Drawing by Tsiona Dec 2018
The Impending Ending
“T’is fearful thing
To love
What death can touch
To love, to hope, to dream,
And oh, to lose.
A thing for fools, this,
Love,
But a holy thing
To love what death can touch”
Anon. 12th Century
Holding her hand
I put it to my lips
These iconic fingers
Whose magic mastered the fiddle decades prior
And now paints landscapes
And impresses Tsiona to draw them holding the brush.
The beauty of form has not diminished
They are perfection in form
Where all other body parts have withered
Their skeletal majesty remains
In my hands as I raise them to my lips
No words,
Just the kiss and the holding and stroking
Says it all.
The bond
Mother and son
Despite everything
Maybe because of everything
I am who I am because of it.
She, the driving force
A Tsunami that swept thought my tiny consciousness
Demanding and unbending,
Love, conditional
The pain and misery
The torment and irrationality
Internalized in a life driven to this day.
Now by her easy chair, perched daily
with dad by her side watching her lovingly.
All is calm.
She smiles rarely
She never did
She looks ahead
with that same tragic sense that flows though my veins
no wonder we are bound
in flesh and spirit.
Dad sits on one side holding her hand and gently stroking it
Devoted to her
From the time she bewitched him
(her fiddle tied the knot)
Suffered her for decades
Yet does not leave her side,
While I, sit temporarily on the other side
She is engulfed by the two men who adore her
Oblivious to the moment
Living in the eternal now
No memory for near or premonition of events to unfold.
All decisions are made with a wave of the hand signifying
“no” or “enough” or “rubbish”, or “not worth my time”
But now unable to vocalize rely on those mimes fully.
How does one face destiny?
The ending of things
In the slow decay of time
The daily challenge of living usually taken for granted,
Where every activity now must be calculated,
necessary, there being an economy of effort
By the nursing aides who measure the time for this and the effort for that.
Watching the slow decline of mental and physical prowess
Accelerating each month,
Facing the ending of things with uncertainty.
The weekly blood analysis plots the objectification of decline
The indices of iron, potassium, albumen, white cells project from the page
like witnesses on the stand, pointing accusingly, in one direction, to the dock.
The children discuss the meaning of this or that change,
having plotted them on the graph
Which meanders up and down prompting this or that intervention.
Powerless to redirect or change the flow of the river of fate,
(This was predetermined by genes and a life of living),
As it ploughs inexorably to the sea of death.
This in between time of decay and shutting down
I am not prepared for emotionally.
Leaving her each time with a heavier heart
This woman is the vitality of my life,
Albeit mostly unacknowledged,
The force majeure, hated and beloved at the same time,
Who had such impact on the soul of the writer,
That nothing passes muster to this day,
Unless it passes through the unconscious critical eye of la nom du mere.
Her mark in my psyche has little to do
with the small frame I pick up to transfer to the
commode today or place in the front seat of the car
on the next visit to the hematologist for the iron infusion.
The head of the department looks at the blood results
without even glancing at his patient. He knows too much and probably
wishes to protect himself from her loss.
How else to explain his lack of humanity.
She now physically resembles Nana,
sitting in the green arm chair, neck flexed hunched over,
and head looking down, into the bleak future, knowing everything.
Suffering the very living and struggle of today.
With the weight of the struggles of the past, heavy on her shoulders.
Mum no longer vocalizes, her cords torn
by the month-long coughing of her recent pneumonia.
(Should have I admitted her sooner? Would it have helped?
Knowing how she hates that place).
Her speech is rare and articulated without sound,
Yet she whispers, “when will you come again”
and my heart melts in pain.
I do not know when.
I do not know if,
There is no timeclock revealed to me
Marking the ending
Which feels not so far.
There is no violin playing outside her bay in the ward.
Naftali comes to visit and plays
but she does not muster the usual excitement
Hearing her own fiddle being played,
knowing the tone (she has perfect pitch of course)
Her eyes lit up with recognition and satisfaction.
That was a few years ago, despite the stroke,
the musical appreciation
That locus of the cerebral circuitry
had been unaffected by the clot
And she wept hearing the sound of her fiddle
wafting in to the ward.
The mind realizes but the heart cannot bear it.
The idea of life without her steady presence,
Her watchful eye on my progress and achievements
Even my downfalls (she alone flew in to Boston
to support me in my trial in 1984)
Now perched on her recliner the world comes to her,
Her progeny lovingly attends in pilgrimage,
recognizing her matriarchy and strength of character
And intuition and moral authority, her presence
and impact on so many lives
Above all mine.
The inner voice keeps telling me
“this is but the way of all flesh” and
“her longevity has been a blessing”
And the facts of nature and time and the blood analyses
all show you with great accuracy
the prognosis of the ending inching closer
As it should.
But the heart bleeds nonetheless.
She reveals the inner connection between love and loss
in her silent uncompromising commitment to her values
and her refusal to ever complain.
This aristocracy of spirit exacerbates my sense of awe.
She is in control of even this.
She bends to no one but herself.
And when the time comes it is she who will decide the end.
Not the disease not the fatigue, not the process.
I want to mark this time, I want to not let it slip,
too often we ignore the slipping and sliding as
the ending inches closer, as if it betrays
the neat paradigm of healthy, disease and absence.
I validate and valerate this phase too.
These precious moments of intimacy, hand in hand,
listening to a Heifetz Chaconne
(and her shaking her head in disbelief at his mastery)
as if hearing it for the first time
(though I play it each time I come)
or Victor Borges’ musical humor,
are the way we share those critical values she holds dearest.
I have inherited from Nana and her the tragic sense of life.
This lens colors all joy and grounds all perception
in a rootedness of shared empathy.
It drives the engine of compassion for others
and sympathy for those suffering.
Now, however the focus is on her pain and her ending,
which tears me apart.
Unbearable Leaving
Anticipatory Grief
Can one say kaddish in advance?
After all, yitagadal veyitkadash is in the imperfect tense
Or the jussive?
May His name be magnified, sanctified!
Each time I leave Jerusalem
The apartment,
My father,
I hug his slender frame
His bones more and more prominent
Wondering if this is the last time I feel him
His warmth
His stature
His upright posture.
He too saw his father on that Viennese platform in 1938
Not knowing he would never see him again.
Now I replay this scene every time I leave Jerusalem.
An epigenetic wound I carry
A return to the primal scene of trauma
Played out in the next generation.
The pain is unbearable
The not-knowing insane
The slow decline observable now
A loss each visit of this or that.
This time a new unsteadiness on his feet
An ataxia of the soul readying for its dizzying flight to come.
He proudly shows me his new hobby
Having watched Mum, paint for years he has now taken up the art.
And drawing horse after horse in varying poses
His love of equus always expressed in my childhood
From dressage to that disturbing play in the West End
A psychic drama unfolding in the psychiatrist’s office
Of a young boy who violently enucleated a horse.
With a heart as heavy as a stone mountain
I take my leave
In the unknowing that characterizes my life more and more
As uncertainty bathes me like a dark shadow
In so many areas of my life
The only certainty is our mortality
And the slow dying of the leaves
In the chill of autumn.
Journey's End
The horror, the terror
The loss of humanity,
The effect on decency,
Of the blood spilled in those trenches of WWI
All who lay in those muddied fields,
The sheer magnitude of the loss,
A generation of young men,
Guided by general HQ staff on both sides
Likes pawns in a chess game.
Each soldier lost,
A life,
A son, father, brother, friend.
Husbands leaving children and wives behind
A generational loss of millions,
The next, orphaned without the father
La nom du pere…the absent fatherhood.
And as I watch, sobbing,
For what man does to man
In the name of…
Statehood, religion, politics, fatherland,
All the...isms.
The false twentieth century promises
The broken ideologies,
The religions of blood,
Red rivers flowing into a sea of death.
For honor and dignity and a sense of purpose
Dying in the name of...
Dying for a cause…
Dying for the flag…
That bloodied uniform
Bedecked with ribbons or medals
Each speaking of some heroism or battle survival.
And that uniform
And that rank
And that split between lower class enlisted
And educated Oxbridge officers.
And the sheer decency of the British soul
As portrayed
And experienced
And the pride of the Austro-Hungarian soldier
(I remember pictures of a proud uniformed Ziga Barzi)
And yet my olive 1970 skin
Was a barrier to my enlistment
in the Guards
When interviewed,
As a young medical student.
“Not the right stuff”
For their regiment.
The outsider..
The Jew…
Not privileged to serve
Maybe of dubious moral character
Did they think?
As expressed by melatonin pigmentation.
We are sent into war
We are meant to die
“Pro patria morie”
We glory in death
For country, culture and freedom.
But at the end of the day
Lies this insanity
This bloodthirst
What Jung called Wotan.
A mythical drive to end and destroy
To dominate and bleed.
With the so-called Enlightenment
Comes the modern day state
And its darker side
The state of terror.
My Israeli nephew grieves for his lost comrade-in-arms.
He visits his family
And honors his memory
But that hole in his heart remains
Like a lesion
God shaped
He nurtures the pain
Drowned, once, in chemicals to soothe the anguish.
And my patients and comrades with PTSD
who suffer daily the reoccurring loss
Ever present…
The moments of death
And the mystery of their survival
The guilt and self-recrimination
The living in-the-absence of friends and comrades-in-arms
The nightmare that never ceases.
We only have the survivors
And the memories,
And the historical record.
But what have we learned from this mass blood-letting?
About man, god and history?
The visual images haunt me
In a ghost-like apparition
A dream that keeps coming back
As if in a past life.
I too am drowning in the terror of the trenches
Facing my fear of the end
Of death creeping up on me
For that moment,
The ending of all that is near and dear
Precious and fraught.
The end of loving another
The end of helping an-other
The end of caring for an-other.
C G Jung’s Study Ascona, Switzerland