Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

Chagall, Marc: White Crucifixion, 1938 Oil on canvas 60 3/8 x 55 in. The Art Institute of Chicago

Living on the Knife Edge of Doubt

Julian Ungar-Sargon September 10, 2006

Strung out between two worlds secular and sacred.

I remain on that knife-edge between the two.

Not allowing myself the luxury of one camp or another,

even within my tradition

I used to staunchly defend "modern orthodoxy" (which

turns out to be neither) or "religious Zionists" (a true hybrid

contradiction in terms).

Not wishing to give in to either nor to give up on either

validating both,

Worried about losing the essential quality of either were I

to choose.

And even in my turn to Hassidism the path of Reb

Nachman "chose" me and demanded one "Be a Litvak in

the head and Hassid in the heart".

Once again, straddling both the rational as well as the

mystical worlds.

In my practice I too strive for "evidence based" clinical decision-making

And counsel my patients on remedies that are scientifically based

Yet I believe it’s practice is an art, more akin to the

humanities and magical arts!

Lastly in my theology; in a nightmarish post-Holocaust world

Where others drill the last screw into the coffin of Western

Civilization and Christianity

I remain drawn to the symbiotic roots of these Pharisees,

Rabbis and early Church Fathers hankering after a long

forgotten mythic collegiate dialogue

So that I might be able to reconstruct a truer picture of

Incarnation and Crucifixion

From a Rabbinic perspective,

Treasures lost in our rejection of sectarianism.

For living in a world after the Tremendum-I need so badly

to recover those roots of Mesiras Nefesh and the Torah of

Rabbi Akivah to make sense of God’s latest demands for

His people's collective Akeidah.

Fully aware of the psychological benefits of such a stand

And the prophetic criticism of "sitting on the fence" literally

I still wish to remain in that space "in between", since I

cannot nor wish to make intellectual choices either here or

there.

I wish to hold the opposites, stay with the tension, hold

that too

And let the conflict allow something new to emerge.

This is the brilliance of Reb Nachman's refusal to choose

either the Vilna Gaon's or the Alter Rebbe's position on the

Tzimtzum, rather demanding from his Hassidim to "hold

the paradox of the Chalal Hapanui" the vacated space, for

only the Zaddik can hope to traverse this infinite chasm of

the presence of the Absence of God.

And in this post Holocaust space a place of apparent

radical absence of the Divine the Rebbe demands an act

of faith as in Chagal's painting the White Crucifixion

portrays-an act of Mesiras Nefefh of surrender despite the

absence.

The critical key is how to find that road map that will help

us traverse the vacated space!

And I'm told that I must stay put on the knife-edge

between the Makif and the Pnimi [1] the transcendent pull

and the immanent push.

The Ratzo and the Shov [2] rising and falling in the cyclical mythical

Mandala of life.

I must remain in that space between the Twin Towers.

So the easy solutions and one-sided response must be let go

For a more complex holding pattern

The waiting for God

And Simone Weil's afflictions

The refusal to accept easy theological platitudes

Despite Rabbinical approval.

We will stay in this space of radical doubt

And make of it a new path

A paradoxical faith

A faith, despite

Steadfastness in the face of

A protest in the style of Midrash and the Baal Shem Tov

The lost Princess and the Seventh Beggar [3]

And when the Messiah arrives we will ask him why?

Why so long in coming?

Why watch so much suffering in the interim?

What pleasure had the Divine from all this?

And he will sigh.

[1]See my essay Makif and Pnimi, Circles and Lines, June 2007

[2]The ebb and flow, ascent and descent, the coming toward and backing away

from the Divine which is the hallmark of all spiritual paths.

[3]The Story of the Seven Beggars, Rabbi Nachman's Tales, by Arnold Band,

Classics of Western Spirituality, Paulist Press 1985.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​