Julian Ungar-Sargon

  • Home
  • Theological Essays
  • Healing Essays
  • Podcast
  • Poetry
  • Daf Ditty
  • Deep Dive Ditty
  • Videos
  • Publications
  • Military Service
  • Dominican University
  • Home
  • Theological Essays
  • Healing Essays
  • Podcast
  • Poetry
  • Daf Ditty
  • Deep Dive Ditty
  • Videos
  • Publications
  • Military Service
  • Dominican University

Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Shloshim For Uncle Eric

jyungar February 9, 2025

I believe my earliest memory was being pushed

in a pram with my twinnie, London circa 1953

Eric told us that he was proud when people asked him

whether we were his children

He also told me he put earplugs in his ears when babysitting

due to my incessant crying.

Growing up Eric was this exotic being, always dressed handsomely

with his full Windsor knotted tie, white crisp shirt and handsome demeanor.

His laugh was infectious seeing the positive in everything.

Circa 1958 the BBC toured China and we all huddled around

a small black and white TV waiting for the camera to pan across

the string section and on seeing him fro a fraction of a second  

we yelled “there is Eric!!”

As I grew he became this anchor in my emotional life,

a person whose presence provided comfort and unconditional love.

Slowly but surely his moral stature ethics and compassion

became the role model for me, challenging my upbringing

that you needed to halachic to be ethical. In many ways

in his very life and conduct he became more and more

the paradigm of a tzaddik….in two ways:

The first was his utter lack of guile, retaining his innocence

until his dying breath, loving all creatures

no matter what their station in life,

without any sense of ego or self-bloating in the process.

Secondly the dictum We know "sheva yipol tzaddik v'kum".

The saintly Yesod Hoavoda once told his disciples

that he asked a professional horse jockey

if his horse ever threw him to the ground.

“Of course,” said the jockey.

“Everyone, even the most professional rider, gets thrown from time to time.”

“What do you do when you get thrown?”

asked the Yesod Hoavodah.

“I hold on to the reins and jump back on to the saddle

as fast as I can. If not, the horse will run away

and I will be left with nothing,”

the horse jockey replied.

Rather than succumb to all his trials and tribulations from childhood,

(in today’s world we might call it trauma)

Uncle made use of the pain and suffering

and transformed it into compassion for all human beings.

Instead of internalizing the pain into depression anxiety

and repeating the violence he went to the opposite

pole of identification with the pain of others.

I think he lent a new meaning to the posuk כִּ֤י שֶׁ֨בַע ׀ יִפֹּ֣ול

It maybe that Eric showed us that you only become a tzaddik

by falling seven times, you are not born one.

All who worked with him loved him, he was the go-to guy

for other members of the orchestra who suffered.

A few months ago I played a duet with him,

a piece I had composed, and he had picked up by ear

and knew how I loved the melody, he played the viola

like he had decades ago with sensitivity and mastery

- a life of mastery of his instrument.

His life was like that piece, a classical structure

with an exposition followed by the development

and the final recapitulation of the theme. It all expressed itself

in the music that day it had a coherence.  

Just like a sonata, his life has its moments of harmony and dissonance,

but each phase contributed to the overall beauty and richness of his journey.

🎶

My heart was broken watching him mourn for Aunty Florence,

it was Purim and everyone left to hear the megillah.

I decided it was more important to sit with him, be with him,

as he poured out his heart and cried for the first time,

since I was present in some way to give back

to the man who had given me so much.

His life was represented by his instrument.

The delicate balance between technical mastery of the music at hand,

the constant need to rehearse and practice

(drummed into him as a child)

and the sensitivity and musicality of the piece

the original intent of its composer, or the understanding

of what the conductor wanted to bring out.

His self-discipline was only matched by his sensitivity,

to the instrument to the music and to others playing with him,

he negated himself to make harmony with the other orchestra players,

never wishing to promote self.

His resilience was manifest when soling in Harold in Italy

his A string snapped but he just kept on playing

not wishing to let down the orchestra, not at all caring about himself.

Often I would go to him for encouragement,

after all I told my kids repeatedly

“when I grow up I want to be like uncle eric”

and I would leave him without fail, encouraged

and strengthened by his kind words.

His last words or message to us were captured as follows:

“whatever life throws your way…just get on with it, don’t be defeated by it”

We honor his memory by following his advice.

Just get on with it

You are sorely missed by beloved Eric

I still want to be like you when I grow up.

TagsP7
  • Poems
  • Older
  • Newer

Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​