Julian Ungar-Sargon

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Poems

Moving Poetry by Dr. Julian Ungar-Sargon

A Sense of the Tragic

Julian Ungar-Sargon June 26, 2009

To have to bear the unbearable

how do I do this?

let alone teach my patients?

the tragedy that is of this world alone

this suffering life

this particular patient in extremis;

facing the pain of others

the failure of self

the pain of mere existence

of harms done to others

to even those I have loved

especially to my children

to the Self

a gnawing aching pain like the second one reels in one's

toe from a too hot bath

there follows a deeper slower agonizing pain- that oneknowing

this without worry of sentimentality

like when listening to Bach and suddenly the tears flow

uncontrollably without explanation as if he had unlocked

the mystery of the suffering world in one chord sequence.

and I know how true it is despite the distance over time the

secret remains alive...

but no one taught me how to bear it.

Why me?

Why my shoulders?

Nana had always said "he carries the world on his

shoulders" when I was three

A cry baby to my Dad who often was triggered by this little

sissy boy

who cried too easily for everything and anything

triggering his rage as to what this so-called son was

turning in to.

Yet I still cry when making love, unable to hold back the

pain

as if in the climax there is a secret being released into the

world from a mysterious place through the lovers

and we are powerless to resist this like the very act of love

itself

and are forced to transmit this crie-du-chat

despite ourselves

we are as mere porters.

and this sense pervades all my experience

nothing is free of its taint...

especially the sunsets over the lake

and landscapes in changing seasons

as if nothing is eternal

all must die and rebirth

all must leave and dissolve

and I cannot bear it nor hold back the tears.

But for me the joy was always intimately bound to not only

love but also death and the tragic poisoned all happiness

with the perilous concoction of ecstasy and torment.

And discovering the sacred was no refuge, for here too I

found the hierosgamos-that sacred union of good and bad,

light and dark sides, angels and demons, overseen by the

Almight Oneness the Presence where all is made clearmade

plain in one glance (skira) the whole of history, of

human suffering, of nature and survival, of violence and

animal behavior, human striving throught the lens of this

tragic focus.

This consciessness we called God once, forced me into

an even more unbearable awareness of the cosmic

suffering and divine pain which only raised the stakes

even higher seeing things from his perspective lightened

nothing comforted no one. And of sacred texts the longing

and yearning heightened the feeling that there were a few

prophets with the same sense.

The relief comes only in fleeting moments, a Scotch, the

climax, the music, the needle in the spine which demands

my total focus and concentration, aware of nothing but the

technique and watching that X-ray screen for my nonbiological

steel needle penetrating the vulnerable flesh as

it passes skin, fascia, muscle and dura to deliver the

sacred remedy.

And in most unexpected places it surfaces; triggered by

haunting memories a sequence of music, a word spoken

soflty in a movie, a patient's knowing look of anguish, my

sibling abused, ageing relatives after a time gap,

Above all-no one taught me how to carry all this.

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Julian Ungar-Sargon

This is Julian Ungar-Sargon's personal website. It contains poems, essays, and podcasts for the spiritual seeker and interdisciplinary aficionado.​