Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

SYLVIA KLEIN 2011

Royal Tatoo and Hyperfascism

Julian Ungar-Sargon May 22, 2011

A 50 or so years old man lies on the examining table and removes his shirt for the

impending medical procedure, revealing tattoos across his back and arms. He bears the

usual biker tattoos with aggressive images of faces and signs, crosses and daggers.

Most of my younger patients sport tattoos. Little anklets or barbed wire wrist bands and

flowers in the lumbar lordotic sacro-iliac area, names of girlfriends or children roses,

flowers and mottos. One ex-con had a whole litany in gothic lettering on his back that

looked like an ancient manuscript telling the world what an evil place it was. He told me

he received it in jail over many months. In fact it is so common that the tattoo has

become a fashion statement and most of my patients sport them.

However on this patient’s outer right arm is a swastika-in reverse. When I ask him about

that image he responds:

“Yes, doc, I was much younger then, but have no fear, it is in reverse because I had

many friends who were black and Jewish!”

How kind of him! How manipulative! His biker friends and the gang would not notice the

phase reversal of the swastika all the while his ethnic friends would not be offended

because it was not a real swastika! He had solved the problem of loyalty to his gang

and not offending his friends. So he thinks.

My electro-diagnostic technician Dennis, seeing me stare at the swastika, nods with that

knowing look, having been with me so many years now-he knows of the struggle I have

as a physician. I am responsible for my patient unconditionally, yet the meaning behind

that symbol, that image etched in his flesh, represents a hatred that destroyed my

father’s family and a world. This tattoo threatens the very rapport between doctor and

patient, it is so fraught! I hold back my raging emotions and continue the study. I ignore

the flesh for the nerves buried deep beneath the surface. I prod and electrocute to

determine the integrity of the peripheral nerves exiting the spinal cord.

It is so ironic that those with the fewest teeth have the largest density of tattoos, they

are the same who fear my spinal needle the most! Those who demand sedation on

pondering the flashy steele of the surgeon’s knife “resolving the enigma of the fever

chart”. I who stand with the needle over the prone patient who trusts the doctor to inject

accurately, innocently waiting for the treatment and the relief.

In Synagogue my old friend Farkash, sits behind me, aged around 88, a Holocaust

survivor and a legend in Chicago. He is a pious talmudic scholar as well as a pious but

creative thinker with tomes of novellae unpublished. Honored for his charity as well as

erudition he too sports a tattoo on his left arm. Being an observant Jew he did not

voluntarily agree to this branding (tattoos are prohibited in Jewish Law) but received itA 50 or so years old man lies on the examining table and removes his shirt for the

impending medical procedure, revealing tattoos across his back and arms. He bears the

usual biker tattoos with aggressive images of faces and signs, crosses and daggers.

Most of my younger patients sport tattoos. Little anklets or barbed wire wrist bands and

flowers in the lumbar lordotic sacro-iliac area, names of girlfriends or children roses,

flowers and mottos. One ex-con had a whole litany in gothic lettering on his back that

looked like an ancient manuscript telling the world what an evil place it was. He told me

he received it in jail over many months. In fact it is so common that the tattoo has

become a fashion statement and most of my patients sport them.

However on this patient’s outer right arm is a swastika-in reverse. When I ask him about

that image he responds:

“Yes, doc, I was much younger then, but have no fear, it is in reverse because I had

many friends who were black and Jewish!”

How kind of him! How manipulative! His biker friends and the gang would not notice the

phase reversal of the swastika all the while his ethnic friends would not be offended

because it was not a real swastika! He had solved the problem of loyalty to his gang

and not offending his friends. So he thinks.

My electro-diagnostic technician Dennis, seeing me stare at the swastika, nods with that

knowing look, having been with me so many years now-he knows of the struggle I have

as a physician. I am responsible for my patient unconditionally, yet the meaning behind

that symbol, that image etched in his flesh, represents a hatred that destroyed my

father’s family and a world. This tattoo threatens the very rapport between doctor and

patient, it is so fraught! I hold back my raging emotions and continue the study. I ignore

the flesh for the nerves buried deep beneath the surface. I prod and electrocute to

determine the integrity of the peripheral nerves exiting the spinal cord.

It is so ironic that those with the fewest teeth have the largest density of tattoos, they

are the same who fear my spinal needle the most! Those who demand sedation on

pondering the flashy steele of the surgeon’s knife “resolving the enigma of the fever

chart”. I who stand with the needle over the prone patient who trusts the doctor to inject

accurately, innocently waiting for the treatment and the relief.

In Synagogue my old friend Farkash, sits behind me, aged around 88, a Holocaust

survivor and a legend in Chicago. He is a pious talmudic scholar as well as a pious but

creative thinker with tomes of novellae unpublished. Honored for his charity as well as

erudition he too sports a tattoo on his left arm. Being an observant Jew he did not

voluntarily agree to this branding (tattoos are prohibited in Jewish Law) but received it

free of charge courtesy of the Nazi party circa 1941-2. It needs no further explanation.

When they took away his name and identity they substituted it with a number to as to

easily identify him on roll calls. He was no longer a person. “Vermin” they used to call

Jews. Now after memory fades these numbers etched into his skin some 70 years after the

Nazis were destroyed, remain as a stark indelible sign. They mark him forever as a

survivor, a Holocaust survivor, even after death. So I turned to him and asked “how do

you pray?” pointing to the tattoo in shul one year, during penitential prayers begging

God to save us. He gives me a pious answer that only a saint could respond “we were

trained in cheder as children to be ready to die Al Kiddush Hashem (to be martyrs for

the sake of the Holy Name) so it came naturally.”

What connects me to these two tattoos? My patients’ fashion Nazi adornment and my

friends concentration camp numbers? I ask myself as I stare at the photo montage of

the “hyper fascist” website www.nork.ru. What is the Schechina doing in the SS helmet

and the reverse swastika? Lighting the emblem of the State of Israel like a Greek

Goddess. What is the Lucifer reference below it? and its reference to the Luftwaffe?

I asked my cousin Sylvia Klein, an artist from Ottawa Canada to imagine a world in

which fascism continues to linger in the psyche ready to inflame the heart at a moment’s

notice, once ignited by some trigger, a world where the hyperliteral readings of texts of

terror inflame the religious heart in a wave of fundamentalism that crosses all cultures

and faiths.

Tattoos for life

Tattoos for death

Tattoos for the military

inscriptions on the surface of the body

unlike clothing

adorning the outer limits of the selfthat

defined border between self and non-self.

The body as landscape

like the desert dunes reflecting in the yellow

valley between the breasts (remember the English Patient?)

The body as a canvas for the tattoo artist to reflect the current

whim of the client, usually inebriated, (though my patients tell me

that alcohol is forbidden during the procedure).

The Schechina inhabits all, for God is immanent

in good and evil

she is forced into this exile

by the Father the King

to be incarnated in this world

without regard to perpetrator nor victim.

At one time She both is present to the selectsia

She is Mengele,

then again she lights the Temple Menorah of

Israel’s re-birth

still wearing her Nazi helmet and swastika.

Like Rebbe Nachman’s Lost Princess

she wanders the wasteland that is now earth

crying for Her children who have given up on Her.

She too is etched in our bodies

like in the White Crucifix of Chagall [1]

with the etched out swastika on the Jew’s left arm

to escape the gaze of the Gestapo

prescient of another tattoo to come in numerical form.

Royal Tattoo and hyper Fascism

Tattoos in the flesh as a branding of animals for identification

and a sign of ownership, now used to express an indelible commitment

to an ideal or person, once in the ancient Near East

a form of worship then proscribed by the Bible as idolatry

as a ritual behavior to placate or imitate the gods.

Now in our Nazi times a similar kind of pagan branding

now as a form of dehumanizing of a race and

a tagging of ownership by the state.

Were not black slaves tattooed and branded?

Across the Atlantic the

Royal Tattoo doe den tap toe (old-Dutch for "turn off the tap")

represented a military return to barracks and turning off the beer taps

royal parades that we love to watch

the pomp and circumstance the pageant

the red Guards uniforms

the golden helmets

O how we tear up with the Elgar and Blakeʼs Jerusalem.

And in our flesh we betray on the surface our innermost desires

hidden beneath the clothing or not

permanently and indelibly etched

even in death

the images will accompany us.

Permanent etching in the flesh Farkash’s numbers

and the ex-con whose back looked like an ancient scroll

the typology in Gothic script

and the patient lying before me prone, a swastika in reverse on his arm.

Symbols of the SS and the swastika shock me into a reality

beyond the clinical sanity of the examining room

like the photo montage www.nork.ru

a shocking of the visual association cortex

by the very juxtaposition of Schechina and Nazi symbol.

But then does this not beg the very underpinnings of an Immanent divine

for surely there were those who believed the divine must be present even in

the hell hole of Auschwitz as did Farkash my friend.

So even though the montage is meant to shock

this hyper fascist web siteit

does teach me the need to push forward

with the unresolved ultimate questions facing us

as we awaken from the 70 year old theological slumber

to a nightmarish world apparently without the divine

and our need to reconfigure and reconstruct a world

with a sense of the divine once more.

[1] After Chagall returned to New York in 1943 current events began to take on importance for him, and this was reflected in his art, where he painted subjects including the Crucifixion and scenes of war. In White Crucifix currently at the Art Institute of Chicago. Apparently in order to avoid offending the Gestapo he scratched the swastika on the armband of the soldier burning the synagogue.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​