Julian Ungar-Sargon

  • Home
  • Theological Essays
  • Healing Essays
  • Podcast
  • Poetry
  • Daf Ditty
  • Deep Dive Ditty
  • Videos
  • Publications
  • Military Service
  • Dominican University
  • Home
  • Theological Essays
  • Healing Essays
  • Podcast
  • Poetry
  • Daf Ditty
  • Deep Dive Ditty
  • Videos
  • Publications
  • Military Service
  • Dominican University
Julian Ungar-Sargon copy 3.jpg

Daf Ditty

A wide-ranging commentary on the daily page of Talmud.

Eruvin 104: The Sound of (Shabbes) Music

jyungar November 21, 2020

For the source text click/tap here: Eruvin 104

To download, click/tap here: PDF

Confession

I was walking on West End Ave one summer erev Shabbat and had some time befor attending Kabbalat Shabbat at my father in law’s shul (Young Israel of the West Side). I past 86th street where Bnei Jeshurun would hold services earlier and saw throngs of people standing in line to enter. What was so attractive about this shul (other than the location of the movie “Keeping the Faith”?

I wondered in to see some 800 people davening together. There was music to accompany the Carlebach melodies, there was a silent moment before Kriyat Sh’ma where you could hear a pin drop, there was dancing after Lecha Dodi…I had never heard musical instruments before during a Shabbat service. I found myself weeping.

What had happened to orthodoxy? Why was this alive in ways I had never experienced before? I was overcome with grief.

How had we come to this place in time and history?

I present some historical framing below as a balance to the Rishonim quoted above.

Tags7th
  • Daf Ditty
  • Older
  • Newer

Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​