Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

The Sargon Women

Julian Ungar-Sargon February 8, 2009

Always looking for that ultimate paradigm, the archetype of

womanhood Lost, when I lost my childhood innocence, or

was it beaten out of me?

Split between the goddess and the whore

My subconscious got strewn between these poles.

Evaluating and unresolving my relationships They usually

fell apart when I realized the truth, I was either repulsed or

she remained forever beyond.

Torn between desire and admiration, the goddess in white

garments and the woman in the lacy black lingerie.

To have infected all those relationships, all those pathetic

pursuits to nowhere, so much effort and obsession After

fantasy and images, dreams and pre-conceived fragments

To be followed by the inevitable repulsion or rejection does

it matter which?

Strung in both cases between those awful poles of

isolation.

But now in ageing, I see clearer.

For I have inevitably been forced to finally appreciate what

was so precious, what was so refined and subtle, what I

had missed all along... that Sargon femininity, that ultimate

image etched into my subconscious, first and lastly, the

picture of my mother holding the violin playing her

Paganini piece or Beethoven Romance as she won the all

India violin competition, that iconic image of her in her

black velvet dress, the low cut appeal of that black velvet

despite her innocence, and the ability to hold both purity

and seduction without loss of either, the freshness of her

gaze and guilelessness.

That precious absence of manipulativeness, of

deviousness, of pseudo-naiveté that I have known in

encountering other women along the way. At some point, I

had lost that image. Where had I forgotten this deep

feeling?

That primordial image I had seen all my childhood like

those Sunday afternoons with the Sargon women hugging

the walls and the men with their Arabic playbeads in the

middle of the large living room in Wembley. On puffs and

small ottomans, speaking of world affairs and business

and the women chatting on the sidelines; of pleasantries.

But those very women come back to me now as I realize

that what I really needed all along, what I had been

searching for without knowing it, was that precise notion of

womanhood. That innocence and lack of guile, yet

attraction and desire, the absence of that conflict, found

only in Sargon women.

Even more so, all those women who brought out the worst

in me were really a gift bringing me to this place of

realization. This place of return of the past and the

ancestors, the Sargon women.

Holy sisters, mother, aunts, Becky Florence, Matilda, even

Diana, Ray, Myrtle, and my beloved Nana, then nieces

and daughters ... and now as I stare at my granddaughter

playing, 7 months old, her coyness as she places her tiny

hands on my beard inquisitively, I bask in the reflection of

this knowledge that those values will continue, that I have

come to peace with the mother goddess.

That my notion of Schechina has come full circle as I

welcome the bride each Sabbath projecting onto her all

those virtues of the eishis chayil.

Thank you for the gift of womanhood

Of innocence yet desire

Of purity with the body

With no guilt or shame

The refusal of the lacy black, but the retention of the

burning and yearning desire. Thank you.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​