Julian Ungar-Sargon

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  • Dominican University

Poems

Moving Poetry by Dr. Julian Ungar-Sargon

The Aryan Papers and Queen Esther

jyungar March 4, 2013

Walking through LACMA with my son

Explaining to me in detail

The filmography of Kubrick's genius,

We finally arrive at his last unmade film

And discuss why...

Why it never was completed,

Was it Schindler's List that put him off

Or was the project too big

Too heavy,

Too close to the non divine,

Too impossible to deal with.

Was his word, his midrash to be

The last word in Holocaust literature?

Here were the clippings, the files

Even an interview with the proposed star.

We were drowning in memorabilia

And awed by his present absence,

Like the very divine he did not believe in.

I am reading the Megillah and the plot line

Queen Esther, you know,

Her entering the king's bedroom

Like Kubrick's heroine and the Nazi officer

Protecting her child...

How many Esthers were there?

How many protected their own by these choices?

midrashically she knew she would never be able to return to her husband

"Halachically" she was forever forbidden

Intimacy was sacrificed for her people

And Kubrick's starlets

Heroines among the Nazis.

I think of Moses' plea "blot me out from Your book" as he engages the divine

Threatening the divine using this metaphor of the book...

And Esther ironically pleads with the Beis Din the court that

Will arbitrate whether her book, her miracle, her sacrifice,

Will enter the canon..."kitvunee ledorot" she pleads

Moses wants out

If the divine will not forgive, forget the sin of the golden calf,

better blot him out too...

He will not lead a people into oblivion because of divine rage.

Forget the Book, it is not worth the sacrifice...

But Esther pleads for admission INTO the very book, the canon,

For posterity, for history,

To show her daughters in the future

How to suffer

How to deal with male dominance through subterfuge

How to seduce the Nazi and save the children.

So this year I mourn Rabbi Kubrick and the film that was never made

His midrash on the Holocaust

His validation of Esther

Of the insistence that the divine be held accountable

Not at some trial

Not at a Wiesel hearing with witnesses for and against the divine,

But in the bedroom of the Nazi.

beguiling the king

Seducing his male potency

The black boots, and belt,

And the self bloated male importance

Deconstructing in his vulnerable parts

The very uncircumcised maleness

That marked the Jew.

Tags P4

Torah As Musical Score

jyungar February 4, 2013

What if,

beneath all the rhetoric,

the mastery,

the midrashic,

the talmudic dialectic

the esoteric readings

the mysticism

even the Bible codes,

What if,

the Biblical text

these letters,

these sacred words,

and sentences,

the spaces between the letters

the paragraph spaces

(the petucha and sʼtuma)

the scribal conventions,

the columns,

the very “black fire on white fire”

hanging from the etched lines of the soferʼs quill

what if,

all this

was not merely a language sign,

a Hebraic convention

an ancient un-deciphered sacred text

conveying semantic and literary meaning

theological underpinnings

mythical yearnings

ethnic history

and narratives of a people

encountering the Divine?

Sacred Texts, the Hebrew Bible, the Talmud

burnt in Paris 1242,

Rovigo 1550,

Warsaw 1941,

Timbuktu 2013,

a bonfire of letters flying away from the crisp charred parchment.

Now pored over once again in the study halls of Lakewood and Mir

as if the Holocaust had never happened,

with an intensity like never before,

the sheer numbers, a historical record

beyond even the academies of Europe and Volozhyn,

such single mindedness and devotion

such selfless commitment.

60,000 non academics working folk attend the Siyum Hashas

a sea of black hats poring over the black lettered text.

What if,

all this scholarship

the analysis of the Biblical text

in the 63 tractates containing some 62000 pages

(taking over 7 years at the rate of one page per day)

focused on the meaning of the text

yet all the while

ignoring

the possibility

that these letters and words

might also represent

the black notes on a musical stave

the pitch recorded over time,

the score of a cacophony of sounda

symphonic score?

And for two thousand years we have been studying

in our yeshivas and seminaries

the notes of a sacred musical text

its harmony and counterpoint

its prosidy and cords

analyzing and probing

even dissecting the archeology of the text

its sources

its numerical values and gematria

its intellectual provence

without ever having played the score?

as if all the professors of musicology gathered annually

to discuss and further the science with learned novellae

as to this masterʼs use of key and pitch

melodies and harmonies,

and that composerʼs interpretation of a musical sequence.

Yet no one had ever played or sung the score!

After two thousand years of learned scholarship

employing the best minds on the order of Leibnitz and Einstein:

A Reb Chaim, The Rogechover, A Rebbe Akiva Eiger, The Avnei Nezer,

does one get more clarity than this?

razor sharp pilpul,

brilliant mind-blowing analysis

no one could disagree of course,

these were our greats!

Yet after all this brilliance,

no one ever sung

no one ever played

no one appreciated the very music of these black notes

all the while thinking they were letters that made words and meanings a

legal system, a Halachah, based on the Biblical text.

Playing the Torah text as a divine musical score

might play to our souls

or even bring the Messiah!

or cause world peace!

like no other musical score previously.

Is this what God has been waiting for so long,

allowing so much suffering all the while?

Did he give us the Torah

and has been waiting patiently for someone to actually play the piece?

Would playing it stop the pain?

Yes King David intimated all this

in his Psalter

and the Levite sang on the Temple steps

and the Apollon Musegetes played in Athens

but who ever played the Hebrew letters

and who would conduct such a Missa Solemnis?

Who would conduct?

Why Reb Shlomo of course!

then who would be the principal? the maestro?

would people attend?

or would they shrug it off

preferring the safety of the silent scroll,

or even chanting the words in the Synagogue,

to avoid the actual experience

feeling the hidden divine in the text

hearing the music of the spheres

fearing the right hemisphere

the consequences of non logical thought

that anything might be possible,

everything might be alive,

that all are connected in the music

all incarnated with the divine

all leveled,

by the delight

facing the joy of the song

penetrating the secret of the universe.

No I fear we wonʼt be hearing that song soon

Shlomo will have to meet King David the Psalmist in the next world

and play for the sweet singer of Israel there not here.

Apollo will play Hermesʼ lyre without the muses.

We are mired in self promotion

and aggrandizement

and false claims

to care for this.

So I trudge daily

to the Daf Yomi

for the next dose,

a page of Talmud

black letters dissecting the Law and the Bible

searching for a way to behave

a ritual to appease the divine

a method to suffer well

the long Exile.

But I know that the texts we analyze

still hide more than they conceal

beyond even the mystical readings

that forced another Lurianic world onto the text

into a Baroque dualism.

Beyond the cute moralistic pietistic renditions of ArtScroll

and the revisionist academic reductionism.

No, I hear a song

a melody

as yet un-played

unchartered

waiting for the brilliant young musician

(Messiah?)

who will one day

open the Torah

and begin to play

naturally and effortlessly

and the world will weep and melt.

And God will say “finally, someone is reading my love letter!”

Tags P4

Nothing

jyungar January 31, 2013

NOTHING

“out there”...

but a lonely silence

a universe of power, brute force,

colliding bodies in motion

Einsteinʼs nightmare

middas haDin without sweetening.

Yet as a 13 year old

I would sit on that familiar wooden park bench

Finchley common, by the brook,

where the city lights could not obscure

the brilliant night sky...

myriads of silent lights

in the dark firmament.

and wonder about my life

...and death,

and inconsequential being

in the face of eternity.

And recently once again I am fascinated by the science programs

describing the origin and death of our galaxy

the 7 billion planets

the other galaxies

the time when our sun will become a white star

and explode,

or a meteor might just hit us,

or the sun might send a magnetic radiating arc

that might penetrate out protective atmosphere

and once again nothing.

Nothing.

inside in this microcosm I call myself

feeling nothing this last year.

The kabbalists call it “mochin dekatnus”

but in its wake lie all the fears obsessions hurt and resentments

with no tools to sweep clean

no spiritual dialysis to the rescue

for all has lost meaning.

In this space of nothing

one must find the reshimu

they say

some residue of all that work

all those texts

all that inner work of the past

all those experiences

to latch onto, to carry one...

no?

Surely in this wasteland of empty claims and promises

I can find SOME-THING?

And slowly it emerges

not in the texts

not in the rituals

the sacraments

the claims

the fathers

even the Rebbes

but in the space of no-thing

an intimation

a ray

a movement

a tear welling up from the broken soul deep inside.

Of course the mind immediately goes to work,

the inner Litvak dissects,

the left hemisphere works overtime

and the doubting Thomas pokes his finger

in the fleshy painful wound in the chest.

Yet despite that

in the mild morning freshness

the unseasonably moist air

reminding me of a London wet mist

on the Heath,

I am moved once again

to immerse

in the waters

of the mikveh

that silent friendly baptismal pool of acceptance

whose waters wash away all inner dirt

and lose myself in the nothingness surrounding me.

And in this washing of the soul

I emerge once again

as if this is the only ritual left

that sustained me through all of these ups and downs

under attack

under the fears

the self-doubt

the panic

In these warm waters

there is comfort

not yet hope mind you

no fooling of the self,

just reality as it is...

Surrounded by nothing

emerging from nothing

ending with nothing

is this what they meant by ayin?

Holy Nothingness?

the darkness must always come first?

“and it was evening, and it was morning”

a paradigm for all beginnings

the universe out there

in its silent darkness

and the ani, the sacred I-ness within.

A semantic rearrangements of the letters

but a universe of difference.

In the space between Ayin and Ani

I hover

powerless and motionless

waiting.

Tags P4

The Killing Fields of America

jyungar December 24, 2012

The killing fields of America

Weeping as I watch the fotos of the beautiful children on CNN

They trot them out to kvetch the last drop of our emotions,

A voyeuristic ploy, as if their names were insufficient

To get maximal cardiac effect,

Newtown CT,

One by one

Each a gem,

Each an angel,

Weeping.

This killing field contrasts to the rhetoric of our "beautiful land" myth

Millions in campaign contributions to convince us we are unique

That America has something to offer the world

That we can even export civilization!

Yeah, we own 50% of all the world’s guns and munitions.

We spew violence in the name of democracy and “Nation Building”

Do we really believe they buy our euphemisms?

Are the children killed by a drone attack during a wedding in Pakistan

Any less than these angels we weep over?

Why are we not outraged by that too? Is it distance?

Is it in the name of finding terrorists? Does that justify it?

CNN lives by our double standards

It magnifies our deepest fears and needs

We cannot blame the media...

But we do buy into the commercializing of death

And oh how we profit from the death machines:

This military-industrial complex must continue to churn out machines

that spit rounds from supersized magazines

for the members of the NRA

to exercise their “right to bear arms”

and protect wife and kin. (surely the founders of our

constitution had this in mind!)

We are a republic not a democracy

The elites of Europe and the Aristocracy

Have merely been replaced by corporate jets and boardrooms

Where the future is decided-

Just like we replaced the clergy and church power,

by politicians and parties.

Only the actors have changed.

The dark side of mankind remains

And the angels on CNN

Are the sacrificial lambs we offer

In return for profit.

Tags P4

Shlomo's 18th Yartzheit

jyungar November 3, 2012

There is a place of tears

A hall

A palace

A Heichal

Where I meet Reb Shlomo.

His raspy voice never moved me

His music folksy and repetitive

Never inspired my “sophisticated” classical musical Critical ear.

But when he speaks

My tears well up

Every time…

I cannot explain it.

In this hall of tears

Heichal hadima’ot

Things make sense

And life takes on a tragic but real quality

And his words ring out with TRUTH

Like none others.

In this hall of tears

My life is brought into perspective

So rare in the clutter and noise of daily living

And the chasing of things of no import.

His insistence on the majesty of the Jewish soul Without trite answers to the

philosophical questions. This gives me hope

After all the words have failed.

His teaching is so simple

Worthy of the Holy Baal Shem Tov

The search for the real question

Is a life-­‐time quest

A heroic quest

And that question is not “what” but “who” [1]

Abraham asks “who” is the master?

Responsible for the burning inferno?

The Holocaust back then

And the one within;

Only then, for the first time in history

The midrashic divine responds

“I am the master” “ani baal habira”

Insufficient a response to the inquiry

But sufficient to establish a connection.

Those tears arise from a deep grief

That my life, and yours

Has within its core

this unbelievable tragedy

That only he understood

in his songs

his raspy voice

And his Toirah

And his hug.

Shlomo never really answered your questions-­‐

On the surface that is-­‐

For the question you may have asked him

Triggered within him

An autobiographical question he must have once posed

So the answer was as much his own response

To his own question.

But his insistence that the answer was also good for you

Was enough

Of a comfort,

That he too had struggles with the same issue

The same pain, like the Baal Habira.

Tormented by the Six Million

Like no other, he bore it in his guitar,

It haunted his melodies,

Did you ever see him laugh?

Did you ever not see the sadness in his melody?

The tears and the madness

Moishe-­‐gut-­‐Shabbes haunted his strings.

His music and his Toirah

Was the response to the tears

His life was the response

He saw the “Birah Doleket”

“The Pain is so infinite”

he once said:

“you could sing it for 10000 years non stop

and then maybe we will have covered the first second of pain”

Who else introduced us to the world of Rebbe Nachman and the Izhbitzer?

Who else taught us that Chassidus meant more than Chabad?

That connection to another Yid was as important as davening?

That singing was as important as leining noch a blatt?

“Ani Baal Habira!”

Sometimes I think he felt like he was the only one alive

Like Abraham his forefather

Who felt the presence of the Mayor of the burning city

Whose Presence

Tormented him

With his gaze

“Ani Baal Habira!”

18 years ago

he died

and without him

there is no prophet

to kill us with kindness

and hug us with unconditional love

and the streets of New York

have never been the same

and the homeless

have no Rabbi since

to pitch in a dollar or two.

Like the Kalever Rebbe

Whose funeral cortege was accompanied by hundreds of shepherds

We once again relive

His memory

And accompany him

We beggars, and thieves

We the nameless flock

Who live in fear

Of authority and social pressure.

His soul was unique

His mission was singular

His silent talmidim

Now remember

And sing.

I can only connect to him in this hall of tears

So today I pray:

לפני בעל הרחמים.משמיעי תפילה השמיעו תפילתנו לפני שומע מכניסי רחמים הכניסו רחמינו

תפילה. משמיעי צעקה השמיעו צעקתינו לפני שומע צעקה. השתחוו והרבו תחינה ובקשה לפני

ל רם ונישא.-מלך א

[1]

לאחר יצחק 'ר אמר (יא מה תהלים) אביך ובית עמך ושכחי אזנך והטי וראי בת שמעי פתח יצחק 'ר .'וגו לך לך אברהם אל י"י ויאמר (א) יב א

לפי כך ,הבירה בעל הוא אני לו אמר הבירה בעל הציץ ,מנהיג בלא היתה שבירה תאמר אמר ,דולקת אחת בירה וראה למקום ממקום עובר שהיה

תהלים שם שם) יפיך המלך ויתאו ,העולם כל אדון המנהיג הוא אני לו אמר ה"הקב הציץ ,מנהיג בלי שהעולם תאמר אומר אבינו אברהם שהיה

אברהם אל י"י ויאמר (ה"מ תהלים שם שם) לו והשתחוי אדניך הוא כי ,בעולם ליפותך (יב ה"מ

Tags P4

Copper Snakes

Julian Ungar-Sargon July 20, 2012

“And the LORD said unto him: 'What is that in thy hand?' And he said: 'A rod And He said: 'Cast it on the ground.' And he cast it on the ground, and it became a serpent; and Moses fled from before it And the LORD said unto Moses: 'Put forth thy hand, and take it by the tail--and he put forth his hand, and laid hold of it, and it became a rod in his hand.”

Exodus 4:5

Copper snakes

That serpentine debaucher

That forms our erect posture

That vertebral structure

That makes us erect

Homo Sapiens-

Knowing man (wink wink)

Ironic how

despite our conscience

We must own one to be the other

It took the Gaon of Vilan

To "see" (hibit) as in gaze or stare

A voyeur of the vertebral anatomy

“Seeing” the primordial snake

Within each of us

And realizing it is he

Who motivates for good as well as bad

So what to do?

Embrace that which is within?

accept this serpentine skeletal rod

that keeps me erect

(though beginning to stoop with age)

whose head-he tells usis

buried in the kundalini

and (how demeaning) its tail

in my upper cervical!

Ready to be grabbed by a snake charmer

the addictions of life

who will make me rigid!

in compliance.

Yet this inverted cunningness

holds it all together

and mediates the space between the skull

and the loins.

It alone transmits the commands from wherever

in the brain, with its tail

to the wisdom below

its head facing down

in shame

knowing after all

the loins will win out

they usually do.

In this battle

who would have guessed

he remains present

despite banishment form the Garden

his curse is now to undulate within man

and continue to advise and scheme.

And the Sh’lah hakadosh

insists his presence has become more manifest

since Sinai

in his effort to explain the need for

chumros [1]

this primordial serpent

this mythological ever present

power

whose tum’ah

will one day become

transformed to the Holy Serpent.

So rest a while

we are but actors on this cosmic mythic stage

stop feeling responsible for the set up!

just be present to its power

and beware!!!!

[1] see Nesivos Sholom Avodas Hashem Maamar 13, p 280

Tags P4
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Shadows: Bezal-El

Julian Ungar-Sargon June 19, 2012

Only in the moonlight are the shadows revealed

ghostly forms without color

banished in the sunlight of daytime.

Now in the twilight

they appear from nowhere

an intimation of another world

that only makes itself felt

in that in-between time

that is Bein Hashmashos.

These are weird and miraculous items

created at the end of creation [1]

just prior to the the Sabbath

when the Divine was readying for the Holy Shabbat

an after thought

created as an after impulse

before the stage was finally set for physics and nature

to hold reign.

These ten mishnaic occurrences

allow for the miraculous in nature

having been pre-ordained prior to nature

a primordial seed implanted into the very stuff of things

allowing for nature and non nature to coexist

in a paradox, yet allow for rabbinic logic.

A paradoxical time

this twilight

in these spaces between light and dark

shadows are conjured

so fleeting they donʼt even appear as real

yet they haunt me

as I strain to make their visual outline make sense.

No wonder that when Moses is dumbfounded

as to the divine intent

how this or that sacred item should be constructed

what it might look like,

he turned to Bezalel

at the divine insistence

he who lives in the “divine shadow” Bezeil El

he who was filled with wisdom[2] and all manner of craftsmanship

alone conjures the shapes and sounds of the divine furniture.

For there are things that only manifest in shadows

in the twilight

in the murkiness and muddiness

where light kisses darkness

touch each other

for those few minutes each day

as the sun surrenders her watch

allowing for the appearance of such figures

and ghosts.

In our shadow moments

what gets conjured?

what forms appear on the horizon of perception?

what is present that otherwise would have been suppressed

in the sun-filled light of day?

As the day wanes the shadows cast behind us grows

until we can almost see an alternate self in the late afternoon

this darker borderline personality

that we would never parade

in the light of parents,, teachers, role models and spiritual mentors.

Yet we must invite them into the conversation

for they too make demands on us

from the grey twilight unconscious plane

impacting our desires from below.

And maybe this was the genius of Bezal-El

to have courageously invited

these divine shadows of the subterranean places

of the soul

seeing the divine even here

refusing to split off the divine as sun-God

but insisting that here too

in these darker spaces of the mind

the divine was fully present.

Where did this intuition come from?

to work in the space of twilight

Miriam his great grandmother? [3]

The one who chided her father, the high court justice

shaming him to retake his wife!

to reclaim his responsibility

even if this meant

lovemaking in the shadows.[4]

Our task is similarly shadow work

archeological, muddy and smelly

where even Moses is clueless.

Bezal-El teaches us how to conjure fleeting forms and wisps

lost dreams and failed promises

broken hearts and betrayals

where others have long given up

he works his magic by inviting this darker twilight image

to the conversation.

Bezal-El taught us how to accept the Torah

in the darkness and in the shadows (baʼchoshech ubeʼarafel)

only after which Moses was able to enter the cloud

the arafel where God was present.

even though the “people remained from afar”

So surprised to see such ghosts from the past

show up at the party

insisting on their voices be heard

so surprised to see their figures projected onto the silk screen

so vividly

so articulate

figures we had banished

figures we thought had faded

we never thought we really owned

until now.

In this precious time of Bein Hashmashot, between the suns

a holographic image of the alternate soul is fully present.

Despite the Halachaʼs discomfort with such grey times

that defy neat legal forms and demarcations

the black and white of Kafkaʼs The Law

it is precisely in this blurriness

the Divine wishes to be present to.

[1] Mishan Avot 10 items were created in twilight.

[2] The rabbinical tradition relates that when God determined to appoint Bezalel architect of the desert Tabernacle, He asked Moses whether the choice were agreeable to him, and received the reply: "Lord, if he is acceptable to Thee, surely he must be so to me!" At God's command, however, the choice was referred to the people for approval and was endorsed by them. Moses thereupon commanded Bezalel to set about making the Tabernacle, the holy Ark, and the sacred utensils. Bezalel possessed such great wisdom that he could combine those letters of the alphabet with which heaven and earth were created; this being the meaning of the statement (Exodus 31:3): "I have filled him . . .with wisdom and knowledge," which were the implements by means of which God created the world, as stated in Proverbs 3:19, 20 (Berakhot 55a). By virtue of his profound wisdom, Bezalel succeeded in erecting a sanctuary which seemed a fit abiding-place for God, who is so exalted in time and space (Exodus R. 34:1; Numbers R. 12:3; Midrash Teh. 91). The candlestick of the sanctuary was of so complicated a nature that Moses could not comprehend it, although God twice showed him a heavenly model; but when he described it to Bezalel, the latter understood immediately, and made it at once; whereupon Moses expressed his admiration for the quick wisdom of Bezalel, saying again that he must have been "in the shadow of God" (Hebrew, "beẓel El") when the heavenly models were shown him (Numbers R. 15:10; compare Exodus R. 1. 2; Berakhot l.c.). Bezalel is said to have been only thirteen years of age when he accomplished his great work (Sanhedrin 69b); he owed his wisdom to the merits of pious parents; his grandfather being Hur and his grandmother Miriam, he was thus a grandnephew of Moses (Exodus R. 48:3, 4). wikipedia.

[3] Unlike Moshe and Ahron, the Torah never mentions Miriamʼs husband or children. Rather, it is the Midrash that tells us that Miriam married Kalev.“ Kalev, son of Chetzron, fathered children by Azuva, his wife, and Yeriot and these are her children: Yeshe, Shovav, and Ardon. When Azuva died, Kalev married Efrat, who bore him Chor. Chor begot Uri and Uri begot Bezalel.” (Chron. I, 2:18-20) The Midrash establishes a connection between Kalev and Miriam through a long and complicated proof. Moreover, the Midrash ascertains that Miriam and Kalev are the great grandparents of Bezalel, the great artist of the mishkan. Of Bezalel it is written that “Hashem filled him with wisdom and discernment (binah) in everything he did” (Ex: 35:31). Bezalel was able to be creative within the boundaries that G-d gave him. With only simple instructions Bezalel was able to create the mishkan and its pieces exactly the way Hashem intended. By connecting Bezalel to Miriam, the Midrash implies that Miriam is a source of Bezalelʼs intuition. (Ex. R. Parashah Aleph “Vayehi Ki”)

[4] T. B. Sotah 12a

Tags P3
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The Place of Grief

Julian Ungar-Sargon June 19, 2012

There is a place I visit

it turns out, now, almost weekly,

by Mussaf on Shabbes.

The kabbalists go to town about the קדושה

our “sanctus” if you like,

where the word kesser כתר implies a crowning of sorts

the King of Kings and we the Schechina embodied,

the matronisa, are united

albeit momentarily...

and the men of Bet El yeshivah do their yichudim

this sacred hierosgamos, the high point

of our liturgy.

A time for grace and exceeding קדושה

There is a place I visit

it turns out, now, almost weekly,

by Mussaf on Shabbes.

But for me

it is a time for grief-

I donʼt know when this began

I just note that each week

it is about this time my heart melts

then breaks open to reveal this deep well of grief.

Watching this repeatedly

I am intrigued by the triggers and the repetitive timing,

its precision and how uniform the evocation remains.

What surfaces?

in this indescribable pain?

It is as if raw grief itself needs no further expression

no other trigger

no cause nor reason

as if I have stumbled upon this subterranean cavern filled with sorrow.

I know this is not about me

I know that from decades of analysis those

fears resentments and hurts

are all well documented in the dairies and monthly billing statements!

No, this is different!

it is not about my life, my pain, my defects of character

my betrayals, those I have caused pain

those whose hearts I broke,

those lies deceits and betrayals.

This Place of Grief

No, in this place

I feel the pain of others

of Klal Yisroel,

of humanity and history.

A shrieking cry from the beyond

the sum of all the tears shed by all those suffering

rising up like a river to overflow its banks

and the very tragedy that is the hallmark of this creation.

Finally I feel the pain of of the divine

who for millennia has patiently watched His human experiment fail

in the hope that the laboratory specimens will one day

awaken to self-awareness

and stop the violence to our spouses children and others

the genocide the torture the inhumanity.

This pain surfaces in this unique place of grief.

And then something strange happens

for a few brief moments

I am relieved of the burden of existence

of Self, of my being in this world,

of that heaviness we carry

knowing despite our attempts to banish from consciousness

we cannot erase nor anesthetize those CNN images of

Mai Lai, Czhirvenitza, Rwanda,

relieved, and

this heaviness gets lighter

and the ever-present inner KRITIK

is silenced for a few precious moments

as I identify with the Divine בכי

This cosmic grief holds me

in its grip

as the holy words of sanctus sanctus sanctus

קדש קדש קדש

ring out in the screaming silence.

In these moments I am able to access the deepest parts of myself

and in this grief paradoxically everything makes sense

I feel an non ego empowerment

seeing the world from His perspective

as I participate in this subterranean stream of awareness.

This Place of Grief

Ironic that it is not joy or other powerful emotional triggers

that allow me access to higher states of consciousness of ,מחין

no, it is this deep well of grief that transcends and soaks all existence

that moves me.

And in a flash

I remember the overwhelming feeling some 35 years ago

when, as a man in love,

the same grief surfaced at the high point of making love

surprised by the fact

that at the very epicenter of the ecstasy

this familiar grief, not joy

made itself first present in my life.

and triggered my tears.

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Imitation Piety

Julian Ungar-Sargon May 29, 2012

A sea of blackness

I see only hats

Giuseppe Borsalino is smiling from his grave

over 200 bucks each!

and the imitation piety

as the boys and men

shokl and sway in their self-righteousness

muttering the talmudic arguments and its Babylonian rhetoric

in demonstration of erudition but also

dancing on the head of a pin.

But soon revulsion gives way to jealousy,

as I acknowledge their serenity

of having arrived at the “truth”

with no apparent struggle

no disconnect between faith and piety.

I had always felt I could not afford

the “luxury” of such religious demonstration and academic fervor,

following my father, for example,

I never put the tallis over the head

(although lately I do catch him doing it for Mussaf!)

remember him telling me that in Vienna

“only the truly pious and learned” would

have the chutzpa to imitate the Rov in this angelic posture.

For in my spiritual landscape

all is not well.

Faith is constantly being tested

as I continue to surrender to the flesh

as it were (Diabetes notwithstanding!)

so my guilt and remorse conspire

with my old friend apikorsus

to make me feel even more worthless in this city

of black piety,

this “Fakewood”.

This uniquely American provinciality

home grown piety, feelig so comfortable in the new Malchus shel Chessed

with its surface glaze of Torah tidbits

intellectual lightweight scholarship

fear of innovation or chidushim

settling for imitation piety.

Dressed, of course, in designer frumkeit-

Borsalino hattery, now

an industry all of its own!

Even the bookstore here is polished

nothing under $18!

the book covers with their imitation leather

and the Artscroll-approved or

Feldheim-published

Rabbinically supervised thoughtsnothing

naughty gets in here.

apikorsus rein!

An inflation of halachic minutiae

a new Wall Street bubble this town

waiting to burst when parents and in-laws can no longer to afford

supporting scholars-in-residence with many children.

Why did the Litvishe world ignore the Gaonʼs nistar

his brilliant analysis of the hidden world behind the Torah?

why are we subject to the imitation of Torah?

the surface monocular monochromatic visual landscape.

At the same time and once again simultaneously overawed

by the sheer mastery of texts

a nephew having reviewed the Talmud 18 times

venerated for his encyclopedic knowledge

or maybe his sheer memory.

Toddlers fluent in Bible

8 year olds knowing Mishnah by heart

wow, what was the emotional cost?

what happened to imagination?

So my life as outsider this shabbat

comes back into focus

as usual when “on the road”

Dadʼs Vienna comes to mind...

his fatherʼs choice to live outside the Ghetto of the 2nd district

(die tzveite Bezirke)

his choice to live in Finchley, NOT Golders Green!

my choice to live in “modern Orthodox” neighborhoods

of Philadelphia, Boston and Jerusalem.

Raising children in the complexity of that schizofrumkeit!

Now watching my daughter raise her kids differently

as they attend cheder and learn in Yiddish,

I too yearn for authenticity even at the expense

of a life lived in existential tension

of thinking truth as primal;

putting away theology and philosophy

for connection with those living in naivete of faith

and free of inner conflict and turmoil

in dialogue with the divine

bathing in the divine

certain of the divinity of texts

(despite their mangled history)

with no doubts to plague them

no sense of impending damnation

no dread

no hint of the insanity of the social network

that is right wing frumkeit today,

just relief and refuge in communal joy and warmth hymns

to the drowning.

If only I could overcome this resistance

having seen the darker side of even Hassidus

where to go?

the struggle gives me no respite

and so I return once more to my city of sojourn

to the battlefield that is everyday my hallmark

starting out the morning freshness and dawning sky

with the unique combination of the Holy waters

of the baptismal mikvah

with the grind of the Daf Yomi

and then leaving my ghetto

(for yes now I live within)

plunging into the secular world that is

both free of the blackness

yet also lightened by the lack of transcendence.

To fight my demons

my powerlessness over emotions and rage

carbohydrates and the flesh.

This daily struggle to live up to ancient inherited ideals

the sheer weight of the rabbinic tradition

the page after page of black ink

and super commentaries on commentaries

the fathers and grandfathers who arose

in the frosty European winter mornings

to pray- look down on me like patriarchs framed

in old New England portraits

adjuring me live up to the failed resolutions of my own past.

The cyclical shape that my voyage takes

documented over decades

that peculiar sine wave of the spiritual highs and lows

the crests and troughs

of the oceans that toss and turn my soul at will

as I look on powerless.

I have returned to the familiar

my resentments and failures are old friends

as I face this sea of black perfection

standing before indicting prosecutors.

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Comment

Holy Melody

Julian Ungar-Sargon December 9, 2011

“It is sweet to dance to violins

When love and life are fair:

To dance to flutes, to dance to lutes

Is delicate and rare:

But it is not sweet with nimble feet

To dance upon the air!”

― Oscar Wilde

Rebbe Nachman says: “If you sing the right melody.. One

melody can bring peace to the whole world...”

Reb Shlomo Carlebach

In music there is connection,

in music there is hope,

in music there is refuge.

Let me in please!

into your secrets,

those harmonics that expose the divine,

let me taste the fruits of the keys

and the honey of the clefs.

In those dark notes are buried

secrets of the universe,

those strings of reverberation

upon which the planets move

and the same strings in which the heart

vibrates to, in sympathy.

Let me be moved

by your genius,

by those devotees and composers

who sacrificed all at the altar of your muse

worshipping at the feet of your cellos

in harmony and counterpoint.

Don’t let me surrender to my mother’s curse

who cannot listen for the pain of it.

She, who suffered to master the Beethoven and

Mendelssohn concertos

cannot hear the music for the trauma.

Open my broken heart to its healing waves.

Your craft reflects both the exalted shores of all

as well as the depths of despair,

for your instruments vibrate

a counterpoint of secret potions

where the world can be felt,

in a crucible of alchemical mixtures;

good and bad,

agony and ecstasy,

empathy and sorrow.

It is truly sweet to dance to violins

even when “life is unfair”!

for the only respite for me

in this bloody pain

is your holy melody.

Never will I forget the Verracini Largo

or the Halverson Passacaglia

as I lay in bedded agony

the moments I could drown out

the noisy pain

by the heavenly sound of the violin and cello

playing as if making love.

They kept my spirits floating

despite the monster in the depths below.

So homage will I pay

to the muse herself

and hand on this holy craft to those little fingers

in this 5 year old angel

who masters the do-re-me

and feels each session

as a triumph.

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Sacred Texts

Julian Ungar-Sargon November 6, 2011

How uncanny, these sacred texts

black ink on sallow aging parchment

between the scrolls the heavy long atzei chayim

this Torah,

parallel lines on which the Soferʼs quill hangs his letters

etched into the calf skin

on these lines the black letters suspended

like laundry lines in the gardens of suburban estates,

forming words that speak of the mythic journey

and biography of the human/divine failure.

Put aside the doubts!

those lingering academic questions

hovering as they still do in your head,

from a previous centuryʼs scholarship,

as to the archeology of these texts

their provenance

their literary conventions-whether exilic, post exilic,

the strands and strata of authorship,

criss crossing the page

violently dissecting the body of even a verse

with no respect for the integrity of the final redaction.

Let go of the literal finally!

give up the addiction to the plain meaning as is...

surrender the belief system that accompanied the text,

forgive all prior readings,

let not the “anxiety of influence” paralyze you further

despite the weighted authority of La Nom du Pere

the overbearing presence of the black suited Father-in-Law!

Accept your own prejudice and now sustained inner baggage

your sense of the prosidy of the text,

its lyricism, its poetry, its tone,

as you begin to read once more.

Become conscious!

bring awareness of the enormity of the weight of tradition

on your shoulders,

of the combined millennia of rabbinic and church commentary

of the super-commentaries surrounding the text, like chatting housewives,

of the writings of those stern faced bearded men

peering down at you from glass enclosed frames

in the dark corridor of your father in lawʼs New York apartment.

Begin to feel the lightness of your own fresh reading!

as it confronts you with the recycled problems of plot and justice

each time the weekly portion greets you.

Feel the comfort in the Midrashic musings

as you see through their hermeneutic tricks

and literal triggers and semantic puns that opened their

one time fresh discourse.

Be excited by the cosmic implications and daring risks

the Zohar takes in its imaginative

misreadings as it opens up hidden worlds of desire and connections.

Follow the Hassidic masters as they read their own struggles

into the narrative of biblical personalities.

For your task maybe the most important most critical ever!

For the sake of the very survival of that same text.

Yes, your reading and your baggage, your prejudice and hauntings

may determine its future.

For having been born to that last generation of survivors,

in earshot of the screams,

only once removed from their cries and shrieks

and the deafening silence the mornings after

the theological absence the decades after

the divine remaining “in absentia”,

you now have the impossible task of bringing

meaning to this text once again.

Impossible you say!

to bring meaning to their lives and deaths

to their memory, their trace, here!

gazing at the columns of black letters?

Like the columns of smoke that arose from the crematoria,

etched in the space between the Holy letters

of the fractured covenant

the broke promises

the absent Messiah.

And, as you pass your white tallis over the black letters

donʼt forget this space in between...

the silent presence, before you make the blessing over the Torah,

in this silence, in this absence of meaning

your presence

your reading

your blessing despite,

your keriah

your interpretation is, once again called for.

Yes, you maybe asked to do violence to this sacred text

for the sake of its very survival

like no generation before you.

For the sake of the sacred text itself.

For Her sake.

Donʼt worry She can handle it

She, who needs rescuing, is in that sacred space,

in between the blackness.

(Was it not Glen Gould who taught us how to read and play Bach anew?

by paying close attention to the pauses and spaces between the notes

unlike his contemporaries who remained in the classical tradition

of technique. His new midrashic version of the Goldberg Variations

brought new life to the ossified traditions of the Baroque).

Pay attention to these spaces!

Play the music of Torah, with them in mind!

Attend to what was not written

what was not said

what could never be said

between the divine lover and Her sacred people.

Be that surgeon!

Sharpen the steel!

Here in this sea of blackness, the sharper the knife

you bring to the dissecting table

the keener the scalpel you apply in your

hermeneutic operating room technique,

the deeper the secrets She will reveal!

for she is ever open to new readings, however violent,

and our post-Holocaust generation has solace only in Her.

In the presence of the divine absence,

we must find refuge in Her sacred spaces,

we must find new keys to read our selves

our fractured lives

our broken souls

In Her alone

in Her sacred Torah text.

For the black letters on white parchment is Her love poem to us

despite the suffering

in spite of the torture

a love letter all the more.

We will be held accountable

by our children

were we to settle for those old readings

abdicate our truths for comfortable and familiar exegesis

for the sake of imitation piety.

Do not give up on the text!

She feels uncannily sacred despite scholarship

despite history

despite dissection!

despite Mengele

for She too is a survivor!

A rush of excitement flows over me

as the Baal Koreh chants the text,

those familiar black notes

bending to his received cantillation tradition

line after line,

the holiness is found between the etched lines

and She demands we continue to fill the gaps and lacunae

and once again bring fresh answers to the age old questions

posed to the text

the issues and plot lines

the structures and conflicts

the redundancies and questions of justice.

All this in light of the age of technological genocide we inhabit.

All this in the presence of our lack of faith

yet our being present to this very absence of the divine.

Only by such violent reading of our sacred texts

(a Post-Holocaust Midrash of sorts),

will we be able to maintain the integrity of this sacred space

and Torah herself,

for only by emptying ourselves into the space between its black letters

can we too infuse Her with our lived albeit broken lives

for this She needs too.

This is our response to Her loving.

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Dad's Shofar

Julian Ungar-Sargon October 24, 2011

The service being over we prepare to leave the little house of worship

a converted basement

its founder a Mr. Weil from Germany

who had transplanted his “Yekkish” customs and centuries of memory

to the fashionable Rechavia neighborhood of Jerusalem in the 30ʼs.

Being across the street from my parents

it has become home for them

now that they prefer to walk less.

and my father in his 90ʼs,

attends regularly and punctually,

especially on this High Holy Day

of Rosh Hashana 2011

where the blowing of 100 blasts (Tekiyos) is the key element of the

morning service.

People gather to leave climbing the steps to the street level

but Dad saunters over to the Bima-the lectern where the young man

still holds the shofar,

and asks permission “to give a few blows”.

My sister and mother had already climbed the steps

when they heard more shofar blasts

and, wondering what the commotion was,

ran back down.

My father was blowing again

after all these years

floods of memories poured in...

to the days of Finchley Central Synagogue

in the 60ʼ and 70ʼs...

the annual pilgrimage to the long services

of the High Holidays...

but for our family, more than others,

the anxiety of Dadʼs Shofar.

His was not an easy one,

we never realized until many years later

how the short ones are so easy to blow.

No, his Shofar was shiny and long

with a narrow “mouthpiece”

that puckered his lips

then swelled them.

We watched him blow

year after year,

his face reddening for the needed pressure

and his facial discomfort increased as he fatigued.

Sometimes he would falter

usually towards the end of the hundred tekiyos

those last few...

we would sweat bullets

and we children, looking at each other

from the Ladies Gallery down and back up

sweated alongside.

I would sweat in sympathy

and out of embarrassment

as he tried and sometimes failed to emit a tone.

Those last few...

“come Dad, you can do it”

meeting the resistance of that Shofar

as if it alone determined the very social standing of our father

for the next year,

and the comments of the congregants as they would emerge

from the services.

Now fast forwarded to 2011

in his 91st year

he challenges the Shofar

once again,

but now

I worry about his blood pressure

and his anticoagulation

and bleeding from such exertion.

My sister arrives to watch him blow successfully

and we sigh as we see his face shine

in accomplishment.

Yes he was always a “Baal Tekeya” a master of the blowing

and probably felt more pleasure from that than his Gaboʼos

his being warden then president

then Life President for so many years.

No it was these moments of challenge

when the entire community was silent

and upstanding

as he performed

alone

on the sacred stage the Bima.

These few moments in the year at its religious high point

that marked his lifeʼs journey

his character

his challenges

and his standing in the community.

As for me?

I swore never to subject myself to such public challenges

the sweat of those moments

etched into my consciousness forever

even though I tried at home to master that recalcitrant shofar!

It seems she was special

and reserved herself

and submitted only to those she chose

like my father

who remained willing to the risk

of her petulance

annually.

That ability to risk

in public,

the humiliation as well as the glory

he carries to this day

I believe it is called character.

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My Pot Belly

Julian Ungar-Sargon September 26, 2011

You know how it is!

this body in decay...

months without the needed stretching, exercising, “the workout”

merely a walk here and there

lip service to the obvious need for exercise

but now a chance

here in this gym

I book a trainer.

Yet here, in this gym

I report

be-sneekered and T-shirted up

looking a bit floppy

with my pot belly

eager for her advice.

All this makes the French trainer smile in condescension.

Around are the enthusiastic toned, buffed

gym designer-wearing treadmillers and bikers

weight lifters and ugh! crunchers.

All busy and looking so earnest

as they work so hard to burn burn burn calories

and tone tone tone muscles.

I come to her for advice and more for inspiration

as to how to overcome my absolute inertia

my abhorrence of this physical business

this boring mind-killing workout

hoping she might just work with me just this once

and that should do it for ever.

Maybe she holds the magic key to my insulin resistance

maybe she can manufacture daily time for a workout

for stretches weights and cardiac exercise

without any effort!

Or help me mourn the loss of this most precious morning time

reserved for reading and study

before the first patient.

I know I know...

it is necessary...

lord knows I preach it...

I preach to to my diabetics and heart patients

my obese and neuropathic patients.

But isnʼt that so much easier than practicing

the very lessons and results of statistics I state by rote

as to the benefits.

It is necessary, I admit, for it pushes off my fatigue

that sets in earlier and earlier in the day

as I age,

and it eases the nocturnal cramps and joint freezes

that awaken me at 2 am

both combining to indict me for my laziness

to which I readily admit.

I even admit to it lowering the daily morning sugars

to which my glucometer is the best prosecuting attorney.

Yet here I am at the gym

among the men with those swollen muscles and abs

pumping their iron and sweating beads of effort

And me, and my pot belly!

Mother used to gauge a man by his pot belly.

It seemed to tell her everything about his character

his addictions to fat,

his “lack of control” over his “baser desires”

for food -therefore for everything else as well!

inspiring in us children an automatic contempt for

other portly folk that crossed our path

with a Pavlovian instinctual response that lasts until even now.

In the mirror- I have become that man!

for comfort foods do indeed push away the need for a moral tune up

or the feeling of depression and anxiety,

they push away the need for the necessary blood work

that will inevitably reveal the moral decay of my metabolism.

So using this rare opportunity for an objective opinion

I stand before her as upright as I

can and pull in my pot belly in shame.

A slightly ridiculous posture which can only last a few minutes

as she outlines our program

and I lose my breath in disbelief.

She canʼt be serious!

Then off we go... machine after machine

(which sadist invented these torture devices)

each designed to test and tone a particular muscle

isolated, with no friends to help out

each joint localized and lonely

as I pant and attempt to reach her goal of 10 or 15 curls etc.

This French trainer, thick in accent

telegraphic speech, continuous commentary

like a medieval Rabbi writing on the bible,

clipboard in hand,

watching, watching,

what is she thinking!

Pushing pushing me to do another one or two

as my muscle burns with lactic acid.

As we proceed the greek god, this adonis ahead of me

has notched up each machine

to weights I cannot even imagine!

and each time French instructor pulls out the key

and plunges it into the notch in some low low weight

that she thinks I can manage,

(they do not make lower weights than that!)

I laugh at myself inside following this weight lifter ahead

on the next machine, then cry.

As the hour progresses I begin to hear my body responding

with noises I have not heard before,

crackles of joints and cracks in other places,

each complaining in its own way,

a muscle burning here,

a cramp there,

muscles I thought I had forgotten existed

from my human anatomy days!

All this slowly adds up to an aching body as the French torturer

(now I realize why she was French) pushes me in her horrid accent

and I get dizzier.

This body, this frame,

the muscles and fat,

the pendulent abdomen

the lack of upper body muscle

all betray

a life of sedentary work

the lack of tone

a life on the run

on coffee

running on nerves

too harried

too hurried

to give the body the sacred respect it deserves.

Yet today,

it has responded to me in ways I never thought possible.

It is telling me “there is still time”

“I have the wisdom you seek”

“if only you could invest time in me!”

But can I reorient my priorities to give it this precious time?

The pot belly looks smaller after her working me out this morning-

I look again in the mirror and see the possibilityit

indicts me nonetheless,

Could it represent once more my motherʼs ideal- flat bellied-

“self-controlled” man?

a man in control of his passions and his life?

and then I let out this hysterical laugh,

a guffaw, that gets me dirty looks for the other

serious men showering and pruning themselves before the same mirror

these greek gods do not take kindly to my laughter,

but I just cannot control myself

in this locker room of the gods

I just cannot take myself so seriously!

This body, in pain and in pleasure,

neglected mostly for the pursuits of the mind

pursuits of career

and plain need to work remains

my vehicle,

even in decline,

with its pot belly,

like a beloved old 1950 Austin Healey

that I just cannot ditch, despite the insane Lucas wiring.

And it alone carries the genetic secrets of my lineage and culture,

ethnicity and race.

So.... I will attempt in this season of resolutions,

to make a little more time,

suffer the boring passage of time,

time for the body without mind,

and look a little kinder ,

on my pot belly.

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It's a Gray Day

Julian Ungar-Sargon September 26, 2011

Driving down Lakeshore Drive

a gray day beckons us downtown

we do this trek on our necessary commute

from our ghettoized middle class seclusion

to the bridge that re-connects us to work in the land beyond the bridge.

It is a gray day

and Lake Michigan reflects the dark clouds

lying low over the city and the lake.

It seems they are so low they kiss

in an unholy alliance

of heaven and earth

in the very grayness of color.

The radio drones on and on about this or that news trivia

as they must

and we listen addicted to the endless chatter

No news in the face of news

and pushy BBC anchors in their Holier-than Thou tones

merely add self-righteous British grayness to the mix.

The looming skyscrapers lose themselves

and their sense of importance

as the clouds envelop their upper floors

cut down to visual size now

they too are swallowed in grayness.

Is this to be my day?

grayness?

neither black nor white

nothing certain,

nothing absolute,

am I too resigned to a graying out of clarity?

in that in-between space that I seem to occupy

so much.

Do I find solace in the murky visual acuity

darting in between the fogginess

of things that appear to be

yet are not,

is there a comfort in this? a safety?

I am reminded of those pea soupers in London in the 50ʼs

where mother would make me walk in front of the car down Hendon Avenue

as visibility was down to almost zero.

Less a human shield, more a poor little scout

Itʼs a Gray Day"

she would drive behind my little legs

as if I could see anything more!

“There is no room for this” a voice wake me from my reverie

“these are the High Holidays approaching!”

“you are to be judged once again”

and, of course, found wanting!

the inner Kritik does overtime this season

as the same little boy stands before the black robed judge once more

for the infractions of the past.

Powerless over the same character defects

the same roster of sins are read out

by the same prosecutor.

I think of really old people

what are they asking for this Rosh Hashana?

forgiveness? atonement?

At age 90 what is my father thinking

as he looks back

like I do.

Does he feel

he can repent

at his age? Does he remember his sins?

This grayness invades my bones

it drags me down like wet wool

like swimming with clothes on

I feel I will not make it to the other side

for all this baggage.

For my mother and father weigh heavily on me

what was done

what was not done

now in their old age

in their second childhood.

Yet the raging clouds are alive

with vitality,

it cannot be a blue-sky every day

on the glorious lakefront,

with white whisped clouds gently moving to the

music of the wind.

The lake is still beautiful

even today

I decide

even touching the gray sky.

Itʼs a Gray Day"

We must suffer this graying

of the weather

of our lives

of our dreams.

Itʼs a Gray Day"

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The Space Between the Twin Towers

Julian Ungar-Sargon September 15, 2011

The space between the Twin Towers

is that gaping chasm

where meaning melts into chaos.

Where men fall to their deaths knowingly, intentionally,

and the sound of the bodies hitting ground zero

deafens the soul forever, for it allowed this travesty and

remained silent leaving this space complicit

in permitting their free fall.

She did not change the rules of nature and become dense

to soften their landing she failed to ask gravity to suspend

its laws for those poor souls hurtling to their deaths

she stood silently by.

The space between the Twin Towers

allows for the absence of human and nature’ compassion

the pressure holding those twin towers of human greed

and capitalism apart, yet binding them in a partnership

becomes too unbearable for her

and, while signing on to a suicide pact with the devil in two

jets, she betrays the towers by staying, and surviving

while they crumble and melt.

She has signed a death pact with nature, the devil and

gravity unbeknownst to all of us.

The space between the Twin Towers

is the space that allows us to breathe

an airlock of concrete-free reality

in the tip of concrete lower Manhattan

a lebensraum, but destined to be filled with the Pompeii-

Like ash as they melted downwards to the earth.

The space between the Twin Towers

has remained after the towers have fallen

these ten years, bearing witness to what was once there

as if it has been released from its confinement forever.

And annually the blue lights that fill the footprints of the

towers leaving two eerie ghost-like columns in the sky

that space is exposed once again in its guilt.

The space between the Twin Towers

will be forgotten unlike the towers themselves,

yet it eerily presses on my consciousness

making itself felt in uncanny times.

When at a loss for words theologically, an inability to make

sense of a divine order where human life has become so

cheap my mind wanders to this space;

when the unfathomable horror of human cruelty

of man’s inhumanity to man

makes itself felt in the heart

I am drawn to this space;

and when my own heart of darkness reveals its

inexplicable presence

in my relationships, my little betrayals of self and others,

I find a paradoxical solace in this space.

For me it has become the metaphor

for the absence of meaning

for cruelty and torture

for the appropriation of 9/11 as an icon to make profit

and punditry and for all the trade center represented but

hid so well, the darker side, the underbelly of capitalism

and Wall street.

It also reflects my own failure to confront and act

to just sit on the sidelines of history and watch

(oh how I remember in my idealism of youth

questioning those in Germany and Europe

in the 30’s for their inaction and passiveness.)

Now guilty of the same I feel the presence of this space

bearing down on me.

These last 10 years,

the insane rebuilding to “show them”

the lockdown of our freedoms,

the lack of fundamental change in our society,

the inability to “learn from the tragedy”,

the absence of new vision,

the upsurge in world violence,

the ongoing internecine hatred...

all points to the presence of the absence

the ongoing effect of this space

the presence of its effects

continuing despite the loss of the twins it held together

in tension despite the release of their hubris

it is present the space between the Twin Towers.

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Pine Forest

Julian Ungar-Sargon September 6, 2011

We walk hand in hand

The boy and I

On the soft sandy horse trail

The early morning mist

Now having moved slowly to reveal the tall pine trees

Greeting us in the distance with their perfume

A congregation of upright silent worshippers

The looming density of wooded trunks

Reflecting the hundred year old age of this forest.

Question after question pours out without interruption

From the little boy

Such an inquisitive mind

And I patiently answer as I remember my fatherʼs impatience

With my own questions as a child

The little boyʼs hand grasps mine

Unconscious as to how precious these moments are for me.

I see my childhood and his as a seamless continuum

And time contracts and makes me sad.

In the clearing

Surrounded by these huge pines

Like the Burgherʼs of Calais

So self-righteous

Yet so dignified

On their pondering silence.

In this clearing we sit in silence on tree stumps

And I ask him to be silent and listen to the forest

And tell me what he hears.

I want so badly to teach him to listen to the silence

This almost five year old boy

To hear the secrets of the pine forest

But I hear only his ongoing questions.

As we look for the pine cones, the sapling trees close by

He runs to measure his lanky height against theirs.

We see the older thicker ones and compare them

to his father then to his grandfathersʼ

In age and thickness.

The wind blows gently through the pines

The blue sky punctuated by the soft white puffs of clouds-

a perfect Shabbat morning.

I tell him that one day he will hold his own grandson in his hand

and walk with him to a similar forest of trees to teach him

the secret of the trees, their being born, growing up,

ageing and breaking off to lie in the ground.

He listens urgently. He is an intense spirit probing the world

to make sense of it as I had done as a youngster.

I look around at the silence of the forest and just this moment

I feel the joy of being so alive and being with this child.

I cannot describe how much comfort this little boy

has brought to my life as well as hope.

More than anyone he has brought me to a kind of acceptance

of my own mortality and a serenity in just knowing he will live on

after me and I will forever be his Dada and be in

his heart like my own Dada. And that is good enough!

After all those years of struggle in fear and dread,

in the dark nights of anticipation, as if my life accelerated to its

conclusion quicker than others, in that horror

I have emerged to this delightful being

who comforts me by his mere existence in my life.

Like this forest he has taught me serenity is the very silence-

the silence of acceptance of my mortal body as part of nature,

in its rhythm of life growth decay and death.

כִּי הָאָדָם עֵץ הַשָּׂדֶה

“for man is like the tree of the forest”

Has new meaning for me today

As with all life and with trees

We are powerless to step outside the facts and

the knowledge of what must come

What must happen

Powerless to step much beyond our genetic predilections

for health disease and decline.

Despite the sacred texts that speak of eternal life

The cemeteries known and the “land of the living”

Today I feel only the divine immanence of nature

Of nature as immortal and eternal

compared with our creatureliness and ever so brief

sojourn in this world.

My Dada used to hug me in his green cardigan

at the entrance to his Wembley home

welcoming me with a spoonful of castor oil!

But what lies buried in my heart was his

love. My memories of him, his smell, his love,

his presence are embedded in my heartand

today I try to be as present as I can to this little boy-who,

one day, will hold his

grandson closed to him while remembering me.

We walk back along the sandy horse trail and I am unsure

whether he will even remember this day-Pine Forest-

but I tell him, it was, for me, the best part of my

weekend.

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Crumbling Buildings

Julian Ungar-Sargon August 15, 2011

I marvel at the marble stairwell in this 17 story hotel

as I descend in the hope of losing a few calories each

counts these days where

one wakes to the magic number on the glucometer

to review the sins of the previous dinner.

What it must have taken to hew and quarry all this marble

and the granite being placed all around the main downtown post office

as I walk to the lake this cloudy morning before Chicago awakens:

Was this TARP money being put to use?

I walk by a quarry near my hospital at times

and marvel at the depth to which man has gorged out of the earth

for his building projects, chosen for the granite and stone hardness

it is prime building material and mechanically crushed

to the size demanded by the

contractor who sends in lorry after lorry, winding their way down

the spiral dirt path to

the depths of the excoriated gray landscape

as if Mother Earth

gives of Her own body, now willingly

so that we can build huge skyscrapers to our egos.

Then I think of the hole in the earth across from my shul

where the Rabbi is building his new edifice

a gaping disgorgement of Chicago clay, soft and brown

a violation once more but just a few feet deep, enough for the foundation

where we will all stand above one day

in the artistʼs rendition sent out to fundraise

manicured pews of cherry wood

ladies gallery and all

just like a Lutheran chapel.

Which brings be to the collapsing building of my soul

as chunks of debris slowly come crashing down to earth

the attempt was made to build

but failed

the material was grade B

the engineer was incompetent

and the workers drunk.

Yet there is something right about this

a sort of hubris

that is appropriate

something that feels justified in a weird way

when something is dreamed of, executed and yet collapses.

when the earth will eventually claim all for itself

either naturally or through it cataclysmic paroxysms

in quakes and other “disasters”.

When she is unwilling to stand for all this human arrogance anymore.

I too was built on a foundation not of my own choosing

but then began the laborious work

of building structure upon structure

in my effort to reach out to the divine

heavenwards,

to this angry punishing sky God

who rages at us with a wagging index finger

in sacred scriptures.

Then having discovered Midrash

and its poetic beauty

its irony and hidden protest

its textuality and deconstruction of

the heavy revealed word

its playfulness with the Logos

then next story was built

towards Him.

Finally after crisis in life

when one dis-covers the darker side

of oneʼs soul

Hassidut and Kabbalah provided a narrative

that framed these impulses and feelings

about me and the divine

in a holographic image that provided comfort and validation

of the very struggle.

It turns out that He too has His issues

and this world was born out of His desire to expel His dark side.

Mother earth represents that dark desire in the cataclysmic chaos

that followed His birthing.

But now all is crumbling

the edifice is losing height

falling, falling

back down to the cthonic depths

in a free fall

and on the way down all is being stripped away

except the idea behind the words.

except the feeling and the once fresh desire.

The structure is broken

like the way my grandson impulsively tears down

his lego construction

suddenly without warning, on impulse.

Back on the ground

Mother Earth caresses all this with a knowing nod

Her daily rituals and cycles

light and dark,

sleep and wakefulness,

hunger and satiety,

the warm shower and the deep cool mikvah waters

the air breezing on my face in the green cornfields

the awakening of desire in the loins,

now and then

and the persistent seeking of beauty despite age.

These always-present

but newly dis-covered silent presences

give me comfort

and the realization

of the vitality of Her apparent passiveness.

She is the silent witness to all this

She bears the blood of our hubris

She accepts us after all is done and we lie without further breath.

Where the shul becomes erect in its move to become

a place of worship

I become bent over, like an old shaman

with the weight of my past, and others,

of my failure,

and yet my new found sense

of earthiness.

Contrary to what I was taught about “gashmius”-physicality

and the evil of desire,

I now wait for it and welcome the very feelings

of hunger and thirst, the aching limbs that need their daily

limbering up,

the morning misty moist air,

a beautiful girl passing by,

as if this is the very blessing of life and Mother Earth

“They” call it Malchut and Schechina in other texts

but for me

having crumbled

itʼs just what I have right now

and that is fine.

For 2000 years we in the synagogue and church have imaged the divine

in His masculinity.

Recently Meister Eckhardt, Baal Shem Tov and their disciples

think otherwise

but we get stuck in the wire diagrams

of this or that theosophical system

ignoring the explosive implication of this.

So I need to continue to just hold this paradox

hold the divine images

negotiate His/Her modus vivendi

inside me.

Allow Her to be present to the kiritik inside

to be present at Her desire

in the temporal seasons that characterizes Her cycles

be present to Her feminine rage

as different from His

and wait.

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Eulogy for Reb Yudel

Julian Ungar-Sargon August 2, 2011

He carried so much suffering

he was so tormented

and with this weight

with this past

he lived

despite

he was such a presence

his drawn cachectic eyes

and his face reminded me of Chagall's Rabbiner

etched in those very eyes were all of European misery

and it never left his consciousness

yet at times there was space for playfullness and mirth

"ehr lacht!" he would say of me

and his questions always challenged me,

so tied in with pshat and medieval trivia...

as a midrashic man he drove me crazy!

it was so hard for him to accommodate to Amerika

to the softness and the food

to the time for leisure

he was so stuck in Europe.

his deference for scholars and rebbes

was transmitted to his children

and his love, typically european

in his inability to express verbally or physically.

so now we remember him, his life, his his-story

as he embodies everything in transition for there to here

from the trauma to the silence of the present

from that tradition steeped in shtetl piety

to the openness of New York.

he was an essentially tragic man

which attracted me so much to him

and I felt my purpose to humor him and make him laugh

a little

just a little

and in my home

he could possibly let go a little

from the bonds of the lived life of pain

the body of suffering that inhabited his consciousness

without even him being able see it.

In Memoriam

to Reb Yudel

whom I shall miss as he walked into my home with his

characteristic gait and folded arms

into my arms for a wonderful bear hug.

I will miss that hug, most of all.

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Prayer for Jim Burstyn

Julian Ungar-Sargon July 4, 2011

“Who is at my door?

He said, 'Who is at my door?'

I said, 'Your humble servant.'

He said, 'What business do you have?'

I said, 'To greet you, Oh Lord.'

He said, 'How long will you journey on?'

I said, 'Until you stop me.'

He said, 'How long will you boil in the fire?'

I said, 'Until I am pure.

'This is my oath of love.

For the sake of love

I gave up wealth and position.'

He said, 'You have pleaded your case

but you have no witness.'

I said, 'My tears are my witness;

the pallor of my face is my proof.'

He said, 'Your witness has no credibility;

your eyes are too wet to see.'

I said, 'By the splendor of your justice

my eyes are clear and faultless.'

He said, 'What do you seek?'

I said, 'To have you as my constant friend.'

He said, 'What do you want from me?'

I said, 'Your abundant grace.'

He said, 'Who was your companion on the journey?

I said, 'The thought of you, 0 King.'

He said, 'What called you here?'

I said, 'The fragrance of your wine.'

He said, 'What brings you the most fulfillment?'

I said, 'The company of the Emperor.'

He said, 'What do you find there?'

I said, 'A hundred miracles.'

He said, 'Why is the palace deserted?'

I said, 'They all fear the thief.'

He said, 'Who is the thief?'

I said, 'The one who keeps me from -you.

He said, 'Where is there safety?'

I said, 'In service and renunciation.'

Prayer : for Jim Burstyn June 2011

He said, 'Who is the thief?'

I said, 'The one who keeps me from -you.

He said, 'Where is there safety?'

I said, 'In service and renunciation.'

He said, 'What is there to renounce?'

I said, 'The hope of salvation.'

He said, 'Where is there calamity?'

I said, 'In the presence of your love.'

He said, 'How do you benefit from this life?'

I said, 'By keeping true to myself

Now it is time for silence.

If I told you about His true essence

You would fly from your self and be gone,

and neither door nor roof could hold you back!”

Mewlana Jalaluddin Rumi

My constitutional walk amid the the green green fields of Indiana

the late rains have made the green so lush a magical morning this

air cool, a bit moist, a mist rises as

the early morning sun warms the sacred ground

the sky as blue as Techeles and the Throne of Glory

the breeze gently envelops me caressing my face.

Exhilarated by this perfection I think of the time to Daven to pray

this desire to reach out and beyond a perfect morning

beyond accepting it for what it is just this

my brain forces me to reify and situate and mythologize

to pray to a timeless eternity

as these aching limbs walk off the stiffness in the hips and shoulders

creeping age makes itself felt at the two ends of the day.

For now I revel in the immanence of Mother Earth/Schechinah of Being

ממלא כל עלמין

feeling spirit incarnate in my very bones,

in earth, in nature as I age towards earthiness

facing a return to earth.

But my religious-cultural heritage begins to weigh in

heavily on my shoulders and the faith of the father,

La Nom du Pere, the bearded portraits framed on the study

walls looking down sternly, the textual canon I inhabit and inhabits me,

its aphorisms, its quotations, those wisdoms that spring up in consciousness,

force my gaze upwards towards the sky the infinite blueness

and the Almighty One.

Until He invaded reality in Genesis 1:1 in our mythic memory,

our canonical sacred text,

all was quiet and serene just like this morning in Indiana

where only birds chirp away

and all are going about their natural business of survival,

until, that is, He crossed over that infinite chasm we call the tzimtzum

between the infinite and the finite, to experience

for Himself the glory that is this world of nature and Mother Earth.

Until then of course, there were no questions.

The day He breathed the נשמת חיים

into this anthropoid, there was no self, no consciousness of Other,

our canon insists, our myth tells us, there were no questions,

no obligations, no directives, no rules to disobey.

But with the Miltonian assertion of self through the agency of some

serpentine wisdom, the self refused to obey, the self-conscious self

became self as other, fulfilled in the very

act of disobedience by eating the fruit of what Mother Earth had produced,

a luscious delight to the eyes. Forbidden by the foreign Sky Deity for no

reason, but instilling an eternal guilt in mankind

genetically transmitted forever.

And this Transcendent Deity now imposes His will

down here of unconscious Mother Earthʼs children

who will be scarred forever and no more so than His chosen people

Israel. But this covenant is complicated as the vassal repeatedly fails and

incurs the wrath of the king. Betrayal and rage follow the history of this

complexity as the people struggle to relate to a divine Being. How to

understand the rage of a Being who allows Mengele to assume divine

proportions deciding on life and death with a flick of his arm?

The covenant has transformed into something sinister as

the Deity wishes to experience

such monstrosity at the hands of the human.

It occurs to me as I walk along the crunchy path of pebbles

between the cornfields of Indiana, to dissolve the contract

(as has been suggested before me by others such as

Rubinstein) to return to a pagan earth bound spirit

who does not allow genocide for its own sake.

Dissolve the Brit, no longer place our trust in this Transcendent Deity, and

relinquish His promise to protect, for what good did it do on the ramp?

Let each party go its own way, an amicable divorce of sorts.

Surely our people might then once more dissolve into non-chosenness,

merge back into humanity, not be singled out firther by

Church, Nazi or Jihad!

Of course the Holy One would have another rage attack,

set upon us the German Shepherds loose once more like on the poor

innocent whose only sin was to embrace modernity.

Left alone what would become of us? to whom would we pray to?

We have done it for so many millennia it is second nature! We believe in a

Higher Power who we daven to and beg for mercy to and ask for healing from,

could we even handle the orphan status? Yet this morning despite 6 months

of darkness, I feel like praying. And as I place the black straps on my arm

once more I buy into the blackness of Rabbinic tradition. The black notes on

white parchment, the black ink on the page of talmud, the black stripes on

the Tallis, the black yarmulke the black wide-brimmed hats.

And the words flow freely from the lips denuded of attention to meaning

just the texture of the sentence, its very materiality, its prosidy, its verbal

articulation. No meaning, no intent, no kavannah,

but that is sufficient today

like an actor on stage

playing the part, the role, this feels right

this black ritual from earthy materials, reaching from the spirit below to the male

transcendent Deity beyond.

I tap into this feeling-this religious snetiment

and after these 6 months of dehydration-it feels goodit

is sufficient this התעררות דלתתא

in this מוחין דקטנות

and Mother earth/Schechinah gently breezes past my cheek in assent

for She too weeps

over Her disconnection with Him

and it occurs at that moment

that this is what the kabbalists meant by the term יחודים

those unifications they incant prior to performing Mitzvot.

In this new approach, this new myth, the radical theological move

was that is was now up to man himself

to re-connect the divine with the divine

the Schechina/Malchut/earth spirit below weeping and wailing for Her

suffering children with the Deity beyond and transcendent.

That what I was feeling was exactly what I was meant to be feeling this

moment by just bringing attention to the infinite gap that separated spirit,

mythic, eternal world reality here and now on this glorious summer day

amidst the green cornfields of Indiana from

the Historical Deity of our Canon of history and texts

across the צמצום

So I hope and pray -not using the head-

with nothing but attention to my earthly time

bound aging presence here on the green carpet of Indiana

and that is sufficient.

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Ezras Israel Dinner Honoring Holocaust Survivors

Julian Ungar-Sargon June 23, 2011

70 years after the Temple had been destroyed and the Shekhinah had gone into exile, all the angels went into mourning for Her, and they composed dirges and lamentations for her. So too did all the upper and lower realms weep for Her and go into mourning. Then God came down from heaven and looked upon His house that had been burned. He looked for His people, who had gone into exile. And He inquired about His bride,who had left Him. And just as she had suffered a change, so too did Her husband-His light no longer shone, and He was changed from what He had been. Indeed, by some accounts God was bound in chains.[1]

Psalm: Paul Celan

“No one moulds us again out of earth and clay, no one conjures our dust. No one. Praised be your name, no one. For your sake we shall flower. Towards you. A nothing we were, are, shall remain, flowering: the nothing-, the no one's rose. With our pistil soul-bright, with our stamen heaven-ravaged, our corolla red with the crimson word which we sang over, O over the thorn.[2]

She longs for Him,

she, through our collective self, keeps longing for the absent lover

in the dark night of this apparent exile

despite the yellow glowing lights on the Jerusalem walls,

the yellow badges haunt our dreams

despite the Profit Sharing Plans for retirement in Florida,

all contemporary luxury feels guilty,

all remains not well.

In our absent gazes,

She too is not present, in us

She too has gone, disgusted by the self-bloating

Holier-than-Thou’ness of current religious pretensions to piety

so we play games as if...

the rituals of daily life and learning had meaning inside

as if...

nothing had happened some 70 years ago

a lover’s spat some would say!

others would make even more outrageous theological claims

(harping to Nietzche)

yet others would put blame on us! on the very victims!!

as if...

Has He ever not been bound in chains? [3]

the king bound in the trestles. מלך אסור ברהטים

did the Song to end all Songs not tell us?

the king bound in his trestles

outside the garden of delight

watching and waiting for his beloved,

yet kabbalistically also bound

in the trauma of this very creation

in the only way the finite could trap the infinite in its grip.

Bound in the chains of the barbed wire trestles

He watches his beloved starved and tortured

played with and humiliated by German/Ukrainian/Polish soldiers

the women defiled in ways that left permanent etchings in the flesh,

a scarring, living corpses who could never again make love...

handsome smart uniforms smoking all the while with leather gloves

so as not to defile themselves.

Bound in the excremental deterioration of the self and humanity

as if...

the divine wished to experience such degradation

a pervert Greek experiment ordered by the Pantheon for the amusement of the gods.

Awakening from this traumatic nightmare

now 70 years later

like those Rabbis of old

looking at the Hurban

the broken Jerusalem walls,

the “fox running across the Temple Mount”[4]-

we have no Rabbi Akiva to laugh.

We languish amid the normalcy of daily life

as if... it never took place.

And we, the children of those who survived

whose parents’ silences

deafen the living rooms of London, NY, Tel Aviv

what are we to believe?

who are we to believe?

You who survived gave us nothing to believe!

despite your comings and goings to shul

and the lips chattering alongside the songs of the chazzan

we saw through that, even as children,

to the dark emptiness inside you all

and realized slowly, slowly

the legacy of Die Niemandsrose[5]

and the Psalm to No-Body.

Please help us

before you depart this world

please show us how to

believe!

show us how to hold on to our lost faith

even as you slowly drowned in your memories and lost ones.

In connecting to you

we at least have a physical representation

of your lives here

of your embodied trauma

of the blue etchings in your forearms

of your survival

we can hug and embrace your frail bodies

like a talisman

to ward off the evil curse that is our people.

But what will you leave us when you have gone?

what blessing will you bestow upon us

as you move away

into the memory of our loss?

Please don’t leave

please do not leave us alone

in this wilderness

in this new modern Hurban

please give us a hint

at some messianic dream you still hold on to

some secret you have withheld until now

some divine word you received over there

in the hell of enlightened Europe.

Hold us close

hold us to your hearts

squeeze us tight please

never let go.

For without you

we fear,

we fear

we will lose all faith

like the Klauzenberger Rebbe claimed

in the first al chet on Kol Nidre 1946

“our only אל חטא was that we own up to is our loss of faith on You Lord!”

without you

present

to hold us close

we fear

being alone in this nightmarish world

where people go about their normal lives

as if...

as if...

it never happened.

[1] Howard Schwartz, The Tree of Souls: The Mythology of Judaism (Oxford: Oxford University Press, 2004) 58 ,Pesikta De Rav Kahana 13:9, 15:3, Zohar I:182a

[2] Translated by Michael Hamburger

[3] Song of Songs 7:6 “Your head upon you is like Carmel, and the hair of your head like purple; a king is caught in its tresses.”

[4] Lamentations 5:18 “For the mountain of Zion, which is desolate, (even) foxes walk upon it.”

[5] Paul Celan: Die Niemandsrose (The Nomansrose / The No-One's-Rose, 1963)

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​