Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Sacred Texts

Julian Ungar-Sargon November 6, 2011

How uncanny, these sacred texts

black ink on sallow aging parchment

between the scrolls the heavy long atzei chayim

this Torah,

parallel lines on which the Soferʼs quill hangs his letters

etched into the calf skin

on these lines the black letters suspended

like laundry lines in the gardens of suburban estates,

forming words that speak of the mythic journey

and biography of the human/divine failure.

Put aside the doubts!

those lingering academic questions

hovering as they still do in your head,

from a previous centuryʼs scholarship,

as to the archeology of these texts

their provenance

their literary conventions-whether exilic, post exilic,

the strands and strata of authorship,

criss crossing the page

violently dissecting the body of even a verse

with no respect for the integrity of the final redaction.

Let go of the literal finally!

give up the addiction to the plain meaning as is...

surrender the belief system that accompanied the text,

forgive all prior readings,

let not the “anxiety of influence” paralyze you further

despite the weighted authority of La Nom du Pere

the overbearing presence of the black suited Father-in-Law!

Accept your own prejudice and now sustained inner baggage

your sense of the prosidy of the text,

its lyricism, its poetry, its tone,

as you begin to read once more.

Become conscious!

bring awareness of the enormity of the weight of tradition

on your shoulders,

of the combined millennia of rabbinic and church commentary

of the super-commentaries surrounding the text, like chatting housewives,

of the writings of those stern faced bearded men

peering down at you from glass enclosed frames

in the dark corridor of your father in lawʼs New York apartment.

Begin to feel the lightness of your own fresh reading!

as it confronts you with the recycled problems of plot and justice

each time the weekly portion greets you.

Feel the comfort in the Midrashic musings

as you see through their hermeneutic tricks

and literal triggers and semantic puns that opened their

one time fresh discourse.

Be excited by the cosmic implications and daring risks

the Zohar takes in its imaginative

misreadings as it opens up hidden worlds of desire and connections.

Follow the Hassidic masters as they read their own struggles

into the narrative of biblical personalities.

For your task maybe the most important most critical ever!

For the sake of the very survival of that same text.

Yes, your reading and your baggage, your prejudice and hauntings

may determine its future.

For having been born to that last generation of survivors,

in earshot of the screams,

only once removed from their cries and shrieks

and the deafening silence the mornings after

the theological absence the decades after

the divine remaining “in absentia”,

you now have the impossible task of bringing

meaning to this text once again.

Impossible you say!

to bring meaning to their lives and deaths

to their memory, their trace, here!

gazing at the columns of black letters?

Like the columns of smoke that arose from the crematoria,

etched in the space between the Holy letters

of the fractured covenant

the broke promises

the absent Messiah.

And, as you pass your white tallis over the black letters

donʼt forget this space in between...

the silent presence, before you make the blessing over the Torah,

in this silence, in this absence of meaning

your presence

your reading

your blessing despite,

your keriah

your interpretation is, once again called for.

Yes, you maybe asked to do violence to this sacred text

for the sake of its very survival

like no generation before you.

For the sake of the sacred text itself.

For Her sake.

Donʼt worry She can handle it

She, who needs rescuing, is in that sacred space,

in between the blackness.

(Was it not Glen Gould who taught us how to read and play Bach anew?

by paying close attention to the pauses and spaces between the notes

unlike his contemporaries who remained in the classical tradition

of technique. His new midrashic version of the Goldberg Variations

brought new life to the ossified traditions of the Baroque).

Pay attention to these spaces!

Play the music of Torah, with them in mind!

Attend to what was not written

what was not said

what could never be said

between the divine lover and Her sacred people.

Be that surgeon!

Sharpen the steel!

Here in this sea of blackness, the sharper the knife

you bring to the dissecting table

the keener the scalpel you apply in your

hermeneutic operating room technique,

the deeper the secrets She will reveal!

for she is ever open to new readings, however violent,

and our post-Holocaust generation has solace only in Her.

In the presence of the divine absence,

we must find refuge in Her sacred spaces,

we must find new keys to read our selves

our fractured lives

our broken souls

In Her alone

in Her sacred Torah text.

For the black letters on white parchment is Her love poem to us

despite the suffering

in spite of the torture

a love letter all the more.

We will be held accountable

by our children

were we to settle for those old readings

abdicate our truths for comfortable and familiar exegesis

for the sake of imitation piety.

Do not give up on the text!

She feels uncannily sacred despite scholarship

despite history

despite dissection!

despite Mengele

for She too is a survivor!

A rush of excitement flows over me

as the Baal Koreh chants the text,

those familiar black notes

bending to his received cantillation tradition

line after line,

the holiness is found between the etched lines

and She demands we continue to fill the gaps and lacunae

and once again bring fresh answers to the age old questions

posed to the text

the issues and plot lines

the structures and conflicts

the redundancies and questions of justice.

All this in light of the age of technological genocide we inhabit.

All this in the presence of our lack of faith

yet our being present to this very absence of the divine.

Only by such violent reading of our sacred texts

(a Post-Holocaust Midrash of sorts),

will we be able to maintain the integrity of this sacred space

and Torah herself,

for only by emptying ourselves into the space between its black letters

can we too infuse Her with our lived albeit broken lives

for this She needs too.

This is our response to Her loving.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​