Julian Ungar-Sargon

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  • Theological Essays
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  • Deep Dive Ditty
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  • Military Service
  • Dominican University

Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Time

Julian Ungar-Sargon April 24, 2009

(A MEDITATION ON REB NACHMAN'S TORAH 33)

April 2009

Let it wash over you, like the surf on a lazy beach dayyour

hands clinging to the sand

Let it brush over your face like a gentle zephyr as you

climb over the green hilltop

Let it lighten the room like the sun finally revealing itself

with the passing cloud filling your dark book-lined study

through the window, in a beam of dusty particles.

Stop managing it!

Stop fitting your schedule into it all

those chores and errands, the appointments and

deadlines, the very day's work-if not,

the guilt of time's passage will not have been lifted once

again, and the Adamic curse leak into the night.

The inner kritik must justify today's existence to the court

above, or else there maybe no reason for tomorrow.

So you run and run from daybreak and the daf yomi 'til

nightfall when you drop

letting the fatigue and increasing inability to do what you

used to be able to "accomplish" in a day, relieve you of the

kritik for a while.

Stop trying to manipulate time-to cut corners to save time

to cheat and steal a few minutes (stealing maybe a felony

upstairs!)

Finally finally surrender

to time

realize it as a gift and participate only as an observer.

Stand on the sidelines and let sacred Time begin to affect

you slowly.

You well know the seasons and the months the equinox

and the passage of holy days

the cycle of tempers you resisted for so long for fear of

"pagan influence" into the pristine mono-theistic Biblical

faith of the Father. La nom du Pere!

Weren't you taught to ignore those astrological signs on

the side of the Machzor on Succos?

Finally open up to the crab and the fish and the goat and

those symbols reflecting a rhythm a metre and key and

tone that changes monthly.

Become open to the week of the sefirah (didn't Rabeinu

tell us it would affect us daily)!

Lord knows you suffered during "gevurah"!

Let the Shabbos finally invade your body

in its preparation without the usual panic and bad tempers

once thought by you as obligatory as the laws themselves!

let it already be savored in the Friday afternoon mikveh,

stay a while longer, feel Her Presence the Song of Songs,

chant slowly, feel the passion for Her

Psalm 107 and feel the Baal Shem Tov's teaching, ships

long out to sea finally coming home to port like your week.

Welcome the Bride with others and dance!

Let this holy time invade your senses with the light of the

Sabbath candles, the spices each sacred meal and the

red dry wine on the palatemarkers

in time like buoys in the channel pointing and

protecting small craft until they reach open waters again.

Agreed it is scary.

brought up to waste not a minute of time.

each fragment precious, a minute...even seconds wasted

to be accounted for in some future court.

Did not the Vilna Gaon keep a little black book of all the

wasted minutes he owed annually?

As if time was a commodity that had value like the billable

hours my lawyer clocks up on me monthly!

each minute measured and "clocked'

More like a magazine of bullets as it passes through an

old machine gun in a black and white movie.

Spitting out bullets from the front end while the magazine

passes through the rear to emerge empty, having

delivered its aliquot of death over time, yet broken down to

a single unit of one bullet a time.

And at the end of time itself we are to be judged as to how

we spent it like we spend money or bullets.

Did we "fill" it with appropriate activities, Torah and

Mitzvot? pious activities and charity or did we "waste" it

like water might be wasted or money.

In a market economy where spending is vital to the

capitalist system I found it hard to see time in any other

way.

Mother used to say in India during the hot lazy summers

you might ask somebody what he was doing and he would

reply "killing time and watching it die"

As if it were alive and might be subject to murder.

As if it were dependent upon us to maintain its life and

protect it from those who would kill it!

In suspending time during those pilgrimages

whether to Uman Lizensk or Mezhibuz,

I purposefully remove myself from the dimension of timeas-

I-feel-it

from its dominion and tyrrany

and, in the presence of the Zaddik

I am relieved of its burden for a few hours

(at great cost to health and fatigue)

to continue to do the work of recovery and Return.

I now surrender by giving up any hope of managing it.

I surrender the hope of keeping it alive.

Let it die and continue despite me.

I cannot carry such a responsibility anymore.

Time is a modern notion

history is an enlightenment concept (Hegel)

modernity ended in the gas chambers

let time be buried there too.

Let us open to the possibility of time as an independent

force of its own

a Divine force that splits into good days and bad days

through no fault of our own

born into a mystical cyclical story

fixing what previous generations failed

I now surrender and stand on the periphery of this Divine

drama.

As such I become open to new possibilities and allow time

to wash over me

brush over my face

its good and not so good parts

remember that sunlight pouring into the study also reveals

the dust-laden shelves!

but in surrender I can breath and savor the scent of

different days

and welcome time into me like never before.

Tags P2
Comment

Nana's Yarhzeit 2009

Julian Ungar-Sargon April 20, 2009

Mostly, I remember her voice...

A mix of british indian, with baghdadi intonation and

nasality

"wey julian ...you will go blind!" rings evermore in my ears

As she admonished me (out of pure love) for my

confession

In the mount aishel hotel bournemouth!

Her absolute unconditional love yet strict adherence to her

own (at times prudish) standards of right and wrong.

I could never master that balance with my own kids.

As the years pass

As the annual pilgrimage to her resting place clocks its

own memories

(this year with charles so sick, bless him)

Clocking its own biography

Nestled in the rolling meadows and grazing cattle of

london's green belt

I age too.

Yet in this, my 60th year I feel closer to her than ever.

Back in my life

In the web of professional and personal matrix

Each patient I lose is Nana

Each loss I experience is framed archetypically by her loss

In pain and grief she is my compass.

If I ever need to retrieve tears

To evoke grief

I merely think of her

Her tiny frame her intense eyes

Her frailty, her energy, her commitment and above all

unconditional love of her family.

As a teenager I remember hugging her small frame

Enveloped in my arms so easily

Then some 20 years later,

Watching her hold my own twins in the white rocking chair,

philadelphia

and feeling such pride

For having my own grandmother come from across the

ocean and spend a year with us.

Only now do I acknowledge my parents' faith in me.

That year the pride spilled over into humble recognition of

the larger picture.

I had "produced twins in 1981 the way my own mother had

twins in 1950 and here Nana was again;

Nana coming to the rescue!

How mythical!

Nothing else produces the flow of tears like the memory of

Nana

Nothing else such grief

As if at age 1, inscribed into my very flesh and mind was

her salvific grace-her showing up after weeks at sea

bombay to portsmotuh was it?

Dada in tow, to save the little julian growing pale and

losing weight with her dose of chicken soup.

She evokes for me the shechina, mama rachel, mother

dear, matronisa, maternity, the great mother archetype,

But all the positive features of the feminine archetype with

none of the darker threatening aspects.

In Nana I find refuge

In Nana I find comfort

In Nana I find solace and peace despite my own unending

torment

In Nana I find hope in her eternal energy and fierce

devotion to her progeny

Her utter faith in heaven and her optimism for the better

day to come.

Her belief that one day she would win the pools and would

distribute the cash to her children and grandchildren

It happened on more than one occasion in pounds here

and there

But what abides is her pride in winning.

I pray she has finally found peace knowing her

grandchildren and great grandchildren and descendants

Remember her and adore her for her love and devotion to

us.

And as we enter the month of her yahrzeit her hillula

The auspicious day of gateway to elul and "ani ledodi

vedodi li"

I had a dream of her

Coming to me

And as I reach out to her

She has come to me as a gift

And in the tears between us I cry out

"we will never forget you Nana you are inscribed in my

bones

your love is written in my heart your care is flowing

through my veins

and written in my flesh and Nana echoing my breath"

And as I age

No memories fade

No images disappear

On the contrary the stark releif of my own biography

focuses sharply and better when seen with Nana as my

background.

God bless you Nana in gan eden.

Tags P2
Comment

Burning Up Inside (Bira Doleket)

Julian Ungar-Sargon April 12, 2009

God spoke to Avraham: “Go you from your land ....” R.

Yitzchak began... This may be compared to one who was

traveling from place to place, and he saw a burning

mansion. He said: Is it possible that this mansion is

without someone responsible? The owner of the mansion

looked out at him and said: I am the master of the

mansion.

So, was our father Avraham saying: Is it possible that the

world is without someone responsible? God looked out at

him and said: I am the master of the world.

(Midrash Genesis Rabba 39,1)

In This World, only intensive labor propels a person from

one level to the next. This is the meaning of what is written

(Bereishit Rabba 39), “burning courtyard (bira doleket)”:

Avraham learned that everything must be in its resting

place and at its root. However, the blessed God replied

that His blessed will is that in This World there will be only

effort and no rest.

Absolutely baffled by its power Worse, my powerlessness

Year after year, month after month Holding out as long as I can

Then the fall. A pattern in time A pattern of the body itself

The mansion has its own rhythm

A cycle of powerlessness.

What is this bira doleket within? This towering inferno of

desire? Overcoming the entire field?

Abraham asks the same question when looking out into

the world And seeing its conflagration Questioning an

intelligent design Until God responds

Ani hu baal habira

“I am the owner of the village” I am the master of this

house! But how does this help the old patriarch’s

theological question Of theodicy? Who could possibly

allow this to go on?

God does not reply with a reason for the inferno Merely

establishing his authorship and ownership

So what is the perennial answer for the fire itself Why the

world continues to rage in flames? Apparently that is left

for us, Abraham’s descendents To dis-cover.

The reason for the fire? You want me to answer? After

such a long exile! And crematoria!

An answer? Are you Crazy! Any answer is an affront to

their memory. Let us rather concentrate on my

inflammation, character defects That way we have a

playing field A field of discourse that is more manageable.

Burning mansions in my body

(Sefat Emet, Lekh Lekha, 634)

Sucking me into the fire Carnage of the soul in the

aftermath The blackened timbered shell Next day In the

cold light of day Where the insanity is made plain for all to

see The wreckage of the rage The splattered fragments of

the self Charred splinters of wood, blackened timber

Strewn across the street Where visual acuity is 20/20 In

contrast to the blindness of the previous night.

Is the meaning of this mansion on fire inside That God is

its master too? Master of His domain That even I

In this lowly state In this body Must surrender even this

The very obsession itself, the insanity, The defects of

character, the lies, deceits and betrayals All of this

baggage to Him! Could it be that buried in this Midrash is

the reflection back onto His watch Of all my life even the

bad?

“Ani hu baal habira”

He exclaims! “I am master of the house, the mansion, the

village, your body-self All of it! The good and the ugly.”

And if the gaze was the trigger The lit match cast

inadvertently into the dry brush The inappropriate stare

The lingering look A spiritual visual dysfunction-mainly

taking place in the darkness; Then maybe the rectification

the fixing and refining of this defect Must also emerge from

the visual, an imaginative restoration. The fixing must take

place in the very images-but within rather out there. What

does She look like? How do I relate to Her? To beauty,

music, passion, to the very flames?

What immortal image did I behold as a fetus? Alongside

my sister. The fateful vision that would transfix my

imagination forever? Who did I recognize as “ze eli” Why

do I continuously search the planet for that image that will

finally give me rest? Peace of mind? That image so etched

in my soul I search for it even in inappropriate places?

I feel the answer to Abraham’s question lies right here In

its midst In the flames In the carnage

An image of Him/Her The master the baal habira.

And the answer lies beyond sacred texts Rather in the

very image of that burning conflagration- But resist the

golden calf that Has emerged until now One generation

after another The false images and temporary relief.

The image behind the texts The Torah behind the Torah

Which can only be accessed by those fallen souls Who

know the other side Who felt the rage and fire within Who

saw the dark side the dark night How else?

It is only by crowing Him master of even the flames of

Auschwitz that we can Access the totality of Him His Unity

And our own.

Only this way can I inhabit this body and own this dark

soul Only by owning His mastery can I own my own

inflammation. You want to quote me philosophy?

Theology? Theodicy? We will leave that for the scholars

and Litvaks.

We who have known inside The nightmares and dead

souls who call in the night The souls wafting above us like

a Chagall painting Europe’s earth screaming from the

blood still dripping within The children’s cries do not

diminish In that furnace He still yells Ani hu baal habirah

And I still need to acknowledge Him there and within.

Tags P2
Comment

Emigrated

Julian Ungar-Sargon March 22, 2009

Stamped on the envelope: "emigrated"

he receives the letter back

from Vienna

from the Red Cross

was it stamped in red too?

or black?

others realize they have been deported

for who emigrates in the middle of a war?

a world war

to where?

from Vienna to where?

yes, a euphemism for deportation.

no more letters

they too will be returned

with that dreaded stamp "emigrated"

But he was the emigre after all

under the nose of the Nazi

this kindertransport

of children of the Reich and the Anschluss

crossing by train the Europe soon to be torn to shreds

to London

But they after all stayed

in Vienna

Julius, Rachel and Litzy.

she too could have left but refused.

how ironic

that the emigre gets this letter with this stamp

"emigrated"

they knew where he was

in Australia, in Tatura

one of the ‘Dunera boys’

amongst 2000 Jews behind barbed wire

"Enemy Aliens" Class I or II

classified by the holie-than-thou British

who would later admit the error in Parliament

they knew where he was

he had told them in letters.

But now he would never know their whereabouts.

I ask

"when did you realize?"

"when the letters came back".

he replied

those purloined letters

returned by the Red Cross

as if

they had emigrated, like him

to a safe place

a safe haven

for is that not what they were in fact ‘told’?

the lie

that hid behind the Nazi murderous intent.

why does this bother me so

now after so long

those letters?

I saw them once

he had a pile of them.

sacred letters

returned

by the Red Cross.

this insane need to know the exact moment when he

realized?

was it 1942 or after the War? I persist

he says, "we hoped

possibly the Russians had interned them in a camp across

the border

so that they would be at least alive

but nothing"

post war silence

then a note from the Red Cross again

last seen Izhbitz transit camp

after that whereabouts unknown.

the worst to be believed.

how to live with this as a survivor.

how to hold the returned letters

with that stamp 'emigrated'

I too am an emigre

living the stranger's life in another country

in another land

strange soil

strange customs and beliefs.

never again to feel at home

even when I go back

it gets worse each time

a distant remnant of the past here and there

nostalgia filling in the gaps.

I too am condemned to repeat the story of the father and

grandfather.

In a far away land

at the end of the railroad

Tatura

in that desert

sand

the letter arrives

he had written weeks earlier

with that fateful word 'emigrated'

his heart jumps, sweat accumulates on his brow

what does this mean?

where have they gone?

it cannot be!

feeling so powerless over this whole mess

this war

too big for all of us

when the demonic is let loose.

that letter

returned

signified the end of his youth

and the end of an era

the glory of Vienna

and its Jews were deported

Vienna as the epicenter of the world was to be no more

would forever defend its reputation

and its war record

and its collaboration

and wallow in its denial.

'emigrated' would now apply to Vienna itself

not merely its Jews.

it would apply to the civilized world as we knew it

its Mozart and its Goethe and Proust

all sullied by that letter

returned with that stamp

and that word

'emigrated'.

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Comment

Letting Go

Julian Ungar-Sargon March 15, 2009

Leave it behind

all this thinking

it led nowhere

worse

to doubt and despair

leave the analysis the depth psychology

the rationalizations and reasons for...

the science and the criticism

the theory and the mastery

Like the breakdown of a Bach fugue into some

mathematical equation

Lord where have we descended to!

like analyzing the Song of Songs for its grammatical

structure! missing its desire.

let go of it

let it slip away

let thinking itself

the monkey retire

allow the cloud of imperception and clarity descend

let Moses enter the fog

where the Lord is

let the is begin

being here

now

no-where else

and stop thinking.

sing a little

just a note

a single cord maybe

let the room vibrate and resonate

listen to the echo

is it you?

or who?

jostle the mind

play games on it

or it will catch up soon and overtake you once again

focus on nothing

just be nothing

now there’s a challenge/

stay with it

in your body

feel the buttocks on the chair

the ambient sound in the air

the sweetness of early dawn

and maybe, just maybe

you might hear the white radiance of eternity

and endure better

and for a moment be relieved by the weighty burden of

self and the shoulders will feel a little lighter.

maybe.

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Comment

Purim 2009: Haman

Julian Ungar-Sargon March 11, 2009

We clap and stamp on mentioning Haman the Amalekite,

each time the reader chants his name...

As if, the mere mention triggers this explosion of chaos a

wild manic stomping and clapping using instruments of

noise....

As if, we need to eradicate more than merely the name the

evocation of its horror, memories of intended genocide,….

No, this hysterical communal memorializing of that, which

we wish to forget, signifies something even more

sinister…

More than even the command, so paradoxical, to annually

“remember: not to forget” to erase the memory of Amalek,

by consistently bringing it back to conscious memory, no,

more than even this….

This communal controlled chaos limited to ten seconds

following the mere mention of “his name” HAMAN-as the

scroll unfolds, as the text is chanted, even this is not

spontaneous for “we know” we are readers we have read

before we foreshadow his mention…

SO sinister because of one reason alone, he remains alive

and deadly. He persists despite the happy ending of the

narrative story the fairytale of Esther. Despite the rolling up

of the scroll for another year the sing song and the festive

meal his name, is mention, his evocation lingers, haunts

us so, despite the merriment and liquor….for he, my

friends, is non other than….

You fill in the gap-all I can tell you is he is and is within not

without.

He remains and persists after all the merriment drink and

attempts at drowning out his voice with joy on this special

day

He works his task, divinely charged, the spoiler, that little

voice ever crescendoing, that never rests, the voice, the

critic, the doubter, the cynic, the dissolver of simple faith

with complex questions and analytical doubts.

He, whose volume can only be drowned out once a year

with a clapping and a stamping and a drinking

This is the joy of PURIM for only once a year a legislated

socially sanctioned alcohol binge to drown out his voice for

just a moment of relief a relief from that voice within. How

could we ever forget him!

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Comment

A tumbleweed (Salsola tragus) “Any of various densely branched annual plants, such as amaranth and Russian thistle, that break off from the roots at the end of the growing season and are rolled about by the wind.”

"Like vanishing dew, a passing apparition or the sudden flash of lightning -- already gone -- thus should one regard one's self." — Ikkyu

"I spur my horse past the ruined city; the ruined city, that wakes the traveler's thoughts: ancient battlements, high and low; old grave mounds, great and small. Where the shadow of a single tumbleweed trembles and the voice of the great trees clings forever, I sigh over all these common bones -- No roll of the immortals bears their names. "

! ! ! ! ! ! ! ! ! — Han-shan

Tumbleweed

Julian Ungar-Sargon February 25, 2009

Feb 2009 Rosh Chodesh Adar

She tells me children and grandchildren will grow parents

will die and we are left alone. Steel yourself, ahed of time

cut the emotional bonds to prevent worse pain. I say, I

want bot the heaven and the hell rather than no feeling at all.

She says in the aloneness is the redemption there is no

one to rely on in this world but the self such resilience and

fortitude I am in awe. I was always the weaker twin, from

birth losing weight the very first year of life until Nanaʼs

arrival and that divine potion known as chicken soup as

substitute for the nausiating warm milk.

I feel like a tumbleweed, washed up on the shore, in

someone elseʼs home, alone, she says. Tumbleweed,

swept ashore by the wind, disconnected from its roots.

But I prefer the Eskimo who says goodbye to his family

and leaves the warm igloo never to be seen again or the

wealthy Indian who gives up all and along with his begging

bowl leaves village to join a band of wandering beggars.

We are so numb, after so many years of abuse,

incredulous how she survived. She does so need the time

to heal and organize and move on. so long without the

basic human need for intimacy.

I am not alone. In my darkest hour I never felt alone. There

is a Higher Power in my life call it what you might, and I

am in continuous gratitude for life itself. I ask her about

grandchildren, thinking this will turn her around, for I could

not imagine living without them, now that I have been

granted this ultimate gift of these three beautiful creatures.

I cannot imagine life without the joy of them running into

my arms and tumbling with them on the carpet. But she

has a response. They too will grow and it is important to

detach early.

I too am a tumbleweed of sorts. We are twins after all! My

journey has been detaching from those objects and items

and addictions out there in the world that gave me comfort

during the years of abuse as a child and isolation as an

adult. The goal now is also to become as detached as a

tumbleweed, allowing the Lord to blow me daily wherever

He wishes. and to receive and be grateful for each day I

am alive and merit to see my children and grandchildren,

my parents and friends, my patients and colleagues, my

teachers and students and above all my life partner who

has had to suffer my transformation.

My roots must also be mobile however I am connected to

others in deep ways that mostly go unacknowledged.

I pray she heals soon to make such connections of

intimacy.

“ Lord, let me see You in all... even in my loneliness and

desolation, in my isolation and despair, in my rigid ironclad

armor, cut off even from myself”

“Grant me the vision to see You even in my sickness and

despair, to see Your hand omnipresent as much as in the

delights and the love of my kids

“To see the suffering around me and yet believe in You to

see the inability for me to change significantly with all my

charcter defects ever present and bearing down on me

each day and unable to correct, even You in that

obstinancy.

“To see that all this is still Your desire at that moment prior

to creation when You had the desire and foresaw it all.

“I reamin inadequate and fall short of ever carrying You

suffering. “That this struggle too is Your desire”

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Comment

The Sargon Women

Julian Ungar-Sargon February 8, 2009

Always looking for that ultimate paradigm, the archetype of

womanhood Lost, when I lost my childhood innocence, or

was it beaten out of me?

Split between the goddess and the whore

My subconscious got strewn between these poles.

Evaluating and unresolving my relationships They usually

fell apart when I realized the truth, I was either repulsed or

she remained forever beyond.

Torn between desire and admiration, the goddess in white

garments and the woman in the lacy black lingerie.

To have infected all those relationships, all those pathetic

pursuits to nowhere, so much effort and obsession After

fantasy and images, dreams and pre-conceived fragments

To be followed by the inevitable repulsion or rejection does

it matter which?

Strung in both cases between those awful poles of

isolation.

But now in ageing, I see clearer.

For I have inevitably been forced to finally appreciate what

was so precious, what was so refined and subtle, what I

had missed all along... that Sargon femininity, that ultimate

image etched into my subconscious, first and lastly, the

picture of my mother holding the violin playing her

Paganini piece or Beethoven Romance as she won the all

India violin competition, that iconic image of her in her

black velvet dress, the low cut appeal of that black velvet

despite her innocence, and the ability to hold both purity

and seduction without loss of either, the freshness of her

gaze and guilelessness.

That precious absence of manipulativeness, of

deviousness, of pseudo-naiveté that I have known in

encountering other women along the way. At some point, I

had lost that image. Where had I forgotten this deep

feeling?

That primordial image I had seen all my childhood like

those Sunday afternoons with the Sargon women hugging

the walls and the men with their Arabic playbeads in the

middle of the large living room in Wembley. On puffs and

small ottomans, speaking of world affairs and business

and the women chatting on the sidelines; of pleasantries.

But those very women come back to me now as I realize

that what I really needed all along, what I had been

searching for without knowing it, was that precise notion of

womanhood. That innocence and lack of guile, yet

attraction and desire, the absence of that conflict, found

only in Sargon women.

Even more so, all those women who brought out the worst

in me were really a gift bringing me to this place of

realization. This place of return of the past and the

ancestors, the Sargon women.

Holy sisters, mother, aunts, Becky Florence, Matilda, even

Diana, Ray, Myrtle, and my beloved Nana, then nieces

and daughters ... and now as I stare at my granddaughter

playing, 7 months old, her coyness as she places her tiny

hands on my beard inquisitively, I bask in the reflection of

this knowledge that those values will continue, that I have

come to peace with the mother goddess.

That my notion of Schechina has come full circle as I

welcome the bride each Sabbath projecting onto her all

those virtues of the eishis chayil.

Thank you for the gift of womanhood

Of innocence yet desire

Of purity with the body

With no guilt or shame

The refusal of the lacy black, but the retention of the

burning and yearning desire. Thank you.

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Comment

Lying on My Chest

Julian Ungar-Sargon January 11, 2009

I lie slowly in the darkness of the night

my grandson breathes deeply on me.

he had been awakened and was frightened or just

disoriented now I took him to cuddle with and calm him

his head rests lightly on my chest and I am in heaven.

there is no greater pleasure and no greater sadness.

My thoughts go back to July 4th 1985

when Sam and I were on a sailboat "Piece of Heaven" I

think I named it Chesapeake Bay, out for a couple of days

over July 4th holiday

starry night but not really calm

too nauseating to sleep below deck

so I lay on deck

and my older son Eli

lay on top of me as I warmed him with a blanket.

Then too I thought this was heaven

truly... Under the starry skies I was brought back to my

early days when I'd walk out to watch the heavens by the

brook behind our home in Finchley as a teenager thinking

of eternity and man's short destiny.

So much has happened since then

and as a father

another generation

no longer father and son

he has gone his own way

forging his own dreams.

and now as a grandfather I hold this boy

feeling only blessed and privileged to be present to this

holy moment of awareness.

I bless all you fathers and grandfathers to experience just

this

just this moment in time

when you glimpse eternity

when you get an inkling of what history is really made of

the stuff of myth

fathers and sons

fathers and grandsons

and I adjure you to hold that very moment as I do

cherish it as it will fuel you throughout all that is coming

the degeneration and infirmity

the disease and old age

I bless my father and grandfather

as I think of Dada and the Julius I never knew

whose ashes are strewn in the ground in a polluted

continent and after whom I am named

I bless the ancestors who lie in cold earth in foreign lands

and cemeteries whose souls I pray for.

I think of Dada's green cardigan and the smell that was his

alone

and no more,

His hug when opening the door on Mallard Way in

Kingsbury each Sunday afternoon.

Little did I know how much I needed that hug, that is now

embedded in memory and keeps me going at times.

His hug as a grandfather, his name as Dada

I now seek to perpetuate with this hug

this child

this inquiring soul

with long blond locks

This Divine Child.

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January 1, 2009

Julian Ungar-Sargon January 1, 2009

To live in ignorance

to live in the dark

to live in the Absence

To accept my inadequacy and yet see You

and be present to You in the darkness

Your feeling Presence

in the coursing of time

now another calendar year

by which I mark the passage of my failure allowing it to

gently wash over me like a light cotton wisp

Maybe we need do nothing

for powerless we are over ourselves, over politics and

world events despite intimacy of imagery on our TV, the

forces of nature and history overwhelm us like our own

rage and intolerance.

Maybe just maybe

being present to the flux of time is sufficient now that I

cannot change the world nor even myself those ingrained

defects of character that persist and haunt me like a

plague or a recurrent infection.

Just to be present Shabbat comes in and leaves witness

to it all the horror and the majesty

Another year

hard to believe

a step closer to my mortality

being "gathered to the fathers"

I think of my ancestors a lot recently

how deeply I am connected organically to them lying in

rotting graves and crematoria despite my knowing nothing

of them.

As time flows through me it changes

it experiences itself differently

like water flowing thought a machine

a distillery maybe

neither better or worse for the chemistry, just different

If I am, were able to remove the moral and the piety from

the equation what is left is just water, just me,

experiencing it all, the flux of time.

and maybe that will be sufficient to say I have lived

adequately without judgement day for that too requires an

enduring of sorts albeit different the suffering of being and

being present to others and self.

the toleration of the inner critic the sense of inadequacy

that pervades all and the knowing of how fragile it all

remains.

This too is an endurance.

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Autumn Leaves II

Julian Ungar-Sargon October 5, 2008

I return to you and you are dying again

Golden leaves gloriously reflecting the brilliant sun

Anxiety-ridden

For a week or two you will be dead-on-the-ground

A darkening browny rust trodden leaf

Ve-emunascha baleilot

I hereby promise to wait for you

Once again

Another year

Or at least the winter

I believe in your eternal return

That you will grow anew.

It is the same you

A genetic promise

This tree same shape same color.

So I will wait out the winter ahead

Watch this tree

Naked in the snow

Brown and bereft

And remember these few days

Of golden sunlit rustling

When we were together

And I blessed you

I promise to witness your dying

And your birth in the spring

A greenhorn

You will not recognize me

We will need to get re-acquainted

No matter

I look forward to it

And then next year as you take your leave once more

You too will realize

It was all about waiting and faith

And hope and promise.

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Gevurah she-Bigvurah

Julian Ungar-Sargon May 11, 2008

They want my library

They think it's valuable

They know where it hurts the deepest.

Identity is so bound to our possessions

Especially the non-tangibles, those sentimental things that

have value only to the owner.

I said "I’m not attached!"

"They are merely books!" I exclaimed.

Easily and not so easily replaceable after all

It's the content not the materiality itself surely!

I am not defined by them, surely not!

But I am.

Tears flow easily as I pass my hand over the burgundy

spines with golden Hebrew letters

Each reflecting the life’s work of its holy author

Most commentators on the Bible in different centuries,

especially those Polish Hassidic masters who move me

most, their erudition informed by the mysticism of the

BESHT.

Each reflecting his own life struggle with the Divine

encoded in the words.

Yes these volumes also reflect my biography my spiritual

progress over these last years

Years and years of spiritual processing, suffering and anguish

Poring over these texts, slowly coming to the dawning of understanding

Each text located in time and space in the living breathing

daily rituals and discipline of

Study commitment of time, friends and study partners,

shiurim deadlines etc.

The hand moves slowly over these spines, some dusty

some already fading in their gold,

And the tears flow. Of course the inner denigrating voice

says "you really don’t deserve these seforim hakedoshim

bragging as you did .. as if mere ownership could change

your spiritual status, as if the currency of a library might

affect your inner soul. As if owning meant integrating, as if

you could imbibe their secrets by mere possession!"

In the mikveh my broken heart melts,

It is as it should be

It always is

That is God's will

You get what you get

Maybe the letting go of even these items, these sacred

books, this library

The surrender of this holy space framed by the chocolate

wooden shelves stately standing

Side by side like soldiers

This sacred space framed by the souls of all these saints

who struggled with their own demons,

Now comes to teach me something even more important

In the letting go.

The cleansing of this whole process

The relinquishing and surrender needed,

The past and its attachments, however dear

The purification process through fire and stress.

Well it has been a privilege to have "owned" or at least

been the location and repository of this organic whole.

Each shelf representing another author

Each relating in chronology and subject matter to the

other.

In tension and in dialectic, often on opposite ends of the

mystical spectrum,

Nevertheless reflecting the tension and complexity of my

own spiritual process.

A privilege that I must now allow to pass through my fingers like sand grains

Without holding and grieving as I am.

The pain is so great precisely because of the false identity

being stripped and the nakedness of truth like a raw

wound seeping its serum on all sides, weeping freely.

In truth I am no kabbalist; I am no Chassid, I live in a postholocaust

world of no-meaning and absurdity, all I have left

are my texts, the sacred word, held together by centuries

of tears, I am merely

The Niemandsrose of Celan, I am his psalm.

So this stripping away of false senses of self is in truth

healthy debridement of dead tissue albeit painful.

A painful blessing of sorts

And as the Rebbe teaches, the acceptance of bizyonot is

the true reflection of t'shuva.

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The Theology of Imperfection

Julian Ungar-Sargon March 9, 2008

No longer pursuing the movie goal post of perfection.

Owning my Grade B status finally,

accepting the insuperable urges of the flesh fully,

open at last to the implications of a sin-filled life and after life.

I surrender to the addictions of power, greed, lust, envy,

slough, vainglory and textual mastery.

The binary affects of that sign wave of spirit verse lust-lust filled life,

even an broken clock gets it right twice a day!

Just standing still, stop the clock, stop the increscent inner critic.

This approach does not work, it is programmed to fail.

Who does Kurzweil fool but himself with all his pills, green tea and exercise!

He is still my age!

And will die like me!

When, is almost irrelevant.

Rebbi tells us to see only the itachlis1 -worms and

maggots-the rest is history. Just be aware of that one fact!

It is sufficient.

The thinkers all seem tired, the saints are all floored,

the sons eat not that far from their father’s table

and the grim reaper is active as ever.

So for the first time I will let time overcome me without

guilt, the inner snake will be silent, the critic gagged

and whatever will happen or worse,

the deafening silence of nothing happening,

I will attempt to endure however terrifying.

Rabbi Nachman speaks of tachlis meaning the ultimate purpose in life.

A person needs to be constantly aware of

the ultimate purpose in life by focusing on the

tachlis.

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Music and the Messiah

Julian Ungar-Sargon March 2, 2008

Our souls are strung out on a musical stave

Each a musical note and its harmonics

Some crotchets, some minims, some quavering in the fleeting wind

Each a distinct sound in time and space and comforted by the rest

between them That allows each to breathe and exist.

Our lives are devoted to searching for the ultimate musical

sequence that mirrors our inner soul architecture like a

resonating drum.

And when some exalted piece

approaches us, our hearts quicken, the pulse races and

we feel faint.

I remember well the first time I heard the

Marche Funebre of the Eroica at the memorial to the

Israeli Athletes at the Munich Olympic games; or the

Brandenburg Fifth while my friend’s mother lay dying on

her white silken bed.

Or Mahler’s fifth which awakened me

to post-classical music.

I can literally correlate events in

my life with each of these moments of awakening.

My biography littered with a list of musical sequences I

stumbled upon; that arrested me in my tracks, phrases

and harmonies that melted me.

Each musical piece feels

like I am coming closer, ever so slowly, to the ultimate

musical sequence I will not be able to bear and my soul

will finally expire to its glorious melody.

So too with the Tzaddik whose soul.

We are told, is a

“general transpersonal soul” whose life is a pursuit of the

ultimate niggun the perfect Levitical music that

encompasses the sequences and harmonies of the

spheres and the secret of creation itself, whose musicality

will herald the Messianic era precisely because his tune

will melt all hearts.

Reb Nachman was seeking this melody and his ten

psalms reflected the complex character of the genres of

literary characters each mirrored. He realized the power of

music to transform and heal and spoke of music of

primordial archetypal tones that resonated with my senses

as I feel when such melodies pass me by.

In the final days that score will be revealed and we shall

discover that it turned out to be the very key by which the

letters of Torah could actually be played on musically.

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Rustling

Julian Ungar-Sargon February 24, 2008

A new musical form

Each leaf a solo instrument in a green orchestra

A quartet on a twig

A chamber group on a branch

A symphony orchestra this forest.

The conductor, the wind, equalizes all

She gently caresses each leaf

Giving exactly what it needs to sing

Beginning gradually to a crescendo of rustling.

I watch, reading my-self into this musical text.

When she gets agitated

The whole orchestra rises to the occasion, even branches

bending and twisting

Reflecting her sense of discomfort.

Yet each leaf retains its identity

Since there is an added participant in this musical morning

The brilliant sun

Whose rays reflect off each and every leaf, differently.

And the combined effort of wind and sun cause a

kaleidoscope of lights

To reflect off the tree adding light to the total sound experience

The more it rustles in the wind the more light it flickers

The more it attempts to reflect the son-et-lumière of its

own nature.

This rustling, this interaction of music and light, is healing

for my soul, in the darkness of my not knowing

Having come to acceptance of my ignorance, my

mediocrity, and my powerlessness over forces greater

than me, that wish to dominate me from within and

without.

I have not mastered the art of gnosis in anything- least of

all sacred science.

So this morning, in this glorious morning on the South

Lake of Chicago

Brilliant sun in the deep azure vastness of eternity,

I surrender, to this light, to the sense of His secret

Presence -malchut- for it flickers and rustles now here now

there, mati velo mati reaching touching but then gone in a flash.

A metaphor for any achievement in the past, momentary

images flickering like in an old super 8 home movie.

In the light I know I must leave this tortured self,

The tyranny of what might have been had I done this or that,

to be free like those sparkling leaves, to sing His song

without the fettered past.

I learn this from the orchestra above, the rustling is so

fleeting, ever changing, and temporary

Yet that this is OK too.

Teach me how to learn daas in this hastara.

(L.M. I :56.)

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La Stella Luna

Julian Ungar-Sargon February 24, 2008

The natural satellite of Earth, visible by reflection of

sunlight and having a slightly elliptical orbit, approximately

356,000 kilometers (221,600 miles) distant at perigee and

406,997 kilometers (252,950 miles) at apogee. Its mean

diameter is 3,475 kilometers (2,160 miles), its mass

approximately one eightieth that of Earth, and its average

period of revolution around Earth 29 days 12 hours 44

minutes calculated with respect to the sun.

As salt resolved in the ocean I was swallowed in God's

sea, Past faith, past unbelieving, Past doubt, past certainty.

Suddenly in my bosom A star shone clear and bright; All

the suns of heaven Vanished in that star's light.

This gorgeous moon has finally appeared

Still covered by a misty cloud But in its full glory It is the

15th of the month And we have not blessed it as yet We

waited for Tisha B’av to pass But it was so cloudy since

Now it revealed itself to us on this last opportunity to bless

Before it descends Representing the waning of our

fortunes and the cycle begins again.

I love this evening moon I cannot leave it I watch it ever so

slowly mend its way across my front door Tracing its

celestial path yet so close to me tonight. La Stella Luna he

told her in Moonstruck, “when the moon hits your eye

like a big pizza pie...That’s amore!” we sang with the kids so

often when things went well and we were on top of the

world. Usually driving somewhere. Nothing could defeat

our family We were the best we could be.

It does have a face, really! And it has moved so many men

to rhyme and poetry Its grace and ivory quality In the

darkness of the cold universe, so close to us, beckoning

its wisdom. I wait each month for these few moments

when it is full, so round you could draw a circle with it No

blemishes, no shadows, no fault lines, no reflections of my

own failures Rather fullness and mad dogs and craziness,

Even Shakespeare referred to the moon as "governess of

the floods." Those crazy tides In his dreamy midsummer

night play, But elsewhere in Othello she is blamed for

making men mad by coming too close to earth. Lunar

madness, lunatics, we all go crazy in the fullness of her

mid-cycle presence.

I see why, it is truly hypnotic.

In the liturgy the ecclesia of Israel is also compared to the

moon whose fortunes rise and fall in history. Ancient

midrashim point to a moment of creation when the sun

and moon were equal And the moon complained only to

be lessened in stature.

She is so silent this one I hear no music of the spheres!

What was Holtz on! But I prefer the solitude She too is so

lonely and we two are together this night I am sure she

sees me watching her.

In her face so many have written In her presence so many

have cried Her topography is truly marked by the

landscape of human memory Etched with the tears of

loving hearts and yearning souls.

We too pray for her return to her former glory Equal to the

burning mighty sun For I am sure she will remember all

those who prayed for her monthly Who cried for her

diminishment, her waning half the time Her disappearing

and absence before resurfacing What was she doing?

What abuse did she suffer while gone from our gaze?

Maybe we loaded her with too much baggage For after all

Jews and Muslims use and abuse her for calendric

purposes She is weary now with all the battles over who

was right and who was wrong Who was closer to God

Who had the sacred text that was divine and who had the

heretical text. Tired from all man’s fighting over hegemony

Missing the importance of loving rather than being right.

She needs rehabilitation as well! A re-birth of a different

sort A renewal of spirit Not the pagan wicker stuff mind you

Rather a re-imagining of cycle and womanhood, fecundity

and birthing

The monthly cycles that woman understands as to the

tides The truth of the ebb and flow we have all seemed to

have lost in the hustle for security The bleeding and

fatigue the pain and the bloating the mood swings and the

relief She understands all this well.

Our future needs her now Needs to integrate her methods

and cycles not for mastering some ancient text or race Not

for controlling other’s behavior when to daven or not, when

to light or not, Rather to succumb and surrender like she

does To meld and wane To accept this fully in silence To

endure To hold all opposites tightly without letting go

Appreciating all there is however disparate

This is her secret We need it badly!

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Meditations at Night

Julian Ungar-Sargon February 17, 2008

It comes to me at night

Those thoughts

Your stories

Your suffering.

In the darkness well suited for such machinations

I realize my inadequacy.

For all I can really do is to listen.

Make small indentations here and there

In the utter progressiveness of disease towards its ultimate desire

To destroy and disintegrate

To annihilate by slow death the flesh of us all.

In these stories of suffering and anguish

My own past rekindles itself

Ignited in kind

My own heart bleeds

For I too have experienced all this

And remain powerless in the face of it.

The past and future combine

The horrors and torture the slow death and fleshy pain

Into a history of story-telling and narrating

To overwhelm the small hours of the night.

My parents and grandparents going back

What were they thinking, my namesake, when being driven in cattle cars

How did they pray and believe in those last moments, the

gas rising ever so slowly.

Generations after generations until this last bloody century of genocide.

And inevitability I think of God

That personal being who made promises in the Bible.

And His goodness and this world of pain.

And countless thinkers before me struggling with the claims

Of His mercy and love.

In the darkness I find no solace.

What do I tell this beautiful new and first grandchild?

As I hold him now and as I will be asked by him, no doubt

That I too failed to make sense of any of it

That I too follow the rite and ritual in the hope of

That in deference to the faith of my ancestors and the

memory of those who died sanctifying His name in

Sobibor and Belzec extermination camps I still maintain

The customs and prayers, the ablutions and Mitzvot

How do I comfort

How do I maintain faith despite

The evidence is overwhelming for the victory for the demonic forces

Despite modern medicine and comforts

The dark side always seems to emerge from the good.

Where do I turn him towards, for answers that I never found?

In teachers and clergy that failed me long ago, surely not!

In platitudes and moralistic-pietistic neologisms that I long ago rejected!

At least let me hand on something genuine!

No it must be in the secrets of Torah

Those codes available only to those who have undergone

the ritual and moral purification demanded

The code of spiritual discipline that teaches the body to speak

The secret that all is encoded in the body

And precisely there the paradox of life manifests itself.

For in the moment of birth and growth

Is encoded the lifespan and genetic map

Of where and whom and when things will take place within

The diseases and loves, addictions and desires

Right there within, albeit cellular.

Yes I must turn him towards the inner space

Where the paradox of micro and macrocosm remains

Where the divine remains accessible through refining the

ancient arts of listening

To the pulse the breath the flow of body fluids

Even in decline and especially in illness

His presence is felt most.

And maybe, just maybe he or his children will understand better

Will grasp the true meaning of the paradox of human

suffering and divine pleasure

And all of our worship and effort thought the generations a long chain

Each link vital in transmitting those secrets

Embedded in the sacred texts and rituals

Will have contributed to their future understanding.

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The Loneliness of Pain: Steps in Self-Recovery

Julian Ungar-Sargon February 17, 2008

Alone in the pain, dis-connected from loved ones in anguish

The limb the head the heart autonomous from my will

Each beating its own rhythmic lashes

On the most sensitive face of my soul

This inscription of the soul's hidden desire

And the body as instrument of torture.

What can this message be?

I remain alone even in deciphering the code

Some payment of a moral debt maybe

A ritual infraction, a long forgotten hurt maybe?

I rack my throbbing brain to think of something that will do

justice to this interminable

Suffering.

Is it possible for a moment for there to be no meaning to it all?

No ultimate design, no satisfaction by some accusing angel?

No district attorney waiting his smile to break

No judgement meted out by the gavel hitting the wooden

desk? At the end of the day?

Merely suffering for its own sake like the rows of bodies

wrapped tightly in grimy blankets

Along the sidewalk of Bombay streets as I speed to the

airport to escape these teeming masses

Each one surely in pain

Each one desiring a better life

Each one doing his or her own reckoning with the almighty

as to the meaning of their circumstance and its justice.

"Resist that at all cost, my mind interjects

For is it not more important to suffer for a reason

Can one at least bear it better?

With dignity even

But even this is too much for me as I situate myself once more

In a post-Holocaust age of technology and indifference

Suicide bombings of Pizza Huts in Jerusalem and Twin

Towers burning, bodies falling, etched in the soul forever.

No, for me meaning is a luxury I cannot afford and must

rest with the brute force of the facts, the reality as-it-is,

allowing it to work its devilish desire on my mind, yes I resist

For the sake of their memory

For the sake of my patients

For the sake of those who's suffering was pointless

'A mere act of nature' they said

'The force of Revolution' they said

'Social upheavals' they said

'The price we must pay for progress' they said.

Even 'what we must do to hasten the Messiah' they said.

For my mission is to remain in that space between the

Twin Towers, where meaning is as yet unclear,

I am the boatman who takes people across the river

I am the doorman who allows my patients in to this next corridor

With their baggage in hand

Making that path a little easier.

In this loneliness, of your pain

I reach out to you

I put my hand on your shoulder

I bless you to suffer well.

You are not alone

For in my soul I make space for you to enter

To feel my protection and care

To feel me feeling your anguish as real

I hold you close and wish you would feel more secure, so

that somehow you will take that leap into the abyss,

Knowing I'll be there for you,

Not letting go

That is my promise,

So you can fall well, into the abyss

Knowing I'll be there for you

Into the space of self-knowledge as prelude to a new awareness

Into the light of a new realization

That somehow in its typically uncanny way

Your soul knows

In some deep way

That this was meant to be

That this was not meaningless

That in some deep as yet impenetrable way

The travesty of this was appropriate

That there is a message to the pain

To the anguish

Yet to be unearthed

But present for you.

And that together we walk this path of pain

In this space I now hold you

Soothing your wounds along the way

Like a pregnant father sitting by the head of his wife in labor

Gently wiping her forehead with a wet cloth

And whispering loving words to ease her pain

To distract her spasms

Before the new life emerges.

In this space I know hold you

Soothing your wounds as best I can

But even more in the knowing

You and me

The wounded teaching the healer all along more than he

could ever learn alone

In that space between the Twin Towers

Between us

The divinity of presence

Between us

The sacred space of non-absurdity

Where we share the awareness of meaning and hold the

dignity of our suffering.

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Blessings and Miracles

Julian Ungar-Sargon February 10, 2008

About 3 years ago I went in to this Rabbi for a blessing.

"He said why don't you bless your patients!"

I looked incredulously at him.

Are you kidding?

Me! Bless my patients!

What do you take me for!

Some clergyman!

And even if I do

They might think I'm giving them the "last rights" or that I

have some how given up on them or even having failed as

a physician! so instead am resorting to prayer instead of

medication!

But he persisted...

So, out of respect for him

I began to mutter words like "God Bless" at the end of

every session.

Those two words! At first embarrassed I kinda got used to

them after a while!

My gosh what a difference it made...

I had no illusions about myself - make no mistake

I remained a flawed human being

With no "sacred credentials" to presume such sanctity

As the power-to-bless...

All I was doing was following the advice of this Rabbi.

What is a blessing?

What does it mean to bless another

How can a blessing mean anything today, in the context of

technological and medical power, those incredible

advances we have made in medicine and the human

ability to cure disease?

How come we need to resort to age-old rituals and sacred

words in an age of such

advanced scientific medical advance?

To bless is to first and foremost to give

To give of one's inner self

From the depth of one's being

Beyond one's professional capability and medical or

diagnostic prowess.

To give from that place of vulnerability and woundedness

we all share

To give in a posture of humility

To lie side by side with the patient on his or her side of the

aisle

To relinquish the power invested in as a doctor

To become a healer and carry the burden of this suffering

in those words

Then it is to invoke

To surrender to the Higher Power that guides us all

To admit defeat in the presence of Him who givers life

To admit we can only do what we can do

To realize the limitations of our science and art and the

craft of medicine

To see the limits history and current research places on us

To admit we have only gone so far and no further

To surrender to our own limitations as human beings and

care-givers.

Then to it is to ask

Always asking for the gifts

Of life and light

Of healing and repair

Of the heart

The pure heart

To remove all resentment and fear

To bathe us both physician and patient

In the warmth of knowing and feeling the Presence

The gift of Providence

That all will be taken care of

That He is Present to this pain and suffering

That it has meaning after all.

Finally it is to bestow

The deeper connection

That I as healer am present in ways beyond the

prescription and the injection

The prodding and the poking

The examination and the words

The diagnosis and the categories

The X-Rays and MRI's

The mastery of the human body and pathology

The abilities and the lack

That I am present in my own woundedness and frailty

In my own humanity and mortality

For you the patient.

To connect in this deeper way

In the knowledge of my limitations

In the realization of my own pain

Reaching to yours.

And miracles?

Can these occur?

Are they real?

Can they be measured?

Can't everything just go away

Can't things go back to what they were before this crisis?

Can't we just make this a bad dream?

That never happened after all?

Maybe, just maybe

This terrible sickness is a gift

That shows you and I

In such a devastatingly real way

Just how miraculous our ordinary life was and is

What we took for granted all the while

As ordinary

Now seems so desirable and miraculous

The morning breeze

The deep blue sky above with white puffs of clouds

whispering by

The green, deeper-than-green lawn after a fresh rainfall

The flower that recently sprouted outside my window

The fresh scent of lilac or ivy unsuspectedly wafting by me

on a walk

The child giggling and cooing to its mother

The sounds of Glen Gould's Beethoven

The beauty of art and architecture

The magnificence of the largest body of fresh water

stretching to the horizon on a calm day, that incredible

Lake Michigan!

And the raging sea washing up on the rocks, such

awesome power.

The trickling sound of a brook as it cascades down a fall

The taste of goose pate as it first touches the palate in its

complexity of flavors

The deep red wine full of body and vigor sliding down so

creamily

The strength of good single malt with friends

The night sky full of myriads of stellar beings

Each looking down at me form such a distance they no

longer exist

The warm touch of my wife's hand unconsciously passing

over my face during the night

The feeling of that first hug when my darling children

return home

The feeling of safety when I am with my parents

The tear that wells up when a Pete Seeger song

accidentally crosses my consciousness (when flicking the

radio dial), surprising me from out of no-where!

The sense of holiness by the grave of the Saint in a godforesaken

hole in the Ukraine!

The sense of gratitude in waking up each morning alive

And that first conscious breath

That delicious sense of being

And knowing that I have been privileged to live yet another

day.

These are the miracles for me

The miracle of the ordinary-yet-not ordinary life

As I live it

The life I desire

The life I wish to return to

The life I took for granted for so long

For so many years

The life I now see as so precious

And so miraculous

I ask to be granted a little more time

To live that life

That is the miracle for me.

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The Four Who Entered the Orchard

Julian Ungar-Sargon February 10, 2008

The Rabbis taught: Four [Sages] entered the Pardes

[literally "the orchard."] They were Ben Azzai, Ben Zoma,

Acher [Elisha ben Avuya, called Acher -- the other one and

Rabbi Akiva.

Rabbi Akiva said to them [prior to their ascension]: "When

you come to the place of pure marble stones, do not say,

'Water! Water!' for it is said, 'He who speaks untruths shall

not stand before My eyes' (Psalms 101:7)."

Ben Azzai gazed and died. Regarding him the verse

states, "Precious in the eyes of G-d is the death of His

pious ones" (Psalms 116:15). Ben Zoma gazed and was

harmed [he lost his sanity -- Rashi]. Regarding him the

verse states, "Did you find honey? Eat only much as you

need, lest you be overfilled and vomit it up" (Proverbs 25:16).

Acher -- the other one- cut down the plantings [he became a heretic].

Rabbi Akiva entered in peace and left in peace.2

1The Talmud (Chagiga 14b), Zohar (I, 26b) and Tikunei

Zohar (Tikun 40) report the following incident regarding

four Mishnaic Sages.

2Tikunei Zohar adds details not mentioned in the Talmud.

The ancient Saba [an old man] stood up and said [to

Rabbi Shimon bar Yochai], "Rabbi, Rabbi! What is the

meaning of what Rabbi Akiva said to his students, "When

you come to the place of pure marble stones, do not say,

'Water! Water!' lest you place yourselves in danger, for it is

said, 'He who speaks untruths shall not stand before My

eyes.' But it is written, "There shall be a firmament

between the waters and it shall separate between water

[above the firmament] and water [below the

firmament]" (Genesis 1:6). Since the Torah describes the

division of the waters in to upper and lower, why should it

be problematic to mention this division? Furthermore,

since there are [in fact] upper and lower waters, why did

Rabbi Akiva warn them, "do not say, 'Water! Water!'" The

Holy Lamp [a title accorded to Rabbi Shimon bar Yochai]

replied, "Saba, it is proper that you reveal this secret that

the chevraya! [Rabbi Shimon's circle of disciples] have not

grasped clearly."

The ancient Saba answered, "Rabbi, Rabbi, Holy Lamp.

Surely the pure marble stones are the letter yud -- one the

upper yud of the letter aleph, and one the lower yud of the

letter aleph [an aleph in script is formed by an upright yud

at the top to the right, and an upside-down yud at the

bottom to the left, joined by a vav, the diagonal line

between them]. Here, there is no spiritual impurity; only

pure marble stones, and so there is no separation

between one water and the other; they form a single unity

from the aspect of the Tree of Life, which is the vav in the

midst of the letter aleph. In this regard it states, "[lest he

put forth his hand] and if he take of the Tree of Life [and

eat and live forever] (Gen. 3:22)...

The four

This group of four

Entering the orchard

The very unknowing of what might emerge at the end,

Fearless but with some trepidation no doubt,

Armed with only the desire to see and behold

The Schechina, in Her pristine ness

In Her glory and beauty

Powerless over this desire

They enter fearlessly

Together, then silence.

We remain ignorant as to what actually happened inside

Were there cries and screams?

Was there silence? or noise? of pain?

Inside, during those eternal moments

Inside this orchard, this paradise

Left with only a trace

The effect of that decision recorded in legend and text

Their lives inscribed in Talmud and Zohar

And liturgy, embellished in the matrix of sacred history

Inspiring countless generations of spirit seekers

Warning others to beware

All because of that fateful decision to enter, to taste to

experience the forbidden.

These men

These four men

Never the same again.

The experience to alter their lives forever

Only one emerges unscathed,

Only one picks up where he had left off

Back to school, teaching class

The weekend over,

The trip completed,

Return-to-work status.

But what of the others?

And why?

What really took place there?

We know little except

By all accounts

They were scarred for life

One dead, the other insane, another heresy,

This is what became of those less fortunate three.

So what did they "see" or experience

Could we speculate as to what happened?

Today drugs might do this.

Patients of mine on LSD have reported similar visions

and post –acid hallucinations lasting years.

Surely drugs can affect a person in such a way.

But I prefer an older metaphor

They saw such a trauma

They descended into such a hell

That only the demonic could have affected them so

violently.

(However we speculate can we agree it was violent?)

Four entered into Hell

Four were taken to Sheol against their will.

I mean who would want to go there voluntarily?

Surely we can surmise it was a forced migration

Transfer, deportation and Final Solution.

Yes; let us agree it was deportation or worse a death camp

What they beheld would make three quarters of them

insane, mad or heretical.

Four entered into Auschwitz, Belzec or Sobibor

Four entered but how many emerged whole? Only one.

Theoretically that could be the tentative meaning for this

place.

The term Paradise is then merely an expression used by

the Rabbis to hide the true character of the

trauma...lashon saginahor

A cleansing expression this "orchard" euphemistically

referring to a garden of delight

But so violent and horrific that the Rabbis spared us the

particulars, the facts, the trauma..

And of Akiva what happened?

Do you really think he came through ok? Yatza beshalom?

Wait!

Listen! Fast forward!

To the culmination of his life

His martyrdom

We think so holy

But for him it was nothing compared to a living hell

The lonely survivor of this 'orchard experience'

We know about survivors and their burdens

We know about the nightmares and long-term effects

We know about Post-Traumatic Stress disorders

(DSMI, II, III, and IV-category diagnosis after all;

Officially sanctioned by the American Psychiatric

Association-therefore it exists!)

And for some

Who survive

The better strategy is psychosis

For others, self-mutilation.

So the Romans raking his skin with iron combs and

crucifying him

As they burn him alive

Oh that story,

That martyrology, we read on Yom Kippur

Must be woven into this one;

The orchard on the one hand and the torture and death of

Akiva on the other.

For him this might have been less than we feel when

reading, less of a horror...

After all, he actually continues to teach his students during

the torture

About mesirus nefesh and the Shema our doxology

What gives him this power?

Of course

We may now understand his pain

For now he will be relieved of the living hell

A survivor alone without his three companions

after that so-called 'orchard experience'

Even this Roman hell is better than continuing.

Alone.

Four entered the orchard

One went mad

One committed suicide

One became heretical

And one yatza beshalom came out 'in peace'

But then could not continue to live in peace.

That is our post Holocaust Midrash our 'take'

On the Holy Rabbi Akiva

The single survivor

Four entered but in reality no one escaped Hell

Unscathed

None were the same again.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​