Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Art by David Friedman

Kaballah of October 7th

jyungar September 3, 2024

The vacated space of the Chalal hapanui… חלל הפנוי

Where bechirah runs amock

Radical freedom’s dark side

Bears down heavily-

The price of existence outside Him

The imperfection of finitude

We, who bear His gevurot

Creation as catastrophe

The very weight of the (apparent) tzimtzum , surely כפשוטו.

We suffer the atrocities..

Worse, powerless as onlookers,

I now understand the millions of fellow Jews watch

The unfolding Shoah, with more compassion than ever

For their sense of impotence.  

Knowing that beyond reward and punishment

And all the tired theodicies

Good and evil,

victim and perpetrator,

Lies this hidden intuitive sense

That Being, Mind, and the order of things

Has made space within Himself for all the horror

Of all history, the failed experiment of creation and

its human nadir.

That for his Chessed to thrive

The DIN must be vomited, expelled, demonized,

And expressed in the murderous acts of the enemy to this day. 

However comes along the  adept,

The shaman who has already surrendered

Knowing the murderous enemy lies within

That somehow he, as onlooker, is complicit

For accepting reality as somehow good. 

When Dinur testified at the Eichmann trial

His apoplexy forcing him to confront the possibility

That inside each of us -given the right conditions- we too

Could exhibit the same murderous impulses, if banal-

What might he say looking into the Gazan tunnels?

Peering into that deep darkness

Might he see the same barbarous acts in himself? 

What might I say in my ever ambivalence,

“horrific but understandable”?

Not excusing their behavior for a second,

Not even parsing the implacable conflict since 1948

Nor the self-righteous thuggery of the settlers

On the contrary

Holding the past etched in memory

(The Kabbalah of the crematoria

The holiness of the smoke rising of plumes of white bone-ash

And all ensuing genocides since)

Inspired by the technology of killing

The doubting Thomas looks into the Gazan tunnels

To a new era of psychic terrorism.

Out there

and the horror of accepting this occurring holographically within. 

When will this be enough?

Is that the definition of geulah?

When the divine is finally exhausted, emptied of its non-divine

Watching all this from its Elysian heights? 

She is a jealous mistress

Schechinah remains in the rising smoke, the charred victims,

And now in the bloodied hands of the drugged murderers

She wear black in the tunnels,  out of sight,

(like in Reb Chaim Vital’s dream the Kotel circa 1777)

And in my own darkness, the Princess is lost

and beyond resuscitation by the zaddik

Beyond rescue in the depths of despair.

Yet it is in the darkest of hours

In the deepest tunnel

In the hopeless heart

That the only attitude, the possible response must be

Further surrender

deeper silence

a screaming Nachman-type silence

a bitul to the reality as it is

beyond pain

beyond atrocity

echoing  the Piacezna in his deepest despair (Eish Kodesh)

a descent of such depths that even screaming איה מקום כבודו

will not propel one to כתר 

it is a fall into the חלל הפנוי

that vacated space of acceptance

that this is all His רצון

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​