Nana's Yarhzeit 2009
Mostly, I remember her voice...
A mix of british indian, with baghdadi intonation and
nasality
"wey julian ...you will go blind!" rings evermore in my ears
As she admonished me (out of pure love) for my
confession
In the mount aishel hotel bournemouth!
Her absolute unconditional love yet strict adherence to her
own (at times prudish) standards of right and wrong.
I could never master that balance with my own kids.
As the years pass
As the annual pilgrimage to her resting place clocks its
own memories
(this year with charles so sick, bless him)
Clocking its own biography
Nestled in the rolling meadows and grazing cattle of
london's green belt
I age too.
Yet in this, my 60th year I feel closer to her than ever.
Back in my life
In the web of professional and personal matrix
Each patient I lose is Nana
Each loss I experience is framed archetypically by her loss
In pain and grief she is my compass.
If I ever need to retrieve tears
To evoke grief
I merely think of her
Her tiny frame her intense eyes
Her frailty, her energy, her commitment and above all
unconditional love of her family.
As a teenager I remember hugging her small frame
Enveloped in my arms so easily
Then some 20 years later,
Watching her hold my own twins in the white rocking chair,
philadelphia
and feeling such pride
For having my own grandmother come from across the
ocean and spend a year with us.
Only now do I acknowledge my parents' faith in me.
That year the pride spilled over into humble recognition of
the larger picture.
I had "produced twins in 1981 the way my own mother had
twins in 1950 and here Nana was again;
Nana coming to the rescue!
How mythical!
Nothing else produces the flow of tears like the memory of
Nana
Nothing else such grief
As if at age 1, inscribed into my very flesh and mind was
her salvific grace-her showing up after weeks at sea
bombay to portsmotuh was it?
Dada in tow, to save the little julian growing pale and
losing weight with her dose of chicken soup.
She evokes for me the shechina, mama rachel, mother
dear, matronisa, maternity, the great mother archetype,
But all the positive features of the feminine archetype with
none of the darker threatening aspects.
In Nana I find refuge
In Nana I find comfort
In Nana I find solace and peace despite my own unending
torment
In Nana I find hope in her eternal energy and fierce
devotion to her progeny
Her utter faith in heaven and her optimism for the better
day to come.
Her belief that one day she would win the pools and would
distribute the cash to her children and grandchildren
It happened on more than one occasion in pounds here
and there
But what abides is her pride in winning.
I pray she has finally found peace knowing her
grandchildren and great grandchildren and descendants
Remember her and adore her for her love and devotion to
us.
And as we enter the month of her yahrzeit her hillula
The auspicious day of gateway to elul and "ani ledodi
vedodi li"
I had a dream of her
Coming to me
And as I reach out to her
She has come to me as a gift
And in the tears between us I cry out
"we will never forget you Nana you are inscribed in my
bones
your love is written in my heart your care is flowing
through my veins
and written in my flesh and Nana echoing my breath"
And as I age
No memories fade
No images disappear
On the contrary the stark releif of my own biography
focuses sharply and better when seen with Nana as my
background.
God bless you Nana in gan eden.
Burning Up Inside (Bira Doleket)
God spoke to Avraham: “Go you from your land ....” R.
Yitzchak began... This may be compared to one who was
traveling from place to place, and he saw a burning
mansion. He said: Is it possible that this mansion is
without someone responsible? The owner of the mansion
looked out at him and said: I am the master of the
mansion.
So, was our father Avraham saying: Is it possible that the
world is without someone responsible? God looked out at
him and said: I am the master of the world.
(Midrash Genesis Rabba 39,1)
In This World, only intensive labor propels a person from
one level to the next. This is the meaning of what is written
(Bereishit Rabba 39), “burning courtyard (bira doleket)”:
Avraham learned that everything must be in its resting
place and at its root. However, the blessed God replied
that His blessed will is that in This World there will be only
effort and no rest.
Absolutely baffled by its power Worse, my powerlessness
Year after year, month after month Holding out as long as I can
Then the fall. A pattern in time A pattern of the body itself
The mansion has its own rhythm
A cycle of powerlessness.
What is this bira doleket within? This towering inferno of
desire? Overcoming the entire field?
Abraham asks the same question when looking out into
the world And seeing its conflagration Questioning an
intelligent design Until God responds
Ani hu baal habira
“I am the owner of the village” I am the master of this
house! But how does this help the old patriarch’s
theological question Of theodicy? Who could possibly
allow this to go on?
God does not reply with a reason for the inferno Merely
establishing his authorship and ownership
So what is the perennial answer for the fire itself Why the
world continues to rage in flames? Apparently that is left
for us, Abraham’s descendents To dis-cover.
The reason for the fire? You want me to answer? After
such a long exile! And crematoria!
An answer? Are you Crazy! Any answer is an affront to
their memory. Let us rather concentrate on my
inflammation, character defects That way we have a
playing field A field of discourse that is more manageable.
Burning mansions in my body
(Sefat Emet, Lekh Lekha, 634)
Sucking me into the fire Carnage of the soul in the
aftermath The blackened timbered shell Next day In the
cold light of day Where the insanity is made plain for all to
see The wreckage of the rage The splattered fragments of
the self Charred splinters of wood, blackened timber
Strewn across the street Where visual acuity is 20/20 In
contrast to the blindness of the previous night.
Is the meaning of this mansion on fire inside That God is
its master too? Master of His domain That even I
In this lowly state In this body Must surrender even this
The very obsession itself, the insanity, The defects of
character, the lies, deceits and betrayals All of this
baggage to Him! Could it be that buried in this Midrash is
the reflection back onto His watch Of all my life even the
bad?
“Ani hu baal habira”
He exclaims! “I am master of the house, the mansion, the
village, your body-self All of it! The good and the ugly.”
And if the gaze was the trigger The lit match cast
inadvertently into the dry brush The inappropriate stare
The lingering look A spiritual visual dysfunction-mainly
taking place in the darkness; Then maybe the rectification
the fixing and refining of this defect Must also emerge from
the visual, an imaginative restoration. The fixing must take
place in the very images-but within rather out there. What
does She look like? How do I relate to Her? To beauty,
music, passion, to the very flames?
What immortal image did I behold as a fetus? Alongside
my sister. The fateful vision that would transfix my
imagination forever? Who did I recognize as “ze eli” Why
do I continuously search the planet for that image that will
finally give me rest? Peace of mind? That image so etched
in my soul I search for it even in inappropriate places?
I feel the answer to Abraham’s question lies right here In
its midst In the flames In the carnage
An image of Him/Her The master the baal habira.
And the answer lies beyond sacred texts Rather in the
very image of that burning conflagration- But resist the
golden calf that Has emerged until now One generation
after another The false images and temporary relief.
The image behind the texts The Torah behind the Torah
Which can only be accessed by those fallen souls Who
know the other side Who felt the rage and fire within Who
saw the dark side the dark night How else?
It is only by crowing Him master of even the flames of
Auschwitz that we can Access the totality of Him His Unity
And our own.
Only this way can I inhabit this body and own this dark
soul Only by owning His mastery can I own my own
inflammation. You want to quote me philosophy?
Theology? Theodicy? We will leave that for the scholars
and Litvaks.
We who have known inside The nightmares and dead
souls who call in the night The souls wafting above us like
a Chagall painting Europe’s earth screaming from the
blood still dripping within The children’s cries do not
diminish In that furnace He still yells Ani hu baal habirah
And I still need to acknowledge Him there and within.
Emigrated
Stamped on the envelope: "emigrated"
he receives the letter back
from Vienna
from the Red Cross
was it stamped in red too?
or black?
others realize they have been deported
for who emigrates in the middle of a war?
a world war
to where?
from Vienna to where?
yes, a euphemism for deportation.
no more letters
they too will be returned
with that dreaded stamp "emigrated"
But he was the emigre after all
under the nose of the Nazi
this kindertransport
of children of the Reich and the Anschluss
crossing by train the Europe soon to be torn to shreds
to London
But they after all stayed
in Vienna
Julius, Rachel and Litzy.
she too could have left but refused.
how ironic
that the emigre gets this letter with this stamp
"emigrated"
they knew where he was
in Australia, in Tatura
one of the ‘Dunera boys’
amongst 2000 Jews behind barbed wire
"Enemy Aliens" Class I or II
classified by the holie-than-thou British
who would later admit the error in Parliament
they knew where he was
he had told them in letters.
But now he would never know their whereabouts.
I ask
"when did you realize?"
"when the letters came back".
he replied
those purloined letters
returned by the Red Cross
as if
they had emigrated, like him
to a safe place
a safe haven
for is that not what they were in fact ‘told’?
the lie
that hid behind the Nazi murderous intent.
why does this bother me so
now after so long
those letters?
I saw them once
he had a pile of them.
sacred letters
returned
by the Red Cross.
this insane need to know the exact moment when he
realized?
was it 1942 or after the War? I persist
he says, "we hoped
possibly the Russians had interned them in a camp across
the border
so that they would be at least alive
but nothing"
post war silence
then a note from the Red Cross again
last seen Izhbitz transit camp
after that whereabouts unknown.
the worst to be believed.
how to live with this as a survivor.
how to hold the returned letters
with that stamp 'emigrated'
I too am an emigre
living the stranger's life in another country
in another land
strange soil
strange customs and beliefs.
never again to feel at home
even when I go back
it gets worse each time
a distant remnant of the past here and there
nostalgia filling in the gaps.
I too am condemned to repeat the story of the father and
grandfather.
In a far away land
at the end of the railroad
Tatura
in that desert
sand
the letter arrives
he had written weeks earlier
with that fateful word 'emigrated'
his heart jumps, sweat accumulates on his brow
what does this mean?
where have they gone?
it cannot be!
feeling so powerless over this whole mess
this war
too big for all of us
when the demonic is let loose.
that letter
returned
signified the end of his youth
and the end of an era
the glory of Vienna
and its Jews were deported
Vienna as the epicenter of the world was to be no more
would forever defend its reputation
and its war record
and its collaboration
and wallow in its denial.
'emigrated' would now apply to Vienna itself
not merely its Jews.
it would apply to the civilized world as we knew it
its Mozart and its Goethe and Proust
all sullied by that letter
returned with that stamp
and that word
'emigrated'.
Letting Go
Leave it behind
all this thinking
it led nowhere
worse
to doubt and despair
leave the analysis the depth psychology
the rationalizations and reasons for...
the science and the criticism
the theory and the mastery
Like the breakdown of a Bach fugue into some
mathematical equation
Lord where have we descended to!
like analyzing the Song of Songs for its grammatical
structure! missing its desire.
let go of it
let it slip away
let thinking itself
the monkey retire
allow the cloud of imperception and clarity descend
let Moses enter the fog
where the Lord is
let the is begin
being here
now
no-where else
and stop thinking.
sing a little
just a note
a single cord maybe
let the room vibrate and resonate
listen to the echo
is it you?
or who?
jostle the mind
play games on it
or it will catch up soon and overtake you once again
focus on nothing
just be nothing
now there’s a challenge/
stay with it
in your body
feel the buttocks on the chair
the ambient sound in the air
the sweetness of early dawn
and maybe, just maybe
you might hear the white radiance of eternity
and endure better
and for a moment be relieved by the weighty burden of
self and the shoulders will feel a little lighter.
maybe.
Purim 2009: Haman
We clap and stamp on mentioning Haman the Amalekite,
each time the reader chants his name...
As if, the mere mention triggers this explosion of chaos a
wild manic stomping and clapping using instruments of
noise....
As if, we need to eradicate more than merely the name the
evocation of its horror, memories of intended genocide,….
No, this hysterical communal memorializing of that, which
we wish to forget, signifies something even more
sinister…
More than even the command, so paradoxical, to annually
“remember: not to forget” to erase the memory of Amalek,
by consistently bringing it back to conscious memory, no,
more than even this….
This communal controlled chaos limited to ten seconds
following the mere mention of “his name” HAMAN-as the
scroll unfolds, as the text is chanted, even this is not
spontaneous for “we know” we are readers we have read
before we foreshadow his mention…
SO sinister because of one reason alone, he remains alive
and deadly. He persists despite the happy ending of the
narrative story the fairytale of Esther. Despite the rolling up
of the scroll for another year the sing song and the festive
meal his name, is mention, his evocation lingers, haunts
us so, despite the merriment and liquor….for he, my
friends, is non other than….
You fill in the gap-all I can tell you is he is and is within not
without.
He remains and persists after all the merriment drink and
attempts at drowning out his voice with joy on this special
day
He works his task, divinely charged, the spoiler, that little
voice ever crescendoing, that never rests, the voice, the
critic, the doubter, the cynic, the dissolver of simple faith
with complex questions and analytical doubts.
He, whose volume can only be drowned out once a year
with a clapping and a stamping and a drinking
This is the joy of PURIM for only once a year a legislated
socially sanctioned alcohol binge to drown out his voice for
just a moment of relief a relief from that voice within. How
could we ever forget him!
A tumbleweed (Salsola tragus) “Any of various densely branched annual plants, such as amaranth and Russian thistle, that break off from the roots at the end of the growing season and are rolled about by the wind.”
"Like vanishing dew, a passing apparition or the sudden flash of lightning -- already gone -- thus should one regard one's self." — Ikkyu
"I spur my horse past the ruined city; the ruined city, that wakes the traveler's thoughts: ancient battlements, high and low; old grave mounds, great and small. Where the shadow of a single tumbleweed trembles and the voice of the great trees clings forever, I sigh over all these common bones -- No roll of the immortals bears their names. "
! ! ! ! ! ! ! ! ! — Han-shan