for maybe the first time ever

I feel brotherly love in a physical way

just swaying to the singing with him

in this deep bond of blood.

there is little we need say

there is little to be said

we have gone through so much of life

and our memories are so entwined.

Here I meet Peter after so many years

we are so alike...

we look alike...

(people meet him all over thinking he is me.)

Here over lunch I discover we also think alike

feel the same way about love and life

authority and orthodoxy.

We both went west

settled with families

embedded in similar communities

and worry about our childrenʼs education first and foremost.

I get the first inkling that there is healing in this luncheon.

It feels good to talk with him deeply.

Genetics has thrown its dice as I realize

how first cousins emerged with similar

tastes and thought patterns in most things important.

Tony, another cousin whose gift of the gab expresses

those feelings I would have had

had I really known Dada

expressing all I should have known about him but did not

because of my parents wish to live in a more upscale neighborhood.

Tony teases me for wishing to unearth the Sargonʼs in India past

rightfully pointing out that his memory of Dad

is more sacrosanct than any historical

facts that might emerge.

He forces me to engage the question as to why I wish so

to have this book of history written.

Is it sweet revenge on the Litvaks

who paraded their yichus to my family

some 33 years ago?

Or some desire to find greatness

at least in my genes

in my otherwise self-admitted medicority?

Cousin Michael, whose “erhlichkeit”

exposes us all for our lack of faith

and our dark sides

for he does not seem to exhibit any guile

as we watch his family grow

in our inability to swallow

the myths and stories of his chareidi Rabbis

bellowing to the newly weds

extracting the last ounce of joy from the celebration.

Uncle Eric, whose second Bar mitzvah

prompts the most asked question this weekend

as to why he had no first ceremony in the first place

in an otherwise traditional Bombay neighborhood

where his other cousins like David underwent such initiation,

and many possible theories that amuse him

as we present them for his speculation, one after the other

(although he might really not know!

having blocked all memories of childhood trauma)

Aunty Becky, who still arouses my deep resentment

despite the hugs and kisses

for her duplicitous telling of stories of mother

that push the knife in deeper all the while

saying “bless her”, “bless her”

as well as her passivity in protecting me from the sadistic headmaster.

Yet we are drawn to her

for her memories come pouring out despite the repeated disclaimers

that “its best to leave the past alone”!

Here is the gold mine of information

mixed with speculation of course.

Yet here, in this family cocoon,

Becky still speaks of reverence

of Shapiro the headmaster

that sadistic bastard who delighted in whacking me in front of my twin

and her transparent whitewashing of her silent part in all of this

her very silence in the face of this violence. Her fear of authority

that infects me too.

“I once told Shapiro that the boy he just bashed never did anything wrong”

as if, as if this would somehow alleviate her from the guilt of silence,

for surely she knows.

Eric speaks for the first time

to me of “lacking confidence” until age 40

unable to perform all the symphonies he knew

and could rattle off

prior to arriving in London

when he “lost all confidence-his musical voice”

Then slowly opening up to hear his own voice

in the music so late in life

after marriage

but-”never looking back”

”-only looking to the future as bright-”

this motto allowed him to survive

by blocking those memories of “no self-confidence”

so successfully he has now “forgotten” the negative.

Yet he is the very mirror image of all that trauma

having re-invented himself as the perfect gentleman

known for his kindness by children and colleagues alike.

I cannot follow this zaddikʼs path however,

I cannot let go of this violence

and abuse

I must confront they who abused me

and caused such a wasteland

in my soul. At least mentally.

I must finally have my psychological pound of flesh.

Ericʼs children and sons-in-law

speak glowingly of his being one of the 36 hidden righteous

and I fully endorse that.

But it is hard to speak to a zaddik a lamed vavnik

who has lost all resentment of the past.

My cousins Sharon and Michelle

remain silent

but their love is expressed in the mountains of food

over shabbat

soul food from India as taught at home.

Their silence and loving presence over shabbat

betrays Ericʼs loving fatherhood

his unconditional devoted loving of his daughters

and now his grandchildren

who know deep down that here is a well

of deep compassion that will always be there for them.

Never would he perpetrate what was done to him

never.

Uncle David, the successful physician

who is known for fixing all family problems

but frustratedly cannot fix his own daughter

who suffers for his archetypal physician/manager/ father image

yet who is so hospitable to my children...

I owe such a debt to him

for providing safe haven for them

from my critical family

as a resource who never criticized nor judged them.

In this matrix my family business is conducted

looking for scraps of genetic material

like strands of spiritual DNA scattered across that familiar landscape

only London can provide

being the final destination

as one by one the family moved its center of gravity

from Bombay.

My mother was the first

on a troop ship 1941

U-boat infested waters of the Atlantic

she was NOT going to give up on this scholarship

to the Royal College

and for the war years and few after

she struggled alone

in this gray of gray London

with the anxiety of Hitlerʼs “doodlebugs”

whistling above in the night

hoping and praying for the whistle to continue.

My mother really was the courageous sibling

the scout, the trailblazer

and in her absence here

I feel the family dynamic as not complete.

In all of this Mumʼs absence is felt

her voice not present

she is reluctantly back home

unable to attend the festivities

having tried every ruse

knowing what she might be missing in this family business thing

which is good for me at least this once,

as I learn to see the clan in a different key minus

the matriarchshe-

who motivated me to be who I am

and is lodged in my brain now,

as the inner kritik,

but also left scars in me.

I am so alert for a comment two generations later

a fact

a scrap

anything

that will connect me to this past

the correct DNA sequence

that will unlock

why I am so addicted to this or that

why my character defects chose this or that

or why I feel so drawn or repelled to this or that.

I am sure those answers lie right here though.

In this matrix

in London of all places

in this cloudy foggy twilight

I find the meanings and motivations

that sound familiar.

Around a table of Sargons at the wedding

the conversation naturally veers towards

Dada the patriarch. He was such a towering figure (for good and bad)

so Eric naturally compares what he is hearing from the rabbis on the dais

to Dadʼs critique of the rabbinism and legalism

of the Iraqi Jews of Bombay

his flirtation with the Pauline revolution

that I have been drawn to for so many years

the real reason for Ericʼs non Bar mitzvah

because of Dada being ridiculed by Nana

to her family.

(one of the possible explanations floating around this weekend!)

Dada thought everything through

from basic first principles

uncaring for ridicule and heresy

wherever it might take him

Old Testament and New if need be.

This is what I have been looking for

a truth beyond the historical facts!

I get an inkling as to what he must have written in his lost book.

I find in my cousins and uncles and aunts,

such resonances as if the DNA strands dance

to a distantly recognizable tune

Ericʼs latest work,

a tune I hardly recognize

yet sounds so familiar

I am drawn closer and closer

because I know

really know

in my body

this is real

this is a song

that my life dances to.

In his and my motherʼs body posture

one the viola the other the violin,

the flexed neck crouching over their fiddles

their gaze is always down

away from the listener

for they are transmitting holy sounds

for those who might understand the

years of toil and violence

of the “practice practice.”

Here too I find some peace as I see the

previous generation having suffered too

at the hand of an invisible guiding muse

that mistakenly believed that the only ticket to survival

had to be the stick and the cane.

It is who I was

it is what must be

it is the genetic prison as I had always expressed

but the jailor has allowed me out for a while

to see the court documents and the testimony

that condemned me to this life

even thought the judges

the Fates, have sentenced me long ago.

Old faces emerge from grammar school

passing me at the wedding

with a curious look

as if I do remind them of a little boy

so long ago

that naughty boy

with the olive skin-too dark for British Jews who

played the piano

who was not immune from the usual hazing or bashing up.

Funny how after 48 years I see no changes in their personalities.

In this place of memories

things come to life

dreams appear

and fantasies materialize

here one can act out

without fear

since one has regressed to childhood.

which of course,

takes all the juissance out of it

so one becomes sober

for fear of missing another snippet of truth.

Family business is serious stuff

it has implications for dreams and soul

it is like a sacred kabbalistic text

for once studied,

alters your life forever

either way.

Most importantly I can return

to my life

afterwards

with some healing

some meaning

making my inner space a little larger

to hold this stuff

this past

making a little more sense of all of it

because of the resonances with other DNA bearers

who speak of this and that

snippets of this and that

which ring deep in the psyche,

And finally to feel

that I make a difference

by just being

part of this family

with my own stuff

despite my own stuff

despite Becky and Ericʼs admonitions

to “forget the past”

(which they too constantly refer to)

in order to survive

and stay sane.

Last of all

I idolize my twin who radiates light when she enters the room

and attracts the “Sargon women” around her

with her funny tales.

These very “Sargon women”

who represent the goddess image in my soul

who cannot become sullied no matter

how they pollute themselves ever.

They surround her

listening to her every word

as if she expresses the very incarnation

of their souls, not some funny anecdote!

As if she plays the genetic code in their souls like a viola.

As if Rochelle has inherited this quality of Mumʼs

to lead and be trailblazer.

But I only feel their love

of this pearl this flower

who gets more beautiful as time progresses

in contrast to my decay.

This is what I am leaving to come “home”

some 3000 miles

back to my life

as it is lived now.

The family has dispersed

the wedding and birthday party is over

and the business meeting has been adjourned.

But richer for the evocation

of memories

and the family talk conducted

here in London

not so hated as before

having yielded so much this time around.

Eric blesses me on friday night with

“peace, Julian, only peace”

from his heart that melts mine

as when he blessed his two girls

“may you continue to be just as you are”

such words from the family zaddik

shake mountains of pain

and threaten the heavens with their truth and healing.

So I might come back soon

to drink at this golden fountain

that yields so much nectar

an injection of peaceof

peace of mind

for my broken soul.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​